Kenneth Branagh Latest Celebrity News & Gossip

Rebecca Rubin Film and Media Reporter “The Expendables 4,” an action-thriller starring Sylvester Stallone and Jason Statham, misfired in its box office debut, tumbling to a franchise-low $8.3 million. It landed in ever-so-slightly second place behind “The Nun II,” which collected $8.4 million in its third weekend. It’s possible the order could flip by the time the final tally is revealed on Monday.

Matt Donnelly Senior Film Writer Kenneth Branagh’s latest Agatha Christie adaptation “A Haunting in Venice” has been rattling North American theaters for a week now, signaling the start to spooky season with a packed ensemble cast featuring the likes of Tina Fey, Jamie Dornan, Oscar winner Michelle Yeoh and “Yellowstone” star Kelly Reilly. Branagh’s players (and the director himself) weren’t able speak on behalf of the moody chamber piece due to the WGA and SAG-AFTRA strikes. Variety caught up with veteran producer Judy Hofflund (who made the first two Poirot films with Branagh, “Murder on the Orient Express” and “Death on the Nile”) to discuss Fey’s journey to leading lady status in a film from this era, as well as the future of Branagh’s mustachioed sleuth.

A new Vanity Fair piece charts the behind-the-scenes work of Marvel casting director Sarah Halley Finn and the castings that might have been. For instance, Daniel Craig was an early candidate to play Thor for Kenneth Branagh‘s 2011 film, as was Charlie Hunman, Alexander Skarsgård, and Joel Kinnaman.

Rebecca Rubin Film and Media Reporter “Expend4bles,” the fourth action-thriller starring Jason Statham and Sylvester Stallone as elite mercenaries on a mission, is expected to top the box office in its debut. It’s aiming for $15 million in its opening weekend, which would be the lowest of the franchise. There’s a chance, though, it could slightly exceed expectations with $17 million.

Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.

Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far.

Rebecca Rubin Film and Media Reporter It’s another close race at the box office. The Warner Bros. thriller “The Nun II” is projected to ever-so-slightly outpace the competition with $14.7 million in its second weekend.

according to IMDB’s Box Office Mojo.The supernatural mystery, which The Post called a “surefooted film with strong performances and a luxurious-yet-frightful tone,” is based on a 1969 Agatha Christie novel.“The Nun II,” which was in first place last week, moved down a notch to the No. 2 spot, with earnings of $4.4 million.

J. Kim Murphy Hercule Poirot is back on the case this weekend, with Kenneth Branagh’s “A Haunting in Venice” hoping to best a very quiet box office in its opening. The horror-tinged whodunnit scored$5.5 million from 3,305 theaters on its opening day, a figure that includes $1.2 million in Thursday previews.

In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead of Bohemian Rhapsody. 

When I was in college cinema courses I made a Super 8 film called Movie Girl. It was a Hollywood-set love letter to movies centered on a Musso & Franks waitress who put herself dreamily into the plots of classic films. It won an award there but was the highlight of the directing career I never had. However I have always been partial to filmmakers who put their own early film going experience and passion into their careers now. You may have heard of them. Kenneth Branagh won an Oscar for doing just that in Belfast. Steven Spielberg got several nominations last year for his very personal The Fabelmans . Woody Allen had his own charming take in The Purple Rose Of Cairo. Peter Bogdanovich made a lasting impression with 1971’s The Last Picture Show, as did Giuseppe Tornatore with his Oscar winner, Cinema Paradiso. It is a combination of the latter two especially that might describe the feel of the latest movie about the love of movies, The Movie Teller (La Contadora de Peliculas) which had its World Premiere tonight at the Toronto Film Festival. And just in sheer numbers of classic film clips incorporated into its near two hour running time, this one sets a record in the little sub-genre. For movie lovers everywhere The Movie Teller is a must see.

Jazz Tangcay Artisans Editor Hildur Guðnadóttir grew up on Agatha Christie mysteries. “I totally lived for those novels,” the composer says. Ever since then, she has wanted to sink her teeth into story by the famous author.

20th Century Studios’ Kenneth Branagh starring and directed, A Haunting in Venice, has scared up $1.2M in previews. The weekend outlook for the feature take of the Agatha Christie novel Hallowe’en is $12M+, similar to what Branagh’s feature take on the author’s Death on the Nile did back in 2022 in its first weekend, $12.8M.

I was the poor schlub who was about to be killed. But, while “Murder On The Orient Express” and “Death On The Nile” were hack-job excuses to force as many disparate and ghastly celebrities onscreen as possible, “Haunting” is an actual, surefooted film with strong performances and a luxurious-yet-frightful tone.Running time: 103 minutes. Rated PG-13 (some strong violence, disturbing images and thematic elements.) In theaters Sept.

A Haunting in Venice, the third installment in Kenneth Branagh‘s Hercule Poirot franchise, has finally been released in theaters.

Disney has kept Kenneth Branagh’s 20th Century Studios Hercule Poirot franchise going following its inception at Fox with 2017’s Murder on the Orient Express, but recent installments have yet to reach that first pic’s box office heights.

Rebecca Rubin Film and Media Reporter “A Haunting in Venice,” Kenneth Branagh’s latest cinematic take on Agatha Christie’s library of murder mystery novels, is expected to spook the box office competition. It’s targeting a soft $13 million to $15 million in its North American debut. Those ticket sales will likely be enough to claim the No.

In the world of Agatha Christie adaptations, there’s always a delicate balance to strike between remaining faithful to the source and modernizing the narrative for contemporary audiences. A Haunting in Venice is Kenneth Branagh’s third venture in this territory and may have finally found his rhythm with these films. In addition to Branagh, the film stars Michelle Yeoh, Kelly Reilly, Jamie Dornan, Camille Cottin, and many others.

Todd Gilchrist editor An adult-oriented crowd pleaser of the sort that seldom gets made any longer without superheroes being involved, and better than that, is quite entertaining, “A Haunting in Venice” extends 2023’s streak as the Year That Hollywood Lured Grown-Ups Back To Theaters. Less prestigious than practiced in spotlighting the star wattage of its pedigreed cast, Kenneth Branagh’s third Agatha Christie adaptation offers a nimble stopgap between drier art-house fare, traditional studio tentpoles and scrappy genre material leaching ticket sales from their pricier competitors — while satisfying all three potential audiences.

K.J. Yossman editor Michael Winterbottom’s production company Revolution Films is opening an Italian outpost, Variety can exclusively confirm. The production outfit, known for films and TV series including the Boris Johnson-inspired “This England” and the upcoming TIFF contender “Shoshana,” is in the process of setting up an office in the country, say sources with knowledge of the expansion.

Do you spot any clues in the A Haunting in Venice character posters?

Kenneth Branagh is opening up about his upcoming movie, A Haunting In Venice, and revealed that he wanted to keep the movie as scary as possible – even for the cast.

K.J. Yossman “Call My Agent” U.K. — launched locally as “Ten Percent” — will not return for a second season, Variety can confirm.

TikTok user has used AI to imagine J. Robert Oppenheimer singing Aqua’s ‘Barbie Girl’ – check out the clip below.While advancements in artificial intelligence have become a growing concern for many (as seen in the Hollywood strikes), the technology has also spawned more trivial obscurities – such as Homer Simpson singing Arctic Monkeys and Seinfeld being recreated endlessly on Twitch.The latest celebrates the dual release of Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer, by blending theoretical physicist J.

20th Century Studios has unveiled a premiere date and first look photo for its sci-fi psychological thriller No One Will Save You starring Emmy and Golden Globe nominee Kaitlyn Dever (Dopesick), announcing that it will premiere exclusively on Hulu in the U.S., Star+ in Latin America and Disney+ in all other territories on September 22nd.

Christopher Nolan’s biographical epic Oppenheimer.During a scene set in 1945, J. Robert Oppenheimer (Cillian Murphy) goes to deliver a speech to a crowd waving American flags.The flags featured however are the current version of the flag, with 50 stars representing 50 states.

Christopher Nolan delivers his first biographical epic in Oppenheimer.Based on the book American Prometheus by Kai Bird and Martin J. Sherwin, the film follows the life of theoretical physicist J.

Christopher Nolan’s Oppenheimer has been released – check it out below.Based on the book American Prometheus by Kai Bird and Martin J. Sherwin, the film follows the life of theoretical physicist J.

Christopher Nolan delivers his first biographical epic in Oppenheimer.Based on the book American Prometheus by Kai Bird and Martin J. Sherwin, the film follows theoretical physicist J.

Christopher Nolan delivers his first biographical epic in Oppenheimer.Based on the book American Prometheus by Kai Bird and Martin J. Sherwin, the film follows theoretical physicist J.

“A Haunting in Venice” trailer puts the mystery-solver in the middle of a ghost story.Based on Christie’s “Hallowe’en Party,” the post-World War II story finds Poirot tasked with determining the validity of a psychic played by Michelle Yeoh, who claims she can talk to the dead. But when someone living turns up dead at the séance, Poirot is now faced with an even bigger challenge: find out if the murderer was a ghost.Branagh stars in and directs the film just as he pulled double duty on 2017’s “Murder on the Orient Express” and 2022’s “Death on the Nile,” with another A-list ensemble cast that includes Tina Fey, Jamie Dornan Kelly Reilly, Kyle Allen, Camile Cottin, Jude Hill, Ali Khan, Emma Laird and Riccardo Scamarcio.Michael Green returns to write the screenplay, and the 20th Century Studios release was produced by Branagh, Judy Hofflund, Ridley Scott, and Simon Kinberg, with Louise Killin, James Prichard, and Mark Gordon serving as executive producers.Branagh reunites with cinematographer Haris Zambarloukos on the film, but works for the first time with Oscar-winning “Joker” composer Hildur Gudnadóttir.Watch the new “Haunting in Venice” trailer above.

The chilling trailer for 20th Century Studios’ “A Haunting in Venice” has arrived.

The full length trailer for A Haunting in Venice is finally here…and this might be the scariest detective Hercule Poirot film yet.

Even though last year’s “Death on the Nile” wasn’t nearly as much of a box office hit as 2017’s “Murder on the Orient Express,” there’s no denying that quite a lot of people enjoy Kenneth Branagh’s adaptations of Agatha Christie mystery novels. And for the third adaptation, “A Haunting in Venice,” it appears Branagh is trying something a bit different—a horror film.

Naman Ramachandran Paramount’s “Mission: Impossible Dead Reckoning Part One” was the dominant force at the U.K. and Ireland box office with a mighty £10.3 million ($13.2 million), per numbers from Comscore. The Tom Cruise vehicle opened on Monday, July 10, instead of a traditional weekend slot. Even with just the July 14-16 weekend numbers, the seventh instalment in the franchise scored £6.3 million, comfortably making it the No. 1 film in the territory. In second place, Disney’s “Elemental” collected £2.4 million in its second weekend for a total of £6.6 million. Another Disney title, “Indiana Jones And The Dial Of Destiny,” whipped up £1.7 million in third place in its third weekend for a total of £16.3 million.

Matt Damon negotiated with his wife during a couples therapy session that he was taking a break from working unless Christopher Nolan called. Nolan would then call Damon about being part of the Oppenheimer cast.