Robert Eggers Keen To Reunite With Willem Dafoe For ‘Nosferatu’: “Willem Better Damn Well Be In It”

MILWAUKEE -- Actor Willem Dafoe is set to receive an honorary doctorate from the University of Wisconsin-Milwaukee next month.University officials announced Friday that Dafoe will receive the doctorate of arts on May 22. He’s slated to speak at the school’s two graduation ceremonies that day.

Having just released his Viking epic “The Northman,” this past weekend (read our review) director Robert Eggers is now giving some brief insight into where his future projects could be going while reiterating his desire to avoid another big studio project as his next movie. During a new interview with GQ Magazine, Eggers confirmed that he’s indeed working on a project in the Elizabethan era but was scarce on details and whether there will be an added genre element going on.

Owen Gleiberman Chief Film Critic“The Northman,” a violent epic of Viking revenge, is not a good movie. It’s like “Gladiator” without the Colosseum and with a stubbornly uninteresting hulk avenger hero. (It also drags on 45 minutes longer than it should have.) A lot of critics have overpraised the movie because they feel invested in the career of Robert Eggers, the maverick indie director who made the spectral Puritan horror film “The Witch” (2015) and the even more impressive two-men-in-a-lighthouse gaga period fever dream “The Lighthouse” (2019).

Brent Lang Executive Editor of Film and Media“The Northman,” a blood-drenched viking epic from director Robert Eggers, pillaged $1.35 million in Thursday previews, while “The Bad Guys,” a kid-friendly spin on the heist genre, earned $1.15.Those aren’t the only new wide releases in town; they will also have to fend off “The Unbearable Weight of Massive Talent,” a very meta exercise in which Nicolas Cage stars as himself. It picked up $835,000 in Thursday previews.Universal’s indie label Focus released “The Northman,” which is projected to earn $10 million to $15 million in its first three days of release.

“The Northman,” Focus Features’ Viking revenge epic from acclaimed director Robert Eggers, made $1.35 million in its Thursday preview screenings at the box office across 2,700 theaters with previews that began at 7 p.m. “The Northman” opens on 3,214 screens this weekend.Universal’s animated family film “The Bad Guys,” which is expected to lead the box office, made $1.15 million Thursday from preview screenings beginning at 5:00 p.m.

The Northman (★★★☆☆) unfolds like the sort of epic that Viking warriors might have passed down for generations, sharing over horns of ale around a roaring fire: the haunting Legend of Prince Amleth.The exiled prince’s trials and adventures appear to have been shot by firelight, too. Writer-director Robert Eggers and his Oscar-nominated Lighthouse cinematographer Jarin Blaschke opt for enveloping the action in shadows and mist, the natural darkness of a northern land where winter nights are long, and the days short.Even the film’s climactic showdown, a naked sword fight by a lake of lava and fire, is depicted as a brutal clash between silhouettes backlit by flames.Rivals dueling on an erupting volcano forms a gorgeous tableau, but audiences might, for various reasons, wish they could actually see more of the combatants swinging their swords — especially the ferocious Amleth, embodied heartily by Alexander Skarsgård.The erstwhile Tarzan delivers a gruelingly physical performance, fighting, running, lifting, swimming, hauling, speaking primarily and most clearly through Amleth’s vivid body language.

After “The Witch” and “The Lighthouse,” director Robert Eggers brings his passion for meticulous historical recreation and his interest in the (often tortured) psyches of past generations to the violent and epic world of Vikings in “The Northman” (read our review). Unlike actor Alexander Skarsgård, who plays the film’s eponymous hero (read our interview with the actor here), Eggers was never particularly inspired by these ruthless people before the idea for the movie was suggested to him — which only makes his achievement on “The Northman” more impressive.

The stars of The Northman are looking incredible in these new red carpet photos!

The domestic release of Robert Eggers‘ big studio revenge flick “The Northman” is days away (April 22) and most critics are deeply impressed by how well the filmmaker has done in the realm of action (read our review here). The plot —a relatively simple story of a son avenging his father—takes direct cues from the original Scandinavian tale that inspired “Hamlet,” and attempts to be historically accurate compared to other Viking projects.

Björk has shared that she would like to see more female directors taking on the Viking Age in film and TV.The musician and actor stars in Robert Eggers’ new viking epic The Northman as a whispering Seeress predicting the future of Alexander Skarsgård’s Amleth.The film follows Amleth as he seeks revenge for the murder of his father, played by Ethan Hawke, and aims to save his mother Queen Gudrún, played by Nicole Kidman. Other stars include Anya Taylor-Joy, Claes Bang and Willem Dafoe.Posting to Facebook after attended the Icelandic premier of the film, Björk shared a statement about her role and to thank those involved.“so proud to be part of this,” she wrote.

Björk in The Northman.The actor plays lead character Amleth in the third feature film from director Robert Eggers (The Lighthouse, The Witch), starring alongside Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke and Willem Dafoe.The most unique cast addition is Björk, who plays a seeress, whose last feature film acting credit was in 2005’s Drawing Restraint 9 from director Matthew Barney.Speaking to NME about acting alongside the musician, Skarsgård said: “I felt very lucky. It was crazy.“I don’t think you see it on camera in that scene, but we shot it in that burnt out barn after the big raid. And Björk when it was her shot, behind her I could see it was just this gigantic full moon right behind her head and it felt so perfect for that scene and her character and the way she looked.

The Lighthouse.The actor has worked with director Robert Eggers on two feature films, his directorial debut The Witch and The Northman opposite Alexander Skarsgård. While she didn’t make an appearance in his second film The Lighthouse, it wasn’t through a lack of trying.Speaking to NME, she revealed how she asked Eggers for a role in the film starring Willem Dafoe and Robert Pattinson.“I felt very lucky that Rob [Eggers] and I love each other so much and he wanted me to come along on this journey,” Taylor-Joy said about joining The Northman.“I was jumping at it because when he first called me and was like, ‘Hey I’m making The Lighthouse and there’s no role for you.

“The Northman” has revenge on his mind in the new trailer from renowned filmmaker Robert Eggers.

Björk in The Northman has just been shared exclusively with NME – take a look above to watch it.The musician and actor stars in Robert Eggers’ viking epic as a whispering Seeress predicting the future of Alexander Skarsgård’s Amleth.The film follows Amleth as he seeks revenge for the murder of his father, played by Ethan Hawke, and aims to save his mother Queen Gudrún, played by Nicole Kidman.Anya Taylor-Joy also stars in the film as Olga, alongside Claes Bang as Fjölnir, Amleth’s uncle, and Willem Dafoe as Heimir the Fool.Eggers co-wrote the screenplay for The Northman with the Icelandic poet Sjón, who has previously collaborated with Björk on the songs ‘Jóga’, ‘Cosmogony’, ‘Oceania’, and others.The filmmaker had previously directed The Lighthouse, starring Robert Pattinson and Willem Dafoe, and folk horror film The Witch which starred Anya Taylor-Joy.Last year, British actor Ralph Ineson, who also stars in The Northman, shared further details from the movie.“It’s an enormous movie,” he told NME. “I saw a four-minute montage of some of the stuff they’d already shot and I was really blown away.

Do you know what people seem to already adore? Robert Eggers’ epic, bloody, wild-sounding action film, “The Northman,” a revenge movie set in the Nordic Viking era. With an all-star cast that includes Alexander Skarsgård, Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Björk, and Willem Dafoe, the review embargo for “The Northman” lifted this week and critics were absolutely ecstatic about the movie.

Director Robert Eggers returns with his third feature film, “The Northman,” a Viking epic that places the filmmaker in a more accessible genre. The visually striking revenge flick allows for more action sequences and a larger scale/budget than he’s used to.

Harry Styles will no longer be a part of the “Nosferatu” remake.

Revenge is a dish best served cold, and it doesn’t get any colder, literally or figuratively, than the bitter portion ladled up in Robert Eggers’ merciless yarn of medieval vengeance, The Northman. This seriously nasty and violent tale comes across as an intense labor of love on the part of the American director and his Icelandic co-writer, the poet Sjón; there’s scarcely a moment of softness, sentiment or relaxation here, just fierce and ferocious determination to fight and prevail in an unstintingly harsh environment. For the most part it’s an enthralling immersion in a forbidding time and place, enhanced by an immoderately attractive cast and saddled only by a dramatic sameness that settles in after a while and gradually diminishes the film’s impact.

Director Robert Eggers returns with his third feature film, “The Northman,” a Viking epic that places the filmmaker in a more accessible genre. The visually striking revenge flick allows for more action sequences and a larger scale/budget than he’s used to.

As floridly written and meticulously etched as they are, at their core the ornate period works of director Robert Eggers summon an elemental human conundrum: the constant clash between free will and the unexplainable in the construction of one’s fate. If there are forces beyond our control meddling in our mortal existences, must we surrender or can we fight back? In 2015’s “The Witch,” a young woman gives in to the preternatural entities that haunt her in part to go against a religious microcosm that demands her submissiveness.