Review: War, love, memory are explored in ‘Mothering Sunday’
23.03.2022 - 00:27
/ abcnews.go.com
History is factual. History is chronological.
History is linear. But memory? Memory is none of those things.Memory is selective, memory is jumbled, memory travels in different directions.
And so does “Mothering Sunday,” Eva Husson’s affecting and visually pleasing — if languorous — meditation on love and loss, based on a woman’s memory of an impactful day that reverberates through her long life.At first, the leaps between time periods — from the postwar ’20s to the ‘40s to the ‘80s — can feel jarring. Soon enough, though, Husson makes us understand that this is how memory works, and the rhythm makes sense.But “Mothering Sunday,” based on the 2016 novella by Graham Swift and deftly adapted by Alice Birch, isn’t just about memory.
It’s also about war — namely World War I and the devastation it wrought on countless villages like the English one here, which lost an entire generation of sons.It’s about love, too, and sex, and also about class — the indelible line that divides our two lovers, played with true intimacy by a fresh-faced and thoughtful Odessa Young and Josh O’Connor, very far from his repressed Prince Charles in “The Crown.” For the bracing intimacy — and the unabashed nudity — one can thank director Husson, who brings her very French, sexually frank approach to the stuffy British upper class..But perhaps most affectingly, “Mothering Sunday” is about grief, etched indelibly on the faces of parents who’ve lost children. You’ve never seen a sadder or more desperate Colin Firth, as a father who tries to shoo away his grief with hopelessly fake cheer.
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