EXCLUSIVE: Heat director Michael Mann is getting closer to the start line on Ferrari and is in Italy this week as part of pre-production. Filming is due to commence in mid-July and members of the crew are on the payroll.
06.04.2022 - 01:33 / variety.com
Zack Sharf “Dazed and Confused” is one of the defining American independent films of the 1990s and one of the most beloved cult classics of all time, but it turns out the film’s enduring legacy has never resulted in money for writer-director Richard Linklater. The filmmaker was recently asked by The Daily Beast if he made money off “Dazed and Confused,” to which he responded, “Fuck no!”“It’s like… where’s my money?” Linklater asked. “How come a movie that cost less than $7 million has $12 million in interest against it?”When asked how “Dazed and Confused” can be a cult hit for nearly three decades and counting and not make money for him, Linklater responded, “I don’t know.
Ask Universal! Hollywood accounting. I remember really asking for a piece of the soundtrack, because I picked all the songs, and they were like, ‘Oh no…First film, you know?’ N.W.A is still pissed off about that first contract. Everybody has that first story of getting screwed with their first project.
That film was an indie success. It made more than it cost theatrically, and over the years it’s been everywhere.” Linklater said the home video market for “Dazed and Confused” produced at least $30 million dollars or so of revenue, but he did not get a single piece of it. Universal did not respond to Variety’s request for comment.“That’s such a cliché to bitch about.
But I did go through the Hollywood experience,” Linklater said. “Here I complain, but they did greenlight the film, and they wouldn’t greenlight the film today. Cast of unknowns? Period film when not much happens, riding around? One film out of Sundance? I don’t think there’s a pitch for that movie today, so I sit here very, very blessed that I came along at a time when studios were going,
.EXCLUSIVE: Heat director Michael Mann is getting closer to the start line on Ferrari and is in Italy this week as part of pre-production. Filming is due to commence in mid-July and members of the crew are on the payroll.
Deftones, saying he left the Californian alt-metal outfit back in March because it didn’t offer him “a sense of belonging”.Vega first performed with Deftones in 1999, filling in for bassist Chi Chang on a tour preceding their ‘White Pony’ release. After a serious car accident forced Chang to leave the band in 2008, Vega was brought as his full-time replacement.
Ellen Pompeo has a new hero; it’s her old co-star Katherine Heigl.
On-location film and TV production in Greater Los Angeles is off to a “strong start” in 2022, with 9,832 days of on-location shooting setting an all-time first-quarter record according to the latest report from FilmLA, the city and county film permit office. That topped the previous first quarter mark set in 2016 but was down 8.8% from the record-setting 10,780 shoot days racked up in the fourth quarter of 2021.
The KarJenner world is celebrating Kourtney Kardashian in full force today!
A.D. Amorosi The music world is filled with self-made people, and DJ Khaled will never let anyone forget that he is one. Amid 15-plus years of gold and platinum albums, chart-topping collaborations with famous friends including Jay-Z, Beyoncé, Drake, Rihanna, Kanye West, longtime friends Lil Wayne and Rick Ross and even Justin Bieber, he is actually best known for his ubiquitous, boastfully self-referential shout-outs — to himself, in the third person — and his “We the best!” verbal branding.Love it or hate it, you can’t avoid or forget it — and Khaled is as self-aware as he is self-referential.
Could you talk about your relationship with Richard Linklater and how it’s evolved over these several films?Well, we’re friends and we’re good. And I think that sort of makes it all easy, in a way, but it also kind of blurs together because when we’re not making films together, we’re still hanging out and talking about films and every project that I work on that he’s not directly involved with or movies that he’s working on, that I’m not directly involved with, we still always talk about them to each other. It feels a bit like he’s an older brother.When did he first mention this project to you?He mentioned it a long time ago and if you know Rick, he gestates ideas for a very long time.
Nearly 30 years after his nostalgic high school throwback flick, “Dazed And Confused”, writer and director Richard Linklater says he still hasn’t earned any money from the movie.
Dazed And Confused.The award-winning director, who went on to helm films including the Before trilogy (1995-2013) and Boyhood (2014), said while promoting his new Netflix movie ‘Apollo 10 ½’ that it ended up being a passion project despite being adored by generations of fans.The Daily Beast remarked to him that next year will be the 30th anniversary of Dazed And Confused, to which Linklater responded: “Yeah, and it’s like… where’s my money? How come a movie that cost less than $7million has $12million in interest against it?”“Wait – you didn’t make any money off Dazed and Confused?” interviewer Marlow Stern asked. “Fuck no!” Linklater answered.“How does that happen? We’re talking about one of the biggest cult hits ever,” Stern continued.“I don’t know.
Wilson Chapman editorThe Houston of “Apollo 10½: A Space Age Childhood,” premiering April 1 on Netflix, is both a loving depiction of the city as it once was and a vision of a place that never quite existed. Translating live-action elements into its animated scenes, the film, written and directed by Richard Linklater, explores the 1969 moon landing from the perspective of an ordinary kid, Stanley, played by Milo Coy, racing through vignette after vignette of life in the city with painstaking specificity. But the overall look is one of palpable nostalgia — that the viewer is watching Linklater’s wistful recollections of his own childhood.“Memories can be deceiving,” says animation production designer Vincent Bisschop.
The feature-length film version of a TV show rarely lights up the screen. Hell, even “The Simpsons” movie was well-received, but it’s not like it changed much for the show, and it Fox went back to plugging away at endless seasons.
Do you remember what you wanted to be when you grew up? Do you remember what adventures you fantasized about having? While some of us may not recall the answers to these questions, Richard Linklater (“Boyhood“) has used his childhood fantasy to create his new film “Apollo 10 ½: A Space Age Childhood.” While the space race reached its peak with the launch of NASA’s Apollo Program (1968-1972), the wonder of those years carries on.
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NEW YORK -- Bike rides, kickball, Jiffy Pop, Jell-O and other well-remembered details crowd Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood,” an affectionate ode to his own childhood growing up outside Houston in the late 1960s.NASA and the moon mission are just next door, as are other scientific marvels (Astroturf!). But the sense of wonder that permeates “Apollo 10 ½” is felt just as strongly in the neighborhood streets where kids roam with skinned knees.