Review: Broadway's 'Funny Girl' a Beanie Feldstein triumph

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Wilson Chapman editorThe bar at the August Wilson Theater, a lounge the theater’s owner Jordan Roth opened last year, was quiet after the curtain fell over Broadway’s first revival of “Funny Girl.”Save the chatter of interviews to the press and some small talk over sandwiches laid out for those who stayed behind, the atmosphere inside the theater in New York City on Sunday was hushed, subdued even, after the opening night of a historic musical: For the first time in 58 years, not since it first opened with an unknown Barbra Streisand in its leading role, “Funny Girl” is again on Broadway.Directed by Michael Mayer with a revised book by Harvey Fierstein, the revival stars Beanie Feldstein as Fanny Brice. In the lobby of the theater, leaning against the wall after a barrage of press and her opening night bows, Feldstein could use a second to breathe.“I’m a woman who needs to be distracted,” she said, thoughtful and sincere with her words.

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Beanie Feldstein, who was a smash as Monica Lewinsky in “American Crime Story: Impeachment” last year, takes on the Brooklyn comic legend who sings classic hits like “People” and “Don’t Rain On My Parade.” She is supposed to steal our hearts and sprain our funny bones. No dice.Ticket-buyers are walking in forgivingly, with an understanding that we don’t expect any Broadway performer to match up to one of the greatest American vocalists of all time. Feldstein, however, barely muddles through the beloved songs.

Frank Rizzo “You ever feel like there’s someone watching from the shadows?” asks Beanie Feldstein’s Fanny Brice, as haunting apparitions from the Ziegfeld star’s past waft in and out in a kind of “Fanny’s ‘Follies’.”The problem with this uninspired revival of “Funny Girl” — which opened at the August Wilson Theatre on Sunday, marking the show’s Broadway return after nearly 60 years — is not simply the singular ghost of she who shall not be named. (Alright: It’s Barbra Steisand.) Rather, the issue here is the production’s inability to live up to its star-making potential that would have made us once again forgive the simplistic, sentimental and sanitized original book credited to Isobel Lennart.

Smartly sidestepping the obvious comparison from the start – the line-reading of “Hello gorgeous” sounds more conversational, less sing-songy than the one etched in our brains for all these decades – Broadway’s new Funny Girl revival doesn’t so much make a grand play for replacement as a peaceful offering for coexistence: The show that made Barbra Streisand a musical theater icon likely won’t do the same for its latest star, but neither is it cause for grumbling how-dare-shes.

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party, Beanie Feldstein was asked what she wanted for its theme. The answer was obvious to her and anyone who knew her: “Funny Girl.”Even at that tender age, Feldstein was a super fan of the musical, blasting the cast album and watching the Barbra Streisand-led film about Ziegfeld Follies comedian Fanny Brice on repeat.“I thought you could just go to Party City and buy a Barbra Streisand-as-Fanny Brice balloon, like you could buy an Elmo one,” says Feldstein.