One of the biggest stars of hit Netflix series Sex Education has been the Norwegian-inspired chalet home of lead characters Otis (Asa Butterfield) and his mother Jean (Gillian Anderson), and now the house is for sale, as the show’s finale beckons.
17.09.2023 - 20:19 / deadline.com
Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far.
More on The Nun II in a bit, but first let’s check in on Hercule Poirot and 20th Century Studios/Disney’s A Haunting in Venice which debuted to $37.2M globally, including $22.7M from 51 overseas markets. This is essentially where the $60M-budgeted film was expected to land internationally, where it performed best in the European majors. There were No. 1s in the UK, Spain and Italy, and No. 2s in France, Germany and Brazil among the key markets.
Scores are about on par with the last Kenneth Branagh-directed Agatha Christie yarn. IMAX generated $900K offshore.
The Top 10 opening markets are the UK ($2.6M), China ($2.4M), Italy ($2.1M), France ($1.7M), Spain ($1.2M), Korea ($1M), Japan ($900K), Germany $800K), Mexico ($700K) and Australia ($700K).
While Haunting did best in Europe, The Nun II won the head-to-head battle in its France opening this frame, coming in at No. 1 with $3.1M on 468 screens, roughly on par with Annabelle and Scream VI and ahead of The Conjuring (+51%), M3GAN (+137%) and Evil Dead Rise (+145%).
Overall, the Michael Chaves-directed scarer, which is doing heavenly business in Latin America, saw a good 49% drop in the holdover markets. In like-for-likes and using today’s exchange rates, Nun II is tracking ahead of all the films in the Conjuring Universe with the exception of The Nun, and also above recent horror titles Evil Dead Rise and M3GAN.
There are also still some significant markets to
One of the biggest stars of hit Netflix series Sex Education has been the Norwegian-inspired chalet home of lead characters Otis (Asa Butterfield) and his mother Jean (Gillian Anderson), and now the house is for sale, as the show’s finale beckons.
Naman Ramachandran Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release.
While a fairly quiet frame overall, there were some significant milestones this international box office session. To wit: New Line/Warner Bros’ The Nun II topped the $200M mark worldwide and Shah Rukh Khan’s Jawan became the highest-grossing Bollywood movie ever in India, overtaking the star’s earlier 2023 movie, Pathaan.
Rebecca Rubin Film and Media Reporter “The Expendables 4,” an action-thriller starring Sylvester Stallone and Jason Statham, misfired in its box office debut, tumbling to a franchise-low $8.3 million. It landed in ever-so-slightly second place behind “The Nun II,” which collected $8.4 million in its third weekend. It’s possible the order could flip by the time the final tally is revealed on Monday.
according to IMDB’s Box Office Mojo.“The Nun II” is the ninth installment in the “The Conjuring” franchise, the highest grossing horror franchise of all time. Collider called the latest flick “an effective, gory, and impressively scary addition to the “Conjuringuniverse” that also stands as a solidly on its own.
Matt Donnelly Senior Film Writer Kenneth Branagh’s latest Agatha Christie adaptation “A Haunting in Venice” has been rattling North American theaters for a week now, signaling the start to spooky season with a packed ensemble cast featuring the likes of Tina Fey, Jamie Dornan, Oscar winner Michelle Yeoh and “Yellowstone” star Kelly Reilly. Branagh’s players (and the director himself) weren’t able speak on behalf of the moody chamber piece due to the WGA and SAG-AFTRA strikes. Variety caught up with veteran producer Judy Hofflund (who made the first two Poirot films with Branagh, “Murder on the Orient Express” and “Death on the Nile”) to discuss Fey’s journey to leading lady status in a film from this era, as well as the future of Branagh’s mustachioed sleuth.
Rebecca Rubin Film and Media Reporter “Expend4bles,” the fourth action-thriller starring Jason Statham and Sylvester Stallone as elite mercenaries on a mission, is expected to top the box office in its debut. It’s aiming for $15 million in its opening weekend, which would be the lowest of the franchise. There’s a chance, though, it could slightly exceed expectations with $17 million.
Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.
Rebecca Rubin Film and Media Reporter It’s another close race at the box office. The Warner Bros. thriller “The Nun II” is projected to ever-so-slightly outpace the competition with $14.7 million in its second weekend.
according to IMDB’s Box Office Mojo.The supernatural mystery, which The Post called a “surefooted film with strong performances and a luxurious-yet-frightful tone,” is based on a 1969 Agatha Christie novel.“The Nun II,” which was in first place last week, moved down a notch to the No. 2 spot, with earnings of $4.4 million.
J. Kim Murphy Hercule Poirot is back on the case this weekend, with Kenneth Branagh’s “A Haunting in Venice” hoping to best a very quiet box office in its opening. The horror-tinged whodunnit scored$5.5 million from 3,305 theaters on its opening day, a figure that includes $1.2 million in Thursday previews.
In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead of Bohemian Rhapsody.
Jazz Tangcay Artisans Editor Hildur Guðnadóttir grew up on Agatha Christie mysteries. “I totally lived for those novels,” the composer says. Ever since then, she has wanted to sink her teeth into story by the famous author.
Jordan Moreau Kenneth Branagh is suiting up as Detective Hercule Poirot once again, with the actor-director’s latest movie, “A Haunting in Venice,” opening in theaters this weekend. The 20th Century Studios movie made $1.2 million in Thursday previews at the box office. The supernatural whodunnit is expected to open between $13 million and $15 million, which would land it between the franchise’s previous two entries, “Murder on the Orient Express” from 2017 and last year’s “Death on the Nile.” All three movies are based on Agatha Christie’s murder mystery novels, with the first “Murder on the Orient Express” standing as the most successful with a $28.6 million opening.
20th Century Studios’ Kenneth Branagh starring and directed, A Haunting in Venice, has scared up $1.2M in previews. The weekend outlook for the feature take of the Agatha Christie novel Hallowe’en is $12M+, similar to what Branagh’s feature take on the author’s Death on the Nile did back in 2022 in its first weekend, $12.8M.
I was the poor schlub who was about to be killed. But, while “Murder On The Orient Express” and “Death On The Nile” were hack-job excuses to force as many disparate and ghastly celebrities onscreen as possible, “Haunting” is an actual, surefooted film with strong performances and a luxurious-yet-frightful tone.Running time: 103 minutes. Rated PG-13 (some strong violence, disturbing images and thematic elements.) In theaters Sept.
A Haunting in Venice, the third installment in Kenneth Branagh‘s Hercule Poirot franchise, has finally been released in theaters.
A Haunting In Venice.Based on the 1969 novel Hallowe’en Party by Agatha Christie, the supernatural mystery film marks Branagh’s third turn as the mustachioed detective following Murder On The Orient Express and 2022’s Death On The Nile.Along with a compelling mystery, each film is propped up by its ensemble cast.
Disney has kept Kenneth Branagh’s 20th Century Studios Hercule Poirot franchise going following its inception at Fox with 2017’s Murder on the Orient Express, but recent installments have yet to reach that first pic’s box office heights.
Rebecca Rubin Film and Media Reporter “A Haunting in Venice,” Kenneth Branagh’s latest cinematic take on Agatha Christie’s library of murder mystery novels, is expected to spook the box office competition. It’s targeting a soft $13 million to $15 million in its North American debut. Those ticket sales will likely be enough to claim the No.