Peter Bart: Broadway Openings Set Breathless Pace, Testing Frazzled Critics And Taunting Virus
21.04.2022 - 23:01
/ deadline.com
Show business thrives on risk — even existential risk. Take this Broadway moment when new shows are opening at a pace that shocks even grizzled veterans – 15 in April alone. Of course, some will quickly be shuttering due to Broadway’s two dire enemies: critics and Covid. Ticket buyers must navigate a complex landscape.
It seems appropriate that Barbra Streisand may now re-appear as a star of the maelstrom. The revival of Funny Girl on April 24 will help her celebrate her 80th birthday — 60 years since her coronation on the hit show.
Given their layers of narcissistic impenetrability, superstars resist honest analysis, and that applies to the great Streisand as well. She is arguably the most famous, the wealthiest and the most trouble-prone. I’ve been a witness to “Barbra-trouble” over the years, but her high-temper detonations have only added to my admiration for her.
As the Streisand presence still looms large on Broadway, the same applies to Hollywood. Visit the grand new Academy Museum and you’ll walk across the Barbra Streisand Bridge connecting two structures. While the museum was heavily criticized for initially seeming to “cancel” every industry leader who happened to be Jewish – the Louis B. Mayers and Sam Goldwyns — Streisand has survived the purge, flaunting her ethnicity as part of her brand.
In the original Funny Girl, which opened in 1964 after momentous creative battles and delays, her performance as a gutsy comedienne and singer named Fanny Brice triggered years of ticket lines. Fanny Brice’s son in law, Ray Stark, secured the film rights to Funny Girl but his home studio, Columbia, couldn’t afford its budget.
When Stark took it to Paramount, however, he hit a bigger roadblock: its chairman, Charles Bluhdorn,