‘The Northman’ Trailer: Fate Has No Mercy In Robert Eggers’ Wild, Bloody Viking Epic

Having just released his Viking epic “The Northman,” this past weekend (read our review) director Robert Eggers is now giving some brief insight into where his future projects could be going while reiterating his desire to avoid another big studio project as his next movie. During a new interview with GQ Magazine, Eggers confirmed that he’s indeed working on a project in the Elizabethan era but was scarce on details and whether there will be an added genre element going on.

Owen Gleiberman Chief Film Critic“The Northman,” a violent epic of Viking revenge, is not a good movie. It’s like “Gladiator” without the Colosseum and with a stubbornly uninteresting hulk avenger hero. (It also drags on 45 minutes longer than it should have.) A lot of critics have overpraised the movie because they feel invested in the career of Robert Eggers, the maverick indie director who made the spectral Puritan horror film “The Witch” (2015) and the even more impressive two-men-in-a-lighthouse gaga period fever dream “The Lighthouse” (2019).

The Northman (★★★☆☆) unfolds like the sort of epic that Viking warriors might have passed down for generations, sharing over horns of ale around a roaring fire: the haunting Legend of Prince Amleth.The exiled prince’s trials and adventures appear to have been shot by firelight, too. Writer-director Robert Eggers and his Oscar-nominated Lighthouse cinematographer Jarin Blaschke opt for enveloping the action in shadows and mist, the natural darkness of a northern land where winter nights are long, and the days short.Even the film’s climactic showdown, a naked sword fight by a lake of lava and fire, is depicted as a brutal clash between silhouettes backlit by flames.Rivals dueling on an erupting volcano forms a gorgeous tableau, but audiences might, for various reasons, wish they could actually see more of the combatants swinging their swords — especially the ferocious Amleth, embodied heartily by Alexander Skarsgård.The erstwhile Tarzan delivers a gruelingly physical performance, fighting, running, lifting, swimming, hauling, speaking primarily and most clearly through Amleth’s vivid body language.

A.D. Amorosi Without a doubt, Robert Eggers’ “The Northman” traffics in his now-usual brand of haunted atmospherics and wonky mysticism, a signature whose intensity is upped by the savage bloodlust of its characters and the vastitudes of his first big-budget epic with a price tag reportedly hovering between $70 million and $90 million.The only thing more intensely stressed than the dilemma of a Viking prince in the year 895 (avenging the death of his father, the king, at the hands of his jealous uncle who stole the prince’s mother as the spoils of war — or did she go willingly?) played to brutal, muscular perfection by Alexander Skarsgård, is the all-consuming dedication of its tactile production design, its brooding, cinematographic ambiance and the craftsmanship of its furry, hierarchical costuming.

After “The Witch” and “The Lighthouse,” director Robert Eggers brings his passion for meticulous historical recreation and his interest in the (often tortured) psyches of past generations to the violent and epic world of Vikings in “The Northman” (read our review). Unlike actor Alexander Skarsgård, who plays the film’s eponymous hero (read our interview with the actor here), Eggers was never particularly inspired by these ruthless people before the idea for the movie was suggested to him — which only makes his achievement on “The Northman” more impressive.

Rebecca Rubin Film and Media ReporterNicolas Cage is back… not that he went anywhere.The actor’s latest movie “The Unbearable Weight of Massive Talent,” a meta comedy in which he plays a fictionalized version of himself, is one of several films opening nationwide over the weekend. It’ll compete against director Robert Eggers’ Viking epic “The Northman” and Universal and DreamWorks’ animated family film “The Bad Guys,” as well as last weekend’s champion “Fantastic Beasts: The Secrets of Dumbledore.”Unless ticket sales crash in week two, “The Secrets of Dumbledore,” the third chapter in the “Harry Potter” spinoff series, should retain the domestic box office crown.

Is it truly a marketplace for branded tentpoles and uber low budget fare at the box office as the pandemic eases?

Alexander Skarsgård does not simply play the eponymous man of the North in Robert Eggers’ Viking epic “The Northman” — the Swedish actor essentially knocked the first domino down in the process of turning the project into a reality, convincing Eggers to delve into a history the director previously had no interest in. The result, in ways not completely dissimilar to Eggers’ 2019, somehow pre-lockdown cabin fever freakout “The Lighthouse” is a rousing and maniacal portrait of raging masculinity and hot-blooded violence: in his most physically demanding and biggest film role since 2016’s “The Legend of Tarzan,” Skarsgård tears through villages as a berserker and pursues vengeful retribution on the uncle who tore his family apart.

prince at the dawn of the 10th century. It opens in theaters nationwide Friday.The Viking dream laid dormant for some time, though.

Anya Taylor-Joy and Nicole Kidman are each other’s biggest fans. The stars praised each during the Los Angeles premiere of their film The Northman.

The first sign that not everyone in Robert Eggers' 10th-century Viking revenge tale “The Northman” has their priorities entirely straight comes early in the film, when the Viking king Aurvandil (Ethan Hawke) returns home to the North Atlantic kingdom of Hrafnsey after a year of fighting overseas.After trudging up on horseback to the snowy cliffside village, Aurvandil's queen, Gudrún (Nicole Kidman), greets him warmly and, after a hug for their son, Amleth (Oscar Novak), urges him to bed with her. Aurvandil, though, says he has something more pressing to attend to.

Writer/director Robert Eggers returns with his third feature film, “The Northman,” after giving us arresting genre thrillers like “The Witch” and “The Lighthouse.” His new movie takes us 1,000 years into the past with a young Viking prince who witnesses his father’s murder and his kingdom stolen, only to return years later to intact a path of violence and revenge which is based on the original Scandinavian tale that directly influenced “Hamlet.” Focus Features has released a short red band trailer (See below) ahead of “The Northman” swinging into theaters this week, focusing on heroic character Amleth’s brutal journey towards his goal of revenge within this visually stunning setting.

“The Northman” that offers a no-holds-barred look at the R-rated revenge shenanigans that await moviegoers.The film hails from “The Lighthouse” and “The Witch” writer/director Robert Eggers, and is a $90 million R-rated Viking movie. As if that wasn’t a selling point enough, this short red-band trailer offers a closer look at some of the film’s gorier scenes, with a blood-soaked Alexander Skarsgaard using all manner of ways to slice and dice his way through a small village.The story is a simple one: Skarsgard is a young Viking prince seeking to avenge the murder of his father (played by Ethan Hawke).This is the biggest film Eggers has ever made, and he maintained recently that while the larger budget came with more notes from the studio, the finished version of the film is very much his director’s cut.

The domestic release of Robert Eggers‘ big studio revenge flick “The Northman” is days away (April 22) and most critics are deeply impressed by how well the filmmaker has done in the realm of action (read our review here). The plot —a relatively simple story of a son avenging his father—takes direct cues from the original Scandinavian tale that inspired “Hamlet,” and attempts to be historically accurate compared to other Viking projects.

Björk has shared that she would like to see more female directors taking on the Viking Age in film and TV.The musician and actor stars in Robert Eggers’ new viking epic The Northman as a whispering Seeress predicting the future of Alexander Skarsgård’s Amleth.The film follows Amleth as he seeks revenge for the murder of his father, played by Ethan Hawke, and aims to save his mother Queen Gudrún, played by Nicole Kidman. Other stars include Anya Taylor-Joy, Claes Bang and Willem Dafoe.Posting to Facebook after attended the Icelandic premier of the film, Björk shared a statement about her role and to thank those involved.“so proud to be part of this,” she wrote.

“The Northman” has revenge on his mind in the new trailer from renowned filmmaker Robert Eggers.

Björk in The Northman has just been shared exclusively with NME – take a look above to watch it.The musician and actor stars in Robert Eggers’ viking epic as a whispering Seeress predicting the future of Alexander Skarsgård’s Amleth.The film follows Amleth as he seeks revenge for the murder of his father, played by Ethan Hawke, and aims to save his mother Queen Gudrún, played by Nicole Kidman.Anya Taylor-Joy also stars in the film as Olga, alongside Claes Bang as Fjölnir, Amleth’s uncle, and Willem Dafoe as Heimir the Fool.Eggers co-wrote the screenplay for The Northman with the Icelandic poet Sjón, who has previously collaborated with Björk on the songs ‘Jóga’, ‘Cosmogony’, ‘Oceania’, and others.The filmmaker had previously directed The Lighthouse, starring Robert Pattinson and Willem Dafoe, and folk horror film The Witch which starred Anya Taylor-Joy.Last year, British actor Ralph Ineson, who also stars in The Northman, shared further details from the movie.“It’s an enormous movie,” he told NME. “I saw a four-minute montage of some of the stuff they’d already shot and I was really blown away.

Director Robert Eggers returns with his third feature film, “The Northman,” a Viking epic that places the filmmaker in a more accessible genre. The visually striking revenge flick allows for more action sequences and a larger scale/budget than he’s used to.

Director Robert Eggers‘ third feature film “The Northman” releases on April 22 and we’re all dying to see his remake of the classic 1922 silent vampire film “Nosferatu” finally come together after multiple production hiccups. His recent comments to The Guardian suggest that the horror project stumbled after Harry Styles had to back out of the Thomas Hutter role opposite Eggers’ longtime muse Anya Taylor-Joy (“The Witch“).

Revenge is a dish best served cold, and it doesn’t get any colder, literally or figuratively, than the bitter portion ladled up in Robert Eggers’ merciless yarn of medieval vengeance, The Northman. This seriously nasty and violent tale comes across as an intense labor of love on the part of the American director and his Icelandic co-writer, the poet Sjón; there’s scarcely a moment of softness, sentiment or relaxation here, just fierce and ferocious determination to fight and prevail in an unstintingly harsh environment. For the most part it’s an enthralling immersion in a forbidding time and place, enhanced by an immoderately attractive cast and saddled only by a dramatic sameness that settles in after a while and gradually diminishes the film’s impact.