explained to People. “I think it is brave creatively, I think it is brave in its message, I think it confronts things in a way that is innovative.
explained to People. “I think it is brave creatively, I think it is brave in its message, I think it confronts things in a way that is innovative.
Avatar actress CCH Pounder and Academy Award-nominated producer Paul Garnes will attend the inaugural Cross Continental International Co-production Forum (CCF) in Barbados.
Ethan Shanfeld After the release of her latest film “Origin,” director Ava DuVernay was vocal about her disappointment that the movie failed to garner widespread attention or awards buzz. Now, the X/Twitter account for “Origin” is taking aim at the distributor Neon, calling out the company for not inviting the filmmakers to its Oscar party. Quote-tweeting a photo from the party, the account posted one day after the Academy Awards: “Is it odd that the filmmakers of Neon’s current film in theaters weren’t invited to this Neon celebration? Nope.
Origin” star Aunjanue Ellis-Taylor sounds like she’s already moving on from awards season. Instead, she’s focusing on how the film is impacting audiences. When asked what it would mean to hear her name called for her second Academy Award nod, Ellis-Taylor paused to thoughtfully consider her words.
Ava DuVernay’s Origin’s theatrical debut grossed a solid $875k on 130 screens with a $7k per-theater average said to be better than Neon anticipated.
Origin, starring as a celebrated writer diligently solving the puzzle that is her latest book, while also facing unfathomable personal adversity.The book she’s writing happens to be the nonfiction best-seller that inspired this film: Caste: The Origins of Our Discontent, by Isabel Wilkerson. In Caste, published in 2020, Wilkerson examines the racial hierarchy in America as a caste system, not unlike systems of oppression in India and in Nazi Germany that have enforced dynamics of superiority and inferiority based on characteristics other than race.“We call everything racism.
Neon is opening Origin on 130 screens and plans to expand the Ava DuVernay film, which premiered in Venice and had a excellent qualifying run in December.
Jazz Tangcay Artisans Editor Composer Kris Bowers calls the score to Ava DuVernay‘s “Origin” “one of the most meaningful” of his career, but there’s one music cue, “Leaves,” which he says “stands out as one of my favorite pieces I’ve ever composed.” Inspired by Pulitzer Prize-winning author Isabel Wilkerson’s “Caste: The Origins of Our Discontent, “Origin” follows Wilkerson’s journey in writing the book. Aunjanue Ellis-Taylor plays Isabel as the film explores how caste systems have shaped societies.
EXCLUSIVE: Angelina Jolie is getting into this year’s Oscar race.
Marc Malkin Senior Editor, Culture and Events Niecy Nash-Betts may be the nicest person in Hollywood. In a town where getting your next role could be cutthroat, Nash-Betts actually tells her actor friends to audition for roles that she may already be reading for. “Before I was even cast in ‘Getting On’ on HBO — I had not even gone in yet — I called every actress I knew and was like, ‘This is going to be something.
By Ava DuVernay etched her name in history during the 80th Venice International Film Festival, as her groundbreaking film Origin shattered barriers as the first-ever selection directed by a Black woman for the prestigious competition. DuVernay defied expectations by weaving a compelling nonfiction narrative inspired by Pulitzer Prize-winning journalist Isabel Wilkerson's Caste.Building on her legacy of tackling challenging topics in American history through works like Selma and When They See Us, DuVernay brings her directorial prowess to the forefront in her latest film.
EXCLUSIVE: “This is a beautiful piece of art that I had no idea was going to resonate so deeply with me,” Regina King declared at last night’s overflowing tastemaker screening of Ava DuVernay’s Origin. “It’s a film about connectivity,” the Oscar winner added to the heavy hitter crowd. “I believe this is a film that will be studied in Anthropology classes for years and years to come.”
Clayton Davis Senior Awards Editor Aunjanue Ellis-Taylor has made some changes in her life. We’ve all grown to know her as the two-time Emmy nominated actress from “When They See Us” and “Lovecraft Country” and her Oscar-nominated performance in “King Richard,” all of which came under her initial professional name: Aunjanue Ellis. When the first promotional materials were released for her new film “Origin” from writer and director Ava DuVernay, a natural question began circulating regarding the hyphenated addition of “Taylor” to her professional name.
Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the ambitious Ava DuVernay-directed drama Origin, with the script also written by DuVernay inspired by Pulitzer Prize winner Isabel Wilkerson’s groundbreaking book Caste: The Origin of Our Discontents.
Ava DuVernay and Michael Mann go way back. In 2003, DuVernay was a publicist on the set of Mann’s “Collateral.” Watching the auteur shoot in her old stomping grounds of East Los Angeles gave her the idea to pick up the camera. “That made me think, ‘Wow, this is possible,’” recalls DuVernay, sitting opposite the Oscar-nominated Mann to discuss where their careers have taken them in the 20 years since.
Jazz Tangcay Artisans Editor With a few weeks to go until the original song for Oscars shortlist is released, Aotearoa, New Zealand-based Māori Artist Stan Walker (Tūhoe, Ngāi TeRangi, Ngāti Ranginui, Ngāti Pūkenga, Tūhourangi Ngāti Wāhiao, Ngāti Porou, Ngāti Whakaue and Ngai Tahu) has released the video for the haunting original song created for Ava DuVernay‘s searing drama “Origin,” “This summer, I was talking with my producing partner Paul Garnes about wanting something unexpected for an original song to end our film, ‘Origin.’ The next day, he showed me Stan’s ‘Ultralight Beam’ interpretation and I watched it four times, back to back. I jumped online and blessedly, we had a producer pal of mine, Chelsea Winstanley in common.
EXCLUSIVE: We are hearing from sources that Origin, the new movie from Oscar nominated filmmaker Ava DuVernay, is not only the highest tested movie in her career, but for Neon, the pic’s distributor too.
Ava Duvernay‘s Origin and Matthew Heineman‘s American Symphony were among the top winners at the Virginia Film Festival, the four-day Charlottesville event that ran from Oct. 25-29.
Clayton Davis Senior Awards Editor Ava DuVernay‘s moving drama “Origin,” which tells the story of author Isabel Wilkerson’s journey to write her famous nonfiction novel “Caste: The Origins of Our Discontent,” is the latest film to be making the switch from an adapted screenplay run, to original. Deemed an original screenplay by the Writers Guild of America, the announcement comes after Variety reported “Barbie” from Greta Gerwig and Noah Baumbach and “The Bikeriders” by Jeff Nichols, were also deemed original by the WGA.
Caroline Brew editor The Savannah College of Art and Design’s 26th annual SCAD Savannah Film Festival, which will run from Oct. 21-28, has announced its film lineup. “Nyad,” a film based on the life of world-class athlete Diana Nyad, will open the festival on Oct.
Clayton Davis Senior Awards Editor “Poor Things” can win things. That’s a nugget of information we gleaned at the conclusion of Venice, Telluride and Toronto, the three major fall festivals. For starters, Yorgos Lanthimos’ sci-fi dramedy collected the Golden Lion at Venice.
Angelique Jackson After directing “Origin” — the feature adaptation of Isabel Wilkerson’s Pulitzer Prize-winning book “Caste: The Origins of Our Discontents” — Academy Award-nominee Ava DuVernay is feeling incredibly content. In fact, when she appears over Zoom from her office at the ARRAY creative campus in L.A. in late August, just a couple days ahead of the film’s world premiere at the Venice Film Festival, there’s a glow about her.
Ava DuVernay touched down at the Venice Film Festival on Wednesday evening with her new film Origin, which world premiered in Competition and received a more than eight-minute ovation in its debut screening.
Ellise Shafer Ava DuVernay’s latest film, “Origin,” premiered in competition at Venice Film Festival to a 5 minute and 46 second standing ovation. Based on Isabel Wilkerson’s book “Caste: The Origins of Our Discontents,” “Origin” chronicles “the remarkable life and work” of Wilkerson “as she investigates the genesis of injustice and uncovers a hidden truth that affects us all,” according to the film’s synopsis. The drama stars Aunjanue Ellis-Taylor, Niecy Nash-Betts, Jon Bernthal, Niecy Nash-Betts, Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood, Connie Nielsen, Emily Yancy, Jasmine Cephas-Jones, Finn Wittock, Victoria Pedretti, Isha Blaaker and Myles Frost.
Peter Debruge Chief Film Critic In “Origin,” Ava DuVernay weaves a centuries- and continents-spanning narrative feature around the ideas of Pulitzer Prize-winning writer Isabel Wilkerson, who rejects the word “racism.” It’s not that she doesn’t believe that racism exists; rather, she doesn’t think that racism alone can explain the inequity in human society — the way America’s founders could have written “all men are created equal” and meant something so different. As Isabel Wilkerson, the protagonist (played by Aunjanue Ellis-Taylor), who is based on Isabel Wilkerson, the author of “Caste: The Origins of Our Discontents,” puts it to her editor (Blair Underwood), “Racism as the primary language to understand everything is insufficient.” And later, to her sister (Niecy Nash-Betts): “We have to consider oppression in a way that does not centralize race.” The book “Caste” was Wilkerson’s answer to that challenge, drawing connections between discrimination in the United States and how Nazi Germany invented a social hierarchy to justify the Holocaust, which she links in turn to the rigid system of caste in India.
When Pulitzer Prize-winning author Isabel Wilkerson (Aunjanue Ellis-Taylor) first conceived of the multifaceted premise that would eventually become the lauded non-fiction book “Caste: The Origin of Our Discontents,” her editors were concerned about whether she would manage to cohesively merge her personal experiences with all the moving parts of her research across cultures and continents to prove that it all interconnects. Venice Film Festival 2023: The 17 Most Anticipated Movies To Watch That’s in turn the same task that writer-director Ava DuVernay faced to convey the big-picture ideas and Wilkerson’s revelatory odyssey to put them on the page in an enticingly cinematic manner.
Ava DuVernay’s past experiences with the Venice Film Festival have been more exclusionary than esteemed, revealed the director during a press conference for her new film “Origin” on Wednesday.
In Ava DuVernay’s 7th feature, Origin, which premiered at the Venice Film Festival tonight, the exploration of caste systems as a mode of oppression takes center stage. Written by DuVernay and Isabel Wilkerson, the film is adapted from the latter’s book, Caste: The Origin of Our Discontents. The narrative delves into the deep-seeded intricacies of caste and how it underpins much of society’s discrimination, sometimes transcending even race. The film stars Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash-Betts, and includes performances by Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood and Connie Nielsen.
Ava DuVernay is making history today. In Venice with Origin, which world premieres in the Sala Grande this evening, she is the first African American female filmmaker to ever have been selected in competition at the world’s oldest festival. DuVernay earlier told Deadline’s Dominic Patten, “Venice was a big goal. It feels like a real full-circle moment.”
“That is the part where you look up and you say, ‘how could people have allowed their neighbors to be taken and put in the camps?’” says Origin director Ava DuVernay of the deep roots of discrimination and the cruel consequences of subjugation.
Rebecca Rubin Film and Media Reporter Neon has acquired worldwide rights to Ava DuVernay’s “Origin” ahead of its world premiere in competition at the Venice Film Festival. The movie, starring Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash-Betts, will also screen at the Toronto International Film Festival. “Origin” will be released in theaters later this year.
Neon has acquired worldwide rights for Ava DuVernay’s Origin ahead of its world premiere in Competition at the Venice Film Festival on Wednesday (September 6).
Ava DuVernay’s Origin, the first film by an African American woman to play in Competition at the Venice Film Festival, will have a Gala screening at Roy Thomson Hall at TIFF on Monday, September 11. DuVernay will be in attendance for the screening of the film, which she wrote, produced and directed.
Nick Vivarelli International Correspondent It’s official: Adam Driver, Caleb Landry Jones, Mads Mikkelsen and Jessica Chastain are among the stars set to attend the upcoming Venice Film Festival. Following multiple unsourced reports, the festival has confirmed that Driver is expected on the Lido’s red carpet to promote Micheal Mann’s “Ferrari,” in which he plays the titular character, Italian car racing pioneer Enzo Ferrari; Landry Jones is coming for Luc Besson’s “Dogman”; Mikkelsen will make the trek for Danish director Nikolaj Arcel’s “The Promised Land” and Chastain for Mexican auteur Michel Franco’s “Memory,” her first role since her Oscar-winning performance in “The Eyes of Tammy Faye.” Also expected on the Lido are Cailee Spaeny and Jacob Elordi, who play Priscilla and Elvis Presley in Sophia Coppola’s “Priscilla.” as well as Priscilla Presley herself.
The Venice Film Festival revealed the lineup for its 80th edition Tuesday morning, and its Official Competition featured works by five women filmmakers, including Ava DuVernay, who makes history as the first African American woman in selection.
EXCLUSIVE: Isha Blaaker (Run The World, A Madea Homecoming) has been tapped for a pivotal recurring role in the current final season of Fear The Walking Dead.
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