‘Rebel Country’ Review: Country’s Rebellious & Still-Needing-To-Evolve Roots Are Explored In New Music Doc [Tribeca]

Jessie Ware brought Romy out during her Glastonbury 2024 performance to debut their forthcoming track ‘Lift You Up’. Check it out below.While performing on the West Holts stage tonight (June 29), Ware introduced Romy to the crowd saying it was a “huge honour” to welcome the XX singer to the stage.

Slipknot’s founding member and percussionist Shawn ‘Clown’ Crahan has told fans to expect new music soon.Six weeks after the surprise announcement that Slipknot had written ‘Long May You Die’, their first track with new drummer Eloy Casagrande, Crahan has teased that the iconic metal band will release new music “really soon”.In a new interview with Revolver, he said: “Well, one thing I can say is this: There’s always going to be new Slipknot music. But we’ve also said that there is a filter, and we are the filter, and that filter must go through everyone.“And when I was telling you that we’re doing a lot better communicating, now apply that to communicating about music.

Amy Winehouse, Amy – will be pleased to hear he’s returning to the genre soon with a new project.Kapadia is known for his forensic, archive-heavy films about global stars including racing driver Ayrton Senna, Argentinian footballer Diego Maradona and Winehouse, but he has veered away from that approach recently. His latest show about tennis superstar Roger Federer’s final days before retirement uses precious little archive material, and when he has reverted to type it has been for streaming series such as Disney+’s Camden and 1971: The Year That Changed Everything on Apple TV+.

Every Friday, The FADER's writers dive into the most exciting new projects released that week.

It’s Austria, circa 1750, and we open on a woman, devoid of emotion, as she quietly and chillingly casts her newborn over the side of a waterfall. This is how the creepy “The Devil’s Bath” begins.

There exists a moment, perhaps several, in director Sandi DuBowki’s documentary “Sabbath Queen” where shaky attempts to solidify focus on one subject as numerous struggles for screentime become blindingly apparent and the project threatens to spiral out of control. That’s not to say there isn’t a compelling narrative throughout, only that there are too many, and in such a chaotic effort, topics become somewhat diluted to varying degrees, and meaningful quotes from any of the frequent talking heads start to lose their impact.

H1-KEY have officially released their third mini-album ‘Love or Hate’, along with a music video for title track ‘Let It Burn’.Both the record and accompanying visual were released on June 19 at 6pm KST. The latter features the four members of H1-KEY as rebellious students of a high school, as they revel in the nostalgic joys of being teenagers while embracing their defiant spirit.The song itself is “characterised by rebellious and straightforward lyrics different from past H1-KEY songs”, they said in a press conference for the release.

“Wise Guy: David Chase and the Sopranos,” premiered at Tribeca Film Festival on June 13 and revealed how the late Gandolfini battled demons while playing a mob boss on the iconic HBO series. His TV wife, Edie Falco, said in the doc that Gandolfini “was a very good, kindhearted man,” but that the role “may have taken a toll on him,” according to USA Today.

Even a quarter-century later, box office victory still tastes sweet for Robert De Niro and Billy Crystal.

Mariah Carey celebrates Pride Month with the just released the 25th anniversary edition of her album Rainbow!

Todd Spangler NY Digital Editor Dana White, chief executive of UFC, is one of the stars of the new Roku original docuseries “Fight Inc.: Inside the UFC,” touted as an “unprecedented” insider’s look at the company, marking its 30th anniversary. Earlier this month, White — a well-known supporter of Donald Trump — played a starring role in different production: Trump’s first TikTok video. Following footage of the ex-president greeting fans at UFC 302 in Newark, N.J., on June 1, the video shows White with Trump backstage at the fight.

“Brat Pack” – a collection of popular young actors in the 1980s — have made it clear that they weren’t, and in some cases, still aren’t, fans of the group nickname.The phenomenon started with the 1985 New York magazine cover by David Blum. He had a night out in Los Angeles with Emilio Estevez, Rob Lowe, and Judd Nelson, and decided to coin the now-iconic phrase which was inspired by the “Rat Pack,” a group of entertainers (including Frank Sinatra and Dean Martin) from the 1940s and 1950s.Estevez, Lowe, Nelson, Andrew McCarthy, Demi Moore, Anthony Michael Hall, Molly Ringwald and Ally Sheedy make up the Brat Pack, as they all appeared in the ensemble of classic ‘80s films such as “St.

he told Us Weekly. “Brats” is about the famous group of ‘80s stars, their memories of their heyday and their gripes with that moniker. The circle of stars associated with the label are Emilio Estevez, Ringwald, Demi Moore, Ally Sheedy, Judd Nelson, Anthony Michael Hall, Jon Cryer and McCarthy.(Tom Cruise, Robert Downey Jr.

Inspired in part by 1970s experimental filmmaker Nikos Nikolaidis and jumpstarted in earnest in 2009 by Yorgos Lanthimos with “Dogtooth,” and perhaps to a lesser extent Panos H. Koutras’ “A Woman’s Way,” the so-called Greek Weird Wave movement quickly spread like wildfire in the country.

Roger Federer’s 2022 retirement at age 41 certainly unleashed a tidal wave of mourning.The Swiss ace — renowned for his graceful movement, easy power and class — dominated courts around the world for more than two decades.So, when the 20-time winner of the four major tournaments put down his racket for good, the mood wasn’t so much the changing of the guard as the death of the king. For many, Roger Federer was tennis.“It’s been a wild journey,” Federer told the audience at the SVA Theatre in Chelsea.

Tribeca Film Festival, never-before-heard audio recordings of the “Cleopatra” star, who died in 2011, reveal her true, sometimes brutal feelings about her seven husbands. She says Conrad Hilton Jr. abused her while she was pregnant, and that actor Michael Wilding wasn’t dominant enough for the duo to survive, according to People.But Taylor is particularly harsh about hubby No.

True cinephilia lives outside the confines of your front door, way past the boundaries of your home and native language. So, for all the talk of Martin Scorsese as a preeminent master of American cinema, it’s always been heartening to know the filmmaker and cineaste has appreciated all aspects of international cinema, from the East to the West and beyond.

“Hey Mom, did you feel emotional the first time you drove in Sacramento?” asked Saoirse Ronan’s titular character in “Lady Bird” during an impassioned final monologue that makes the streets of the Californian capital glow. The city provides a similar site of reconciliation between a pair who’s grown gradually estranged in Michael Angarano’s “Sacramento.” It feels emotional, too, albeit in a more familiar way.

Earlier this year, a documentary by the name of “Sugarcane” premiered at the Sundance Film Festival and presented audiences with a harrowing look at the Canadian Indian residential school system and the emotional fallout stemming from years of horrendous abuse behind these doors. For those who may have bore witness to such a film, there’s an unusual sense of recurrence in the topics unveiled throughout “Missing From Fire Trail Road,“ one which starts as what could be initially presumed to be a simple look at a missing persons case from several years prior but eventually flows into strangely familiar territory.

It would seem that were one to gaze into the future of sci-fi filmmaking, society will never see an end to the concept of UFOs as a plot device, with “They’re Here” the latest, but far from greatest, contender for the spot of genre-defining piece presumably meant to spark a conversation about whether or not we remain alone in the vastness of space. While this particular outing may indeed be rich in onscreen conversation regarding the possibility of interstellar visitors between whoever might be occupying the film at any given moment, it’s far from eye-opening and, it would seem, purposely aimless.