Nearly 30 years after his nostalgic high school throwback flick, “Dazed And Confused”, writer and director Richard Linklater says he still hasn’t earned any money from the movie.
25.03.2022 - 19:31 / nme.com
Oscar nomination for his role in Christmas film comedy, Elf.He made the comments ahead of this year’s Oscars ceremony and went on to say that he didn’t think comedy was represented enough in the nominations.The Love Actually director, who is also a member of the Academy of Motion Picture Arts and Sciences, said at the Oscar Wilde Awards in Los Angeles: “I always get very antsy about the fact that Will Ferrell didn’t get nominated for Elf.”“Or that Peter Sellers didn’t get nominated for Inspector Clouseau.”He added: “But it’s the price you pay, as it were. Comedies tend to make a bit of money, and then you don’t get the prizes.”Curtis went on to say that had Ferrell been nominated, he would have voted for him but that he “wasn’t given the chance”.He said that comedy is overlooked as a genre, “particularly the actors”.He continued: “I think it’s a real issue that comedy isn’t respected as much…but I do try and push for comedy performances whenever I can.” The 2022 Oscars takes place this Sunday (March 27).
Nearly 30 years after his nostalgic high school throwback flick, “Dazed And Confused”, writer and director Richard Linklater says he still hasn’t earned any money from the movie.
Zack Sharf “Dazed and Confused” is one of the defining American independent films of the 1990s and one of the most beloved cult classics of all time, but it turns out the film’s enduring legacy has never resulted in money for writer-director Richard Linklater. The filmmaker was recently asked by The Daily Beast if he made money off “Dazed and Confused,” to which he responded, “Fuck no!”“It’s like… where’s my money?” Linklater asked. “How come a movie that cost less than $7 million has $12 million in interest against it?”When asked how “Dazed and Confused” can be a cult hit for nearly three decades and counting and not make money for him, Linklater responded, “I don’t know.
Summer Of Soul producer Joseph Patel has said that Will Smith “robbed” Questlove of his winning moment and last week’s Oscars.Questlove was handed the Best Documentary statue by Chris Rock at this year’s ceremony, just moments after Smith slapped Rock onstage over a joke he made about wife Jada Pinkett Smith’s shaved head. In 2018, Pinkett Smith revealed she has alopecia.Smith has been widely criticised for his outburst. While accepting the Best Actor award for his performance in King Richard, he apologised to the Academy as well as his fellow nominees in the category.He later issued a formal apology to Rock, admitting: “I was out of line and I was wrong.” The Oscars, meanwhile, launched a formal review into the incident while condemning Smith’s actions.Today (March 31) Joseph Patel posted a lengthy thread on Twitter to share “some thoughts and feelings on what happened Sunday night”, adding that he’s “still sort of processing” everything.“I think what Will did was selfish,” he continued.
AMC Entertainment CEO Adam Aron said there’s room for both cinemas and streamers in the current marketplace and the latter would benefit from wider theatrical release of films. He made the comments to CNBC after Apple made history last night with Coda’s Best Picture Oscar win.
The beloved Encanto song “We Don’t Talk About Bruno” will be performed at the Oscars this weekend, but it has no chance at winning the award for Best Original Song.
EXCLUSIVE: The UCB Theatre is coming back as Mosaic founder Jimmy Miller and former CEO/Owner of The Onion Mike McAvoy have acquired the legendary comedy brand with the financial support from Elysian Park Ventures.
As the Oscars are rolling into town on Sunday, the annual conversation of the biggest snubs inevitably comes around.
Peter Debruge Chief Film CriticChances are, you landed on this review because you’re trying to game your Oscar pool, looking for a clue as to what will win the always-underseen shorts categories — in a year when they were unceremoniously booted from the telecast, no less. Well, if it’s predictions you’re looking for, there’s little contest among this year’s cartoon contenders: Academy favorite Aardman Animations has delivered a delightful frontrunner in “Robin Robin.” But don’t stop reading there! In an unusually adult-leaning year, the traditionally kid-friendly category is well worth watching in its entirety, whether in theaters or on demand, thanks to stalwart distributor ShortsTV.The program opens with “Robin Robin,” which seems poised to earn Aardman its fifth Oscar (the other four were all won by Nick Park, creator of the Wallace and Gromit characters).
Andrew Garfield is speaking about that “Spider-Man: No Way Home” Oscars 2022 snub.
For the children of Lusia “Lucy” Harris, the woman at the center of The Queen of Basketball, the prospect of the upcoming Oscar ceremony brings a feeling of joy, along with a measure of sadness.
Deaf representation has taken a major step forward with two Oscar-nominated films this year — one a fictional story, the other entirely real.
Director Richard Linklater (“Boyhood”) is known for his versatility; romantic and coming-of-age films, animation, studio films, personal projects, etc., but it looks like he’ll be getting into the business of social documentary filmmaking next. While he’s promoting his upcoming animated Netflix film, “Apollo 10 1/2: A Space Age Childhood” (read our review), which obviously further evinces his adaptability, Linklater revealed to The Hollywood Reporter podcast, Awards Chatter, a new project titled “Letter From Huntsville” for HBO.
Tim Gray Senior Vice PresidentOscars are a time capsule, reflecting both the industry and the year’s audiences. As such, nominations for the 94th Academy Awards detail progressive and surprising transition across several categories.Streamer SuccessTo the surprise of no one, streamers have been a powerhouse. For the first 50 years, Oscars were dominated by the major studios (plus United Artists, which had no physical lot, but had a lofty heritage).
In “The Hand of God,” the Italian director Paolo Sorrentino conjures memories of his formative years in picturesque Naples. Capturing both the sun-dappled summer days he passed in the company of his larger-than-life family and the profound tragedy that set him on a path toward filmmaking, this partly autobiographical drama focuses on Fabio Schisa (Filippo Scotti), a teenager growing up in southern Italy during the 1980s.
Nick Vivarelli International CorrespondentThe upcoming Los Angeles-Italia Film Fashion and Art Festival will be honoring Italian directors Paolo Sorrentino (“The Hand of God”) and Enrico Casarosa (“Luca”) as well as costume-designer Massimo Cantini Parrini (“Cyrano”) all of whom have scored nominations for the upcoming Academy Awards. The 17th edition of the pre-Oscars event will be held March 20-26 at Hollywood’s TCL Chinese Theatre and also online.This year’s opening ceremony will be hosted by veteran Italian-American actor Robert Davi, who is also this year’s president of the event. Sofia Milos (“CSI: Miami”) and Hollywood acting coach Bernard Hiller will co-host.Consul General of Italy Silvia Chiave and Italian Institute of Culture chief Emanuele Amendola will also be introducing honorees both at the Chinese Theatre and during a separate March 25 event being held at the Italian Institute of Culture.