JP Richards has left his post as Apple’s Head of Film Marketing Strategy, having notified his team of his decision this morning, Deadline can confirm.
22.04.2022 - 01:31 / metroweekly.com
The Northman (★★★☆☆) unfolds like the sort of epic that Viking warriors might have passed down for generations, sharing over horns of ale around a roaring fire: the haunting Legend of Prince Amleth.The exiled prince’s trials and adventures appear to have been shot by firelight, too. Writer-director Robert Eggers and his Oscar-nominated Lighthouse cinematographer Jarin Blaschke opt for enveloping the action in shadows and mist, the natural darkness of a northern land where winter nights are long, and the days short.Even the film’s climactic showdown, a naked sword fight by a lake of lava and fire, is depicted as a brutal clash between silhouettes backlit by flames.Rivals dueling on an erupting volcano forms a gorgeous tableau, but audiences might, for various reasons, wish they could actually see more of the combatants swinging their swords — especially the ferocious Amleth, embodied heartily by Alexander Skarsgård.The erstwhile Tarzan delivers a gruelingly physical performance, fighting, running, lifting, swimming, hauling, speaking primarily and most clearly through Amleth’s vivid body language.
The camera captures as much rage and intention in how Amleth leaps at his opponents as it does in any shot of Skarsgård’s face, or speaking any line of dialogue.The actor turns the taciturn warrior into a stealthy weapon of vengeance, with perhaps just one weakness: Amleth is forever haunted by having witnessed the murder of his father, and the kidnapping of his mother. He won’t know peace until he has avenged them.Eggers and co-screenwriter Sjón (who also co-wrote last year’s eccentric drama Lamb) basically have grafted a Viking revenge narrative onto the bones of Hamlet, and, as usual for Shakespeare, the plotting holds up
.JP Richards has left his post as Apple’s Head of Film Marketing Strategy, having notified his team of his decision this morning, Deadline can confirm.
The full list of nominees for the 2022 MTV Movie & TV Awards – both scripted and unscripted – are finally here!
Filmmaker Paul Schrader has been set to receive the Golden Lion for Lifetime Achievement at this year’s Venice Film Festival. The Raging Bull and Taxi Driver screenwriter will be presented with the honor during the 79th edition of the event which runs August 31- September 10 on the Lido.
health of family moviegoing is especially good news for Hollywood as it heads into its lucrative summer season when films like Universal's own “Minions: Rise of Gru” and Walt Disney Co.'s “Lightyear” — the first Pixar film opening in theaters in two years — hope to approach pre-pandemic levels.“There's reason for being more than cautiously optimistic,” said Jim Orr, head of distribution for Universal. “I think audiences this summer are going to be flooding into theaters.”While studios have been hesitant to program many films against each other during the pandemic, the weekend saw a rarity: three new wide releases, all of them well-received, none of them sequels or remakes.“The Bad Guys,” based on Aaron Blabey's children's graphic novel series about a gang of crooked animals with a Quentin Tarantino-for-kids tone, fared well with critics (85% fresh on Rotten Tomatoes) and audiences (an “A” CinemaScore).
Owen Gleiberman Chief Film Critic“The Northman,” a violent epic of Viking revenge, is not a good movie. It’s like “Gladiator” without the Colosseum and with a stubbornly uninteresting hulk avenger hero. (It also drags on 45 minutes longer than it should have.) A lot of critics have overpraised the movie because they feel invested in the career of Robert Eggers, the maverick indie director who made the spectral Puritan horror film “The Witch” (2015) and the even more impressive two-men-in-a-lighthouse gaga period fever dream “The Lighthouse” (2019).
Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. In Robert Eggers’ new epic “The Northman,” out this weekend, Alexander Skarsgård seeks revenge on a man who has killed both his parents and usurped the throne from his royal father.
Alexander Skarsgard might be the star of The Northman, but he didn’t receive quite as many gifts as the rest of the cast.
A.D. Amorosi Without a doubt, Robert Eggers’ “The Northman” traffics in his now-usual brand of haunted atmospherics and wonky mysticism, a signature whose intensity is upped by the savage bloodlust of its characters and the vastitudes of his first big-budget epic with a price tag reportedly hovering between $70 million and $90 million.The only thing more intensely stressed than the dilemma of a Viking prince in the year 895 (avenging the death of his father, the king, at the hands of his jealous uncle who stole the prince’s mother as the spoils of war — or did she go willingly?) played to brutal, muscular perfection by Alexander Skarsgård, is the all-consuming dedication of its tactile production design, its brooding, cinematographic ambiance and the craftsmanship of its furry, hierarchical costuming.
After “The Witch” and “The Lighthouse,” director Robert Eggers brings his passion for meticulous historical recreation and his interest in the (often tortured) psyches of past generations to the violent and epic world of Vikings in “The Northman” (read our review). Unlike actor Alexander Skarsgård, who plays the film’s eponymous hero (read our interview with the actor here), Eggers was never particularly inspired by these ruthless people before the idea for the movie was suggested to him — which only makes his achievement on “The Northman” more impressive.
The first sign that not everyone in Robert Eggers' 10th-century Viking revenge tale “The Northman” has their priorities entirely straight comes early in the film, when the Viking king Aurvandil (Ethan Hawke) returns home to the North Atlantic kingdom of Hrafnsey after a year of fighting overseas.After trudging up on horseback to the snowy cliffside village, Aurvandil's queen, Gudrún (Nicole Kidman), greets him warmly and, after a hug for their son, Amleth (Oscar Novak), urges him to bed with her. Aurvandil, though, says he has something more pressing to attend to.
Robert Eggers‘ viking epic “The Northman” in Northern Ireland may not have been the most pleasant experience for the cast and crew due to the brutal weather and dangerous landscape, but the stars of the film wouldn’t have it any other way.“I do not complain ever really,” Anya Taylor-Joy told Variety at the Los Angeles premiere at TCL Chinese Theatre on Monday night. “There was one day when the mud came up to about my knees and it had frozen,” Taylor-Joy said. “I essentially squeaked out a ‘Please can we roll?’ and Robert was like, ‘Oh, Anya is asking if we can roll, we should roll.’ But we did it, it’s in the movie and it looks great.”Taylor-Joy looks back at the shoot fondly despite the hardships.
Roar, a new series on AppleTV+ made by the creators of and produced by Nicole Kidman answers this question. The show, out on AppleTV+ now, is an anthology series and each of the eight episodes stands alone, like a vivid short story. One episode starring and written by Janine Nabers is a chilling sci-fi thriller about racism in “nice” white liberal spaces.
Writer/director Robert Eggers returns with his third feature film, “The Northman,” after giving us arresting genre thrillers like “The Witch” and “The Lighthouse.” His new movie takes us 1,000 years into the past with a young Viking prince who witnesses his father’s murder and his kingdom stolen, only to return years later to intact a path of violence and revenge which is based on the original Scandinavian tale that directly influenced “Hamlet.” Focus Features has released a short red band trailer (See below) ahead of “The Northman” swinging into theaters this week, focusing on heroic character Amleth’s brutal journey towards his goal of revenge within this visually stunning setting.
“The Northman” that offers a no-holds-barred look at the R-rated revenge shenanigans that await moviegoers.The film hails from “The Lighthouse” and “The Witch” writer/director Robert Eggers, and is a $90 million R-rated Viking movie. As if that wasn’t a selling point enough, this short red-band trailer offers a closer look at some of the film’s gorier scenes, with a blood-soaked Alexander Skarsgaard using all manner of ways to slice and dice his way through a small village.The story is a simple one: Skarsgard is a young Viking prince seeking to avenge the murder of his father (played by Ethan Hawke).This is the biggest film Eggers has ever made, and he maintained recently that while the larger budget came with more notes from the studio, the finished version of the film is very much his director’s cut.
The stars of The Northman are looking incredible in these new red carpet photos!
Jazz Tangcay Artisans EditorKevin Bacon and Farrah Mackenzie have joined Netflix’s “Leave the World Behind,” joining Julia Roberts, Mahershala Ali, Ethan Hawke and Myha’la Herrold in the film based on the bestselling novel by Rumaan Alam.The story revolves around a couple vacationing in a rental house on Long Island, who are surprised when the homeowners arrive bearing news of a mysterious blackout.Sam Esmail writes and directs, and the Obamas’ production Higher Ground recently came on as an executive producer. The novel was a finalist for the National Book Award.USC’s School of Cinematic Arts is partnering with the Gary Cooper estate for the 70th anniversary of Oscar-nominated Western “High Noon.” On Sunday, April 24, events will include a special screening and panel, book signing and opening of the Gary Cooper Exhibition.
Kevin Bacon (City on a Hill) and Farrah Mackenzie (United States of Al) have signed on for roles in Sam Esmail’s Netflix film Leave the World Behind, Deadline can confirm. They join a cast that also includes Julia Roberts, Mahershala Ali, Ethan Hawke and Myha’la Herrold, as previously announced.
The domestic release of Robert Eggers‘ big studio revenge flick “The Northman” is days away (April 22) and most critics are deeply impressed by how well the filmmaker has done in the realm of action (read our review here). The plot —a relatively simple story of a son avenging his father—takes direct cues from the original Scandinavian tale that inspired “Hamlet,” and attempts to be historically accurate compared to other Viking projects.
Mónica Marie Zorrilla Two months after the debut of musical rom-com “Marry Me,” starring Jennifer Lopez, Owen Wilson and Maluma, Bobby Crosby is getting another one of his Keenspot graphic novels adapted for the big screen. Israeli producer Uri Singer has secured the film and television rights to “Dreamless,” a Keenspot graphic novel by Crosby illustrated by Sarah Ellerton.“Dreamless,” which was first a Keenspot webcomic in 2009 before being collected into a graphic novel, has been read by more than four million people worldwide.