Ruth Wilson’s ‘The Woman in the Wall’ unpacks a ‘grim history’: review

Matty Healy‘s mum Denise Welch has said that she is seen as “the Virgin Mary” among The 1975‘s fanbase.During a new interview with BBC News, the Loose Women panellist and former Coronation Street star spoke about being recognised as the mother of the Manchester band’s frontman.“With Matthew’s fans, it’s, ‘There is the Virgin Mary – there is the woman who gave birth to the Messiah,” she explained. “I’ve had people in the foyer of The O2 touch me and burst into tears.”Welch continued: “He provokes this hero worship, to the point that the fact that I actually produced him in my body gives me that sort of reverence – and it’s quite hysterical.

Blumhouse has set Black Adam filmmaker Jaume Collet-Serra as director, and Danielle Deadwyler as star and EP on The Woman in the Yard.

Are Nicki Nicole and Peso Pluma are over?

Gillian Anderson bears an uncanny resemblance to Emily Maitlis in the first teaser for the Netflix drama about her explosive interview with the Duke of York.

Aramide Tinubu A companion series to the 2021 docuseries, “The Black Church,” and executive produced and narrated by Dr. Henry Louis Gates Jr., directors Stacey L. Holman and Shayla Harris’ latest docuseries, “Gospel,” is a historical account of the musical genre.

It's the viral video that's got the nation talking – well, laughing. A lot. In the hilarious clip, a woman who's been locked out of her house is seen clambering through an open ground floor window, after being given a leg-up by a giggling pal.

Today, it’s easy to put Martin Scorsese up there as one of the greatest American film directors of all time. However, according to one of his longest collaborators, that feeling is relatively new, as studios didn’t respect him as a living legend until the last decade or so.

The Bold and the Beautiful has undergone many casting changes as of late!

EXCLUSIVE: In an arguable first for a Disney+ movie, Disney is contemplating a theatrical release for the Daisy Ridley starring, Joachim Rønning directed feature take of Glenn Stout’s Young Woman and the Sea after the picture scored quite well.

Megan Thee Stallion has released a new song titled "Hiss." The song is her second snake-themed single after "Cobra," which was released late last year. The new song opens with Megan stating, "I just wanna kick this shit off by sayin' fuck y'all.

A struggling ex-teacher who took her own life sent her estranged husband a voice note after finding out he'd been 'cycling with another woman', an inquest heard. Catherine Disbury, 41, moved out of her marital home after her relationship broken down.

Caroline Brew editor Lena Waithe, who is a juror at Sundance, believes the festival “really sets the tone for the year,” citing “Past Lives” as an example from last year. “Obviously, ‘Past Lives’ has done really well, surprisingly so to the business. It’s a quiet movie about home, friends, what would’ve happened if you would’ve stayed in one place versus going somewhere else,” Waithe said.

There’s commitment to the bit, and then there’s David and Nathan Zellner. The brothers’ latest film “Sasquatch Sunset,” billed to Sundance audiences as only “a year in the life of a singular family,” makes good on the filmmaking duo’s long desire to make a film about the legend of Bigfoot.

Peter Debruge Chief Film Critic Austin-based indie directors David and Nathan Zellner have spent more time thinking about Sasquatch than most filmmakers do musing about human beings. In 2011, they brought “Sasquatch Birth Journal 2” to the Sundance Film Festival, a four-minute faux nature documentary in which a hirsute creature can be seen giving birth to an equally furry infant.

Peter Debruge Chief Film Critic Writer-director Sean Wang is tough on himself in “Dìdi,” a fresh and funny summer-before-freshman-year flashback that provides an Asian American angle on that Sundanciest of indie-film genres: the semi-autobiographical coming-of-age movie. In what feels like a cross between Bing Liu’s “Minding the Gap” and Jonah Hill’s “mid90s” — courtesy of the young director’s teenage desire to make skate videos — Wang serves up some of his most wince-inducing adolescent memories, from an aborted first kiss to the realization that he’d been trying to downplay his Taiwanese heritage.

Anyone with more than a passing interest in the weird and wonderful will have seen, if not heard of, the Patterson-Gimlin footage, the cryptoozological equivalent of the Zapruder film. Shot in 1967 in the forests of Northern Carolina, it purports to show a large, ape-like creature with an elongated forehead striding purposefully into the trees. Unlike an ape, the creature walks upright, and, unlike the furtive behavior of any other forest creature, it has the casual air of the average human being popping over to the 7-11 to pick up a gallon of milk. Most people who see the footage wonder what the hell this damn thing is, but the sibling directors of Sasquatch Sunset have a couple more questions that they’d like answered. Like, where is it going? And what does it do all day?

Peter Debruge Chief Film Critic Hailing from the country that gave us such grim social critics as Michael Haneke and Ulrich Seidl (fittingly, the latter serves as a producer here), Vantablack Austrian satire “Veni Vidi Vici” opens with a senseless homicide. It’s a startling scene, no less upsetting than the Scorpio killing that kick-starts “Dirty Harry” — except that in this case, the incident is calibrated as the darkest sort of comedy.

Oscar-winning actor-turned-filmmaker Daniel Kaluuya’s directorial debut, “The Kitchen,” is a slightly unusual, oddly shaped movie at times. And/or, another way to look at it is, depending on your point of view, Daniel Kaluuya’s filmmaking debut (co-directed with Kibwe Tavares, who also makes his feature-length debut) may defy your expectations, and it has much more on its mind than you might presume.

Aramide Tinubu “Griselda” is a revenge story. Yes, it’s an account of real-life drug queenpin Griselda Blanco’s (an engrossing Sofía Vergara) rise to The Godmother of the Medellín Cartel. But this tale isn’t an account of some distressed damsel who gets swept up in the underworld.

There are few people who could ever understand what life is like as a Queen-in-waiting, but the Princess of Wales appears to have found a confidante in Mary, the new Queen of Denmark. Following the recent shock abdication of Queen Margrethe after a reign of more than five decades, Kate, 42, will have been keen to lend her support to close friend and “muse”, Mary, 51, who is married to the new King Frederik X.