Review: Linklater charmingly chronicles life in 1969 Houston

20-year-old rapper Guapo has had a promising past year. In August, the Houston native dropped his breakout single "Mr.

“Hello Molly!: A Memoir,” and stopped by Howard Stern’s eponymous radio show Tuesday.Shannon collaborated with Houston — who died in 2012 at age 48 — on a “Saturday Night Live” sketch in the ’90s involving the former’s infamous Catholic schoolgirl character, Mary Katherine Gallagher.The “Wet Hot American Summer” actress described to the shock jock, 68, how the sketch involving Houston came to be.“Whitney was so nice. They’re like, she’s not going to be in the sketch. She’s not going to do it,” Shannon said.

Could you talk about your relationship with Richard Linklater and how it’s evolved over these several films?Well, we’re friends and we’re good. And I think that sort of makes it all easy, in a way, but it also kind of blurs together because when we’re not making films together, we’re still hanging out and talking about films and every project that I work on that he’s not directly involved with or movies that he’s working on, that I’m not directly involved with, we still always talk about them to each other. It feels a bit like he’s an older brother.When did he first mention this project to you?He mentioned it a long time ago and if you know Rick, he gestates ideas for a very long time.

Liane Dobson, who holds the listing with Kienlen Lattmann Sotheby’s International Realty, told The Post. Houston passed away at age 48 on February 11, 2012, when she was discovered unconscious in Suite 434 at the Beverly Hilton Hotel, submerged in the bathtub. The Los Angeles County Coroner’s Office reported that Houston’s death was accidental and caused by drowning and the “effects of atherosclerotic heart disease and cocaine use.”

Wilson Chapman editorThe Houston of “Apollo 10½: A Space Age Childhood,” premiering April 1 on Netflix, is both a loving depiction of the city as it once was and a vision of a place that never quite existed.  Translating live-action elements into its animated scenes, the film, written and directed by Richard Linklater, explores the 1969 moon landing from the perspective of an ordinary kid, Stanley, played by Milo Coy, racing through vignette after vignette of life in the city with painstaking specificity. But the overall look is one of palpable nostalgia — that the viewer is watching Linklater’s wistful recollections of his own childhood.“Memories can be deceiving,” says animation production designer Vincent Bisschop.

Dua Lipa and Megan Thee Stallion have gotten super close since collaborating on their new song, “Sweetest Pie.” So, why not reference another iconic music duo while presenting an award at the GRAMMYs?At the ceremony on Sunday, April 3, the duo--who are both previous winners of the GRAMMY for Best New Artist--presented Olivia Rodrigo wiith the honor for 2022. As they announced the nominees for the evening, the musicians threw it back to 1998 to reference an iconic moment between Mariah Carey and Whitney Houston.Megan and Dua were wearing matching Versace ensembles, which led to the “WAP” rapper saying, “Not you stealing my look.”“I was told I had the exclusive,” Lipa replied. “I’m going to have to have a talk with Donatella.”That’s when the famous Italian fashion designer emerged from the crowd to work her magic on the dresses.“You know what? Let’s do this,” she told the artists, transforming the ensembles and leaving Dua with a mini skirt and Megan in a thigh-high midi slit, saving them from a fashion faux pas.J Balvin and Valentina Ferrer exude style on the 2022 Grammy red carpetThese are all the Latin nominees and winners at the 2022 Grammy Awards (Updating Live)Kanye West & Olivia Rodrigo could make Grammy historyThe bit was a call-back to a moment from the 1998 Grammy Awards, where Mariah and Whitney presented together in matching Vera Wang wrap dresses.

Mariah Carey is showing her appreciation for the loving Grammys homage.

Dua Lipa and Megan Thee Stallion had some wardrobe help from Donatella Versace after they wore the same Versace gown while presenting at the 2022 Grammy Awards in a moment reminiscent of Mariah Carey and Whitney Houston at the 1998 Video Music Awards. On Sunday, the singers took to the stage to present Best New Artist at the 64th annual Grammy Awards, both wearing black gowns with gold detailing by Versace and black patent leather leggings.

Dua Lipa and Megan Thee Stallion had a matching moment! During the 2022 GRAMMY Awards on Sunday, the «Sweetest Pie» artists stepped onstage to present Olivia Rodrigo with the Best New Artist award while wearing matching Versace.The pair stunned in the same black dress and shiny leggings, with both woman accessorizing with oversized safety pins and chunky jewelry.The matching moment was a cute bit as Megan joked, «Not you stole my look!» Dua responded, «I was told I had the exclusive – I have to have a talk with Donatella.» After the women stepped onstage, Donatella Versace joined them to personalize each of their looks. The designer removed the bottom of Dua's dress, turning it into a mini-dress.

Glamour's , for ya!) As Diet Prada pointed out, this isn't the first time this has happened at an award show. In 1998, Mariah Carey and Whitney Houston both wore the same brown Vera Wang dress to present an award.

Dua Lipa and Megan Thee Stallion had a matching moment! During the 2022 GRAMMY Awards on Sunday, the «Sweetest Pie» artists stepped onstage to present Olivia Rodrigo with the Best New Artist award while wearing matching Versace.The pair stunned in the same black dress and shiny leggings, with both woman accessorizing with oversized safety pins and chunky jewelry.After the women stepped onstage, Donatella Versace joined them to personalize each of their looks. The designer removed the bottom of Dua's dress, turning it into a mini-dress.

Whitney Houston interview moments as part of a new special for CBS. Titled, it will chronicle the life and legacy of the music superstar and will air Saturday, April 2, at 8 p.m. ET/PT on CBS.The one-hour special will include lost performances and rare moments with Houston, alongside new interviews with those closest to her, including Dionne Warwick, Clive Davis, CeCe Winans, Monica and Kelly Price.

Jack Black's new animated Netflix film, , is about the Apollo 11 moon landing, but hits surprisingly close to home for the actor and musician, who has a personal connection to the historical moment.Black's late mother, Judith Love Cohen, was an aerospace engineer who worked on the Apollo space program in the 1960s and is credited with helping to develop the Abort-Guidance System in the Apollo Lunar Module. «She worked on an Apollo mission at that time, but the stuff that she did wasn't used until Apollo 13, a few years later, when the astronauts were in an emergency situation and her Abort-Guidance System that she worked on as a programmer helped save some astronauts' lives,» Black explained when chatting about his upcoming film with ET's Matt Cohen.In fact, Cohen was such a devoted worker, that her son recounted, «There is the legend of how when she went to the hospital to give birth to me [on Aug. 28, 1969, just one month after the Apollo 11 moon landing], that she had some paperwork, she was still working on a problem. And after she delivered the baby, she called into work and they said, 'Hey, congratulations, you just had a baby! How are you?' And she goes, 'Fine, fine, I'm faxing you over the papers, the mathematical equations.'»Black and his mother at the 2013 Golden Globe Awards.«She was much smarter than me, I did not inherit those mathematic genes,» Black added with a laugh, «but there's a sense of pride and connection to telling this story, 'cause I know my mom was in there working on it too.»In which was shot in live action by writer and director Richard Linklater, and later animated in a process similar to his early 2000s films and, Black narrates the story of an elementary-aged boy growing up in Houston

Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.MOVIES— Richard Linklater returns to animation with “Apollo 10½,” which comes to Netflix on Friday. But this is no “Waking Life” or “A Scanner Darkly,” though parts do use the rotoscoping technology he used in those films.

Kevin Costner can still recall the moment he and Whitney Houston truly connected as co-stars.The star walked the 2022 Oscars red carpet outside the Dolby Theatre in Los Angeles on Sunday, alongside wife Christine Baumgartner, and the couple stopped to talk with ET's Kevin Frazier and Nischelle Turner about the milestone anniversary of his iconic romantic drama.Looking back at his time with Houston — who was only 29 when the film hit theaters in November 1992 — Costner recalled, «She was a really street-smart girl, she knew stuff.»«I knew she could handle the part but wasn't sure she could handle it,» Costner recalled. «There came a moment where she had to make a decision and I saw her trust me and we had that, from that moment on.»«That was my promise to her, that she'd look great and be great,» he added with a smile.

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