Roland Emmerich: Marvel Movies and ‘Star Wars’ Are ‘Ruining Our Industry a Little Bit’

Cillian Murphy has spoken on his preparation for Christopher Nolan’s Oppenheimer, noting the similarities to his role of Tommy Shelby in Peaky Blinders.The actor will take on the role of the American theoretical physicist, whose work on the Manhattan Project led to the moniker the “father of the atomic bomb”, in Nolan’s new film.Ahead of its release next year, Murphy has opened up a bit about his work on the character, revealing in a new interview with The Observer that he has been doing “an awful lot of reading”.“I’m interested in the man and what [inventing the atomic bomb] does to the individual,” he said. “The mechanics of it, that’s not really for me – I don’t have the intellectual capability to understand them, but these contradictory characters are fascinating.”Comparing Oppenheimer to the paradoxical nature of Shelby, he went on to explain: “Tommy Shelby’s a complete contradiction, too.

surprise wedding live on telly and Jeremy Clarkson pranked as the latest victim of the Undercover sketch. Whilst some of the favourite features of the show are alive and well, long time fans will know there is one bit that is missing - in the form of Little Ant & Dec. READ MORE: Ant and Dec surprise mum-to-be with surprise wedding live on tellyThey were one of the highlights of the show, and got many laughs each week by putting big name celebrity guests in the hot seat with uncomfortable questions, like the current prime minister Boris Johnson, former prime minister Tony Blair Will Smith, Angelina Jolie, Katie Price, Victoria Beckham and Ewan McGregor.

Various directors have voiced their concerns about the state of modern studio films in recent years. And that means it’s unavoidable that they’ll eventually comment on the Marvel Cinematic Universe.

Jack Quaid is the latest star to join Christopher Nolan‘s new movie, Oppenheimer.

EXCLUSIVE: Following the box-office success of the most recent installment, Scream star Jack Quaid looks to have found his next big project as sources tell Deadline he is the latest top tier addition to Christopher Nolan’s next film Oppenheimer. The A-list ensemble already includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Rami Malek and Cillian Murphy, who is set to star in the title role as J. Robert Oppenheimer, the scientist who ran the Manhattan Project that led to the invention of the atomic bomb. The film will bow on July 21, 2023, a slot typically saved for Nolan films in the past. It’s also roughly two weeks before the anniversary of the dropping of the bomb on Hiroshima. Details behind who Hartnett will be playing are unknown at this time.

Jabari Banks is lacing up his sneakers and stepping into the role of Will for the new Peacock original series,, based on the hit '90s sitcom,. Banks chatted with ET's Denny Directo about getting the blessing of the OG lead of the show, Will Smith.  “He's my hero, man, and he's been such an inspiration for me and the show has been such a defining show for my life,” Banks tells ET.

Beyoncé has done it again! The superstar is officially an Oscar nominee, after breaking the record for most Grammy wins in history last year, the singer is now coming for the Academy Awards.

Zack Sharf Robert Pattinson guarantees comic book movie fans will know Matt Reeves’ “The Batman” is unlike any other Batman movie ever made as soon as they see the opening shot. Reeves’ nearly-three hour Caped Crusader epic is inspired by New Hollywood classics from the 1970s, including “Taxi Driver,” “The Conversation” and “Chinatown.” Pattinson told GQ magazine that viewers will feel these inspirations from the movie’s first frame.“I watched a rough cut of the movie by myself.

The Power of the Dog), heartwarming tales about family's striving to do their best (King Richard or Coda, for sure), or something else entirely, there are so many movies you can root for this awards season.  And for once you have time to catch up with all of them.

Director Roland Emmerich says it’s a lot harder for filmmakers to develop and release original ideas thanks to the prevalence of Marvel movies and “Star Wars” spin-offs.

Independence Day (and most recently, Moonfall) director Roland Emmerich has reiterated his disdain for IP-centric Hollywood blockbusters, saying in a new interview that franchises like Star Wars and the Marvel Cinematic Universe are “ruining” the film industry.The filmmaker’s latest assertion that such properties are void of creativity comes via Den Of Geek, where he reflected on the evolution of the disaster film as a viable genre for summer blockbusters. “Naturally Marvel and DC Comics, and Star Wars, have pretty much taken over,” he told the publication.

director Roland Emmerich thinks Superhero and films are ruining the industry. He is among the many actors and directors that have lambasted the state of the movie business because these types of movies exist.

Roland Emmerich is known for directing some of cinema’s highest-grossing action and sci-fi epics. From the natural disasters of “The Day After Tomorrow” to the otherworldly invaders of “Independence Day,” the filmmaker’s decades of work have become pop culture phenomena.

the hallmarks of an Emmerich blockbuster — natural disasters, parents separated from children, the total annihilation of Manhattan — but with a twist so baffling, you pinch your arm to make sure you are really awake. No need to reach for your dream journal — it’s all painfully real.The lunar-cy begins during a routine space station mission in outer space with Jocinda (Halle Berry), Brian (Patrick Wilson) and another astronaut.

reportedly to star in “Suicide Squad” instead).“I’m proud of ‘Independence Day: Resurgence’ but we had one problem: Will Smith decided while we were preparing, to drop out. That was a huge, huge blow to me,” Emmerich said.What made things even more difficult was the fact that pre-production on the movie was in full swing, leaving Emmerich in a precarious position.

Over the course of his almost four-decade career, Roland Emmerich is a filmmaker who has become synonymous with big-budget, CG-infused epics whose screenplays often challenge the laws of space and time. Few moviegoers who saw “The Day After Tomorrow,” “2012” or even “White House Down” thought they were anything more than overblown extravaganza and a nice escape from the monotony of the real world.

Peter Debruge Chief Film CriticThe joke of Netflix’s recent “Don’t Look Up” is that scientists discover a meteor headed straight for earth, and even with six months to plan, humanity is too skeptical and disorganized to prevent it. Meanwhile, in Roland Emmerich’s latest eye-roller, “Moonfall,” the joke is pretty much flipped: Everybody’s favorite satellite is set to collide with earth in, oh, a day or so, and that’s just enough time for two space jockeys to suit up, shuttle out and set things right.I say “joke” because “Moonfall” is designed to elicit incredulous laughter as its ludicrous plot snowballs from a high-concept hypothetical question (what if the moon suddenly changed course and came crashing toward earth?) to increasingly implausible complications on the theme, all while requiring Halle Berry, as acting director of NASA Jocinda Fowl, to keep a straight face while saying things like, “Everything we thought we knew about the nature of the universe has just gone out the window!” Like gravity, logic and how we define good acting.