K.J. Yossman CBS Studios’ Meghan Lyvers is heading to Sky Studios in a new role as director of original drama for the U.K.
22.05.2022 - 00:49 / variety.com
Jessica Kiang The title is not, in the end, some kind of code for “Romania.” But if it were, it would be appropriate: The enormous, troubling, intricately pessimistic “R.M.N.” from director Cristian Mungiu, probably the pre-eminent filmmaker of the Romanian New Wave, is little less than a pared-back state of the nation, a microcosmic analogy for an entire shattered society boiled dry of its softening vowels, in which only the harder elements — the bigotries, the betrayals, and a surprising number of bears — remain.Laid out in discrete scenes of astonishing clarity and density, with the rigor of their construction belied by the spontaneity of their presentation, the connections between the various strands are initially difficult to discern. Rudi (Mark Blenyesi), a little boy walking to school, comes across a sight in the woods that is kept offscreen, but that instills in him such terror he runs home and ceases speaking.
Matthias (Marin Grigore), a worker in a German slaughterhouse, responds to a racist slur with stunningly instant violence, and flees into the night. Csilla (Judith State), who runs a small bread factory, discusses with her boss the difficulties of attracting local bakers at the minimum-wage salary they’re offering.
The temptation is to liken this fragmentary approach — a departure, incidentally, from the singleminded narrative dynamism of Mungiu’s Palme d’Or winner “4 Months, 3 Weeks, 2 Days” and his Cannes Best Director-awarded “Graduation” — to the building of a mosaic. But that would imply the story of the film is one of convergence, in which the pieces will eventually settle to reveal some grand unifying design, where the trajectory is in fact the opposite.
K.J. Yossman CBS Studios’ Meghan Lyvers is heading to Sky Studios in a new role as director of original drama for the U.K.
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Jessica Kiang It is 1972, in Bucharest. Ceaușescu has been in power for seven years, and the fabric of ordinary life has been steeped long enough in his regime’s corrosively oppressive mandate that it has begun to fray.
As the U.S. streaming giants commission more and more shows from Europe, the continent’s traditional broadcasters now see co-productions as the best weapon in their armory. The LA Screenings continues this week, but across the pond the number of expensive dramas with multiple partners is expanding as channels seek to make budgets stretch further.
Mads Mikkelsen will star in an epic period drama called “King’s Land” and is reuniting with the director of “A Royal Affair” Nikolaj Arcel, making it Arcel’s first film since “A Royal Affair” in 2012. “King’s Land” (working title) is co-written by Arcel and Danish screenwriter Anders Thomas Jensen (“Riders of Justice”) and is based on the Danish bestseller “The Captain and Ann Barbara” from 2020.
Mads Mikkelsen is set to star in a new period drama King’s Land (working title) which will reunite the prolific Danish actor with A Royal Affair director Nikolaj Arcel.
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this long in an industrial bakery watching the two managers fill out EU grant applications?Soon enough the corners come together and the shape becomes more clear as the part-Roma, part-German Matthias (Marin Grigore) returns to his native Transylvania town either to make amends with his estranged wife Ana (Macrina Barladeanu) or, failing that, to rekindle the flame with former mistress Csilla (Judith State). By way of filial duties, Matthias also has to deal with an ailing father (whose need for an MRI — RMN in Romanian — gives the film its title) and a son too shell-shocked by that unknown forest sight to speak.But the film is just as much Csilla’s story, following the native Hungarian as she carves out a comfortable middle-class existence, devoting herself to her EU-assisted startup and sacrificing whatever personal projects she might have in order to gain affluence in a post-industrial town whose long-shuttered mine has left both water source and the hearts of the men who lost their jobs poisoned for good.Even as the “who” comes sharper into focus, we still can’t quite crack the “why.” Why do we follow Matthias through a seemingly aimless series of encounters as he and his fellow townsfolk debate the finer points of Romanian history? Why do we spend so much time with Csilla as she posts a series of job listings (“Don’t mention the salary,” advises her boss) on every door in town? And why the urgent need to underline every character’s particular ethnic background?The answer — call it a skeleton key — comes at the one-hour mark upon the arrival of three Sri Lankan migrants to fill the still-vacant posts.
Christopher Vourlias Ukrainian filmmaker Sergei Loznitsa’s latest documentary, “The Natural History of Destruction,” bows May 23 in the Cannes Premiere section of the Cannes Film Festival. The director returns to the Croisette one year after his last feature, “Babi Yar.
Ralf Rangnick abandoned his attempts to turn Manchester United into a pressing team after just his second Premier League game in charge of the club.
Manchester United fans are fearing the worst after reports suggested Cristiano Ronaldo will miss their final Premier League match of the season against Crystal Palace on Sunday.
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Isla Fisher (Wolf Like Me) and Greg Kinnear (Shining Vale) will topline the family comedy The Present, from director Christian Ditter (How to Be Single), which has entered production in Los Angeles.