Ron Perlman Says ‘F— You’ to ‘Don’t Look Up’ Critics: ‘Internet Has Almost Killed Journalism’

Amy Schumer honoured her four year wedding anniversary with a sweet and funny tribute to her chef husband Chris Fischer.  The comedian, 40, posted a black and white image of the happy couple with the caption: 'Find someone who can stand you.

Spoiler warning: This video and article discuss the final scene in “Don’t Look Up”A film editor for 30 years, Hank Corwin this week scored his third Oscar nomination. All have been for comedies (albeit perverse, dark comedies) directed by Adam McKay: “The Big Short,” “Vice,” and now “Don’t Look Up.” If Corwin were to win at the Oscar ceremony on March 27th, it would mark the first comedy to nab a trophy in that category since 1988’s “Who Framed Roger Rabbit.”“It’s pretty meaningful to me,” said Corwin in the exclusive video above, regarding the final six minutes of the movie, in which a giant comet smashes into the earth. “With every movie I do, I try to put some of myself into.

Jimmy Kimmel thinks he knows why his favorite film of the year, Spider-Man: No Way Home got snubbed of an Oscar nomination yesterday. And he’s not happy about it.

Jessica Chastain has built a résumé of portraying strong-willed women, but playing Tammy Faye Bakker was the first time she felt “exposed.” Believe it or not, she’s been working on bringing The Eyes of Tammy Faye to life since her most recent Best Actress nomination in 2012’s Zero Dark Thirty.

After watching his end-of-the-world satire Don’t Look Up notch four Oscar nominations this morning, in the categories of Best Picture, Original Screenplay, Original Score and Editing, writer-director Adam McKay spoke with Deadline about the film’s recognition and its real-world impact, as well as upcoming projects ranging from the HBO series Winning Time: The Rise of the Lakers Dynasty, to his HBO Max series The Uninhabitable Earth and his Elizabeth Holmes film Bad Blood for Apple.

Elisabeth Moss is digging into the past in a mind-bending new series for Apple TV+.The actress leads , an eight-episode thriller that will launch Friday, April 29 with its first three episodes, the streaming service announced Friday. Subsequent episodes will drop weekly on Fridays.Based on the novel by Lauren Beukes, the series follows Kirby Mazrachi (Moss), a Chicago newspaper archivist whose journalistic ambitions were put on hold after enduring a traumatic assault.

Lake Bell has a personal connection to the new “Pam & Tommy” TV series starring Lily James and Sebastian Stan.

Peacock is bringing some serious star power to its platform, and TV fans got a look at some of the best the streaming service will soon have to offer.The streamer revealed a first-look teaser giving a tantalizing glimpse of all the shows that will soon be available to subscribers, featuring some of TV's biggest names.From Kate McKinnon's Carole Baskin facing off against John Cameron Mitchell's Joe Exotic in the hotly anticipated, to Craig Robinson's snake-hunting hero in, to Emmy Rossum's shocking transformation in the biographical series , it seems that Peacock is looking to gain ground in the battle of the streaming services in the coming year.Peacock also released a full list of all the shows slated to debut in 2022, including those with already announced release dates, and a slew of others set to bow later in the year:, starring Josh Gad and Isla Fisher, is available to stream now. --  the much talked-about hour-long drama reimagining of the beloved sitcom — premieres on Feb.

Tim Gray Senior Vice President“Don’t Look Up” has hit a nerve in a way that’s rare for films to do. That’s partly because it addresses an urgent, hot-button topic — climate change — with a film that’s partly a cry for help, partly a black comedy. The movie, written and directed by Adam McKay, with a story by David Sirota, boasts a starry cast, including Jennifer Lawrence, Leonardo DiCaprio, Meryl Streep and Cate Blanchett.

Because the WGA created its award to be a prize for its members and those who write under its jurisdiction, a Writers Guild nomination is a less accurate predictor of Oscar success than noms from the other three major Hollywood guilds, the Screen Actors Guild, Producers Guild and Directors Guild.WGA rules restrict eligibility to screenplays that were written under the guild’s Minimum Basic Agreement or under a collective bargaining agreement from one of 11 affiliate guilds around the world. As usual, that rule disqualified a number of top screenplays this year, including “The Power of the Dog,” “Cyrano,” “Passing,” “The Lost Daughter,” “Drive My Car” and “Spider-Man: No Way Home” in the adapted-screenplay category and “Belfast,” “A Hero,” “The Hand of God,” “Parallel Mothers” and “Prayers for the Stolen” in original screenplay.“Belfast,” “The Power of the Dog” and “The Lost Daughter” in particular are strong favorites for Oscar nominations.In the documentary category, only three screenplays were nominated: “Being Cousteau,” “Exposing Muybridge” and “Like a Rolling Stone: The Life and Times of Ben Fong-Torres.”Winners will be announced at the WGA Awards on March 20, one week before the Oscars.The nominations: ORIGINAL SCREENPLAYBeing the Ricardos, Written by Aaron Sorkin;Amazon StudiosDon’t Look Up, Screenplay by Adam McKay, Story by Adam McKay & David Sirota; NetflixThe French Dispatch of the Liberty, Kansas Evening Sun, Screenplay by Wes Anderson, Story by Wes Anderson & Roman Coppola & Hugo Guinness & Jason Schwartzman;Searchlight PicturesKing Richard, Written by Zach Baylin; Warner Bros.

Jon Burlingame editorHow do you write a love song that’s also a lament for the impending end of the world?That was the challenge for “Don’t Look Up” composer Nicholas Britell, lyricist Taura Stinson and their co-writers and performers, Ariana Grande and Kid Cudi, as they collaborated on “Just Look Up.” The song is performed in the film and is on the Oscar shortlist for possible nomination in February.The idea came from writer-director Adam McKay, Britell reports. Grande had already been cast as Riley Bina, a pop star who reconciles with her rapper boyfriend (Kid Cudi, as DJ Chello) on the same morning talk show where astronomers (played by Leonardo DiCaprio and Jennifer Lawrence) reveal that a comet is on a collision course for Earth.

It stands to reason that a filmmaker reared in comedy improv, Adam McKay, would partner up with an editor, Hank Corwin, who is familiar with cutting for directors known for their impromptu style.

K.J. Yossman Christina Ricci’s upcoming aquatic horror film “Monstrous” is set to premiere at the Glasgow Film Festival (GFF) in March.Ricci plays a domestic abuse victim fleeing with her 7-year-old soon who soon encounters a terrifying monster living nearby.

The Independent.“It’s corrupt. And it’s sick. And it’s twisted,” he added.In the film, a pair of scientists (Leonardo DiCaprio and Jennifer Lawrence) discover a comet headed toward earth that will likely bring about the planet’s destruction.

If you’ve got negative things to say about “Don’t Look Up”, maybe avoid saying them around Ron Perlman.

Monday, Jan. 24 marked the premiere date of “The Gilded Age”, the new period drama starring Christine Baranski and Cynthia Nixon as well-heeled sisters who take in their niece (played by Louisa Jacobson) when her father — their brother — dies and leaves her penniless.

While there’s been no word about the possibility of the “Mamma Mia!” gang reuniting for a third movie, at least one of the film’s stars is admitting she’d totally be onboard.

Zack Sharf Bradley Cooper earned rave reviews for his lead performance in Guillermo del Toro’s “Nightmare Alley,” but the eight-time Oscar nominee was not necessarily the director’s first choice for the job. It was Leonardo DiCaprio, who del Toro originally cast in the role of Stanton Carlisle, a drifter and con artist who rises from lowly carnival worker to a renowned mentalist.

Peter Debruge Chief Film Critic“What would you do if you had six months left to live?” asks the doctor who diagnoses a do-nothing bureaucrat with terminal cancer in “Ikiru,” a 1952 masterpiece I suspect precious few of those who see its English-language remake, “Living,” will recall. Quite unlike anything else in Akira Kurosawa’s career, “Ikiru” ranks among the Japanese director’s best: With no samurai battles or set-pieces, the low-key contemporary melodrama raises profound questions about how we choose to spend the limited time we’re afforded, focusing on a stoic functionary about whom even the narrator apologizes, “He might as well be a corpse.”Culturally specific as so much of “Ikiru” may be, its lessons translate quite well to midcentury British society, courtesy of Nobel-winning novelist Kazuo Ishiguro, who did the work of adapting it to 1953 London for director Oliver Hermanus (“Moffie”).

The Gilded Age seems destined to be a hit. After all, American viewers are huge fans of British period dramas—or so it appears. The Tudors, Downton Abbey, , and are just a few of the series to find runaway success focusing on a time that transports us to yesteryear.