‘Origin’ Review: Ava DuVernay Adapts Isabel Wilkerson’ ‘Caste’ With Dazzling Inventiveness [Venice]

Nick Vivarelli International Correspondent Sophia Loren is recovering from emergency surgery for a fractured hip following a fall on Sunday in her home in Geneva, Switzerland, according to Italian press reports. Italy’s most famous living movie star, who turned 89 on Sept. 20, suffered multiple fractures after accidentally falling at home on Sunday morning.

Clayton Davis Senior Awards Editor “Poor Things” can win things. That’s a nugget of information we gleaned at the conclusion of Venice, Telluride and Toronto, the three major fall festivals. For starters, Yorgos Lanthimos’ sci-fi dramedy collected the Golden Lion at Venice.

defamation lawsuit by best-selling author and former Manhattan prosecutor Linda Fairstein over her portrayal in a 2019 crime drama about the Central Park Five case.US District Judge Kevin Castel on Tuesday said Fairstein plausibly alleged that Netflix, director Ava DuVernay and writer-producer Attica Locke acted with actual malice as to five scenes in “When They See Us.”The series dramatized the story of five black and Hispanic teenagers who spent five to 13 years in prison after being wrongfully convicted in the April 1989 rape of a white jogger in Central Park. Another man confessed in 2002.Castel in a 67-page decision found evidence that in depicting Fairstein as a villain emblematic of broader problems in criminal justice, the defendants “reverse-engineered plot points to attribute actions, responsibilities and viewpoints to Fairstein that were not hers and are unsupported in defendants’ substantial body of research materials.”The Manhattan judge said jurors should decide whether there was “clear and convincing evidence that defendants were recklessly indifferent to the truth.”Netflix, based in Los Gatos, Calif., and the defendants’ lawyers did not immediately respond to requests for comment.

Zack Sharf Digital News Director Steven DeKnight, who served as the showrunner on the first season of Netflix’s “Daredevil,” recently took to social media to criticize Disney for running a scam with its upcoming reboot series “Daredevil: Born Again” (via Entertainment Weekly). The 18-episode series features the returns of Charlie Cox, Vincent D’Onofrio and Jon Bernthal, who starred on the original Netflix series as Daredevil, Kingpin and Punisher, respectively.

EXCLUSIVE: As his latest film Dumb Money heads into wider release Friday, Craig Gillespie has moved to CAA for representation in all areas. Following in the footsteps of his acclaimed film I, Tonya about the controversial Olympic skater Tonya Harding, Dumb Money turns the GameStop stock saga into another underdog story with propulsive drama and comedic moments.

Naman Ramachandran Disney’s Hercule Poirot film “A Haunting in Venice” debuted atop the U.K. and Ireland box office with £2.1 million ($2.7 million), according to numbers released by Comscore. In its second weekend, in second place, Warner Bros.’ “The Nun II” collected £1.1 million for a total of £3.8 million.

Craig Gillespie’s comedy-drama Dumb Money starts its three-step platform release this weekend courtesy of Sony, opening in eight theaters in LA, NY, Chicago, DC, Boston and San Francisco ahead of an expansion next week and a Sept. 29 wide release. Gillespie (I, Tonya, Lars and the Real Girl) saw lots of love in Toronto for the premiere of his tale of meme stocks, retail traders, riches and battles won and lost. Opening week cinemas include AMC Century City and The Grove (LA); AMC Lincoln Square, Regal Union Square (NY); AMC River East (Chicago); AMC Georgetown; AMC Boston Commons; and AMC Metreon (San Francisco). 

Clayton Davis Senior Awards Editor Sony Pictures’ “Dumb Money” could be the most frightening horror movie this year, and the Oscars would be smart to embrace it. From the critically acclaimed director Craig Gillespie, his smart and at times tragic look at the GameStop stock story of 2021 entertained the audiences of the Toronto Film Festival on Friday night where it held its world premiere.

Angelique Jackson After directing “Origin” — the feature adaptation of Isabel Wilkerson’s Pulitzer Prize-winning book “Caste: The Origins of Our Discontents” — Academy Award-nominee Ava DuVernay is feeling incredibly content. In fact, when she appears over Zoom from her office at the ARRAY creative campus in L.A. in late August, just a couple days ahead of the film’s world premiere at the Venice Film Festival, there’s a glow about her.

It’s a decent film, nowhere close to a masterpiece, but the stories of the making of David Ayer’s WWII tank drama “Fury” are nearly legendary. Ayer put his cast, including Brad Pitt, through a rigorous boot camp; they all took it very, very seriously, bonded, and seemingly all started acting the part of tough guy soldiers in real life when cameras weren’t even rolling.

Ava DuVernay touched down at the Venice Film Festival on Wednesday evening with her new film Origin, which world premiered in Competition and received a more than eight-minute ovation in its debut screening.

Ellise Shafer Ava DuVernay’s latest film, “Origin,” premiered in competition at Venice Film Festival to a 5 minute and 46 second standing ovation. Based on Isabel Wilkerson’s book “Caste: The Origins of Our Discontents,” “Origin” chronicles “the remarkable life and work” of Wilkerson “as she investigates the genesis of injustice and uncovers a hidden truth that affects us all,” according to the film’s synopsis. The drama stars Aunjanue Ellis-Taylor, Niecy Nash-Betts, Jon Bernthal, Niecy Nash-Betts, Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood, Connie Nielsen, Emily Yancy, Jasmine Cephas-Jones, Finn Wittock, Victoria Pedretti, Isha Blaaker and Myles Frost.

Peter Debruge Chief Film Critic In “Origin,” Ava DuVernay weaves a centuries- and continents-spanning narrative feature around the ideas of Pulitzer Prize-winning writer Isabel Wilkerson, who rejects the word “racism.” It’s not that she doesn’t believe that racism exists; rather, she doesn’t think that racism alone can explain the inequity in human society — the way America’s founders could have written “all men are created equal” and meant something so different. As Isabel Wilkerson, the protagonist (played by Aunjanue Ellis-Taylor), who is based on Isabel Wilkerson, the author of “Caste: The Origins of Our Discontents,” puts it to her editor (Blair Underwood), “Racism as the primary language to understand everything is insufficient.” And later, to her sister (Niecy Nash-Betts): “We have to consider oppression in a way that does not centralize race.” The book “Caste” was Wilkerson’s answer to that challenge, drawing connections between discrimination in the United States and how Nazi Germany invented a social hierarchy to justify the Holocaust, which she links in turn to the rigid system of caste in India.

Ava DuVernay’s past experiences with the Venice Film Festival have been more exclusionary than esteemed, revealed the director during a press conference for her new film “Origin” on Wednesday.

In Ava DuVernay’s 7th feature, Origin, which premiered at the Venice Film Festival tonight, the exploration of caste systems as a mode of oppression takes center stage. Written by DuVernay and Isabel Wilkerson, the film is adapted from the latter’s book, Caste: The Origin of Our Discontents. The narrative delves into the deep-seeded intricacies of caste and how it underpins much of society’s discrimination, sometimes transcending even race. The film stars Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash-Betts, and includes performances by Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood and Connie Nielsen.

Ava DuVernay is making history today. In Venice with Origin, which world premieres in the Sala Grande this evening, she is the first African American female filmmaker to ever have been selected in competition at the world’s oldest festival. DuVernay earlier told Deadline’s Dominic Patten, “Venice was a big goal. It feels like a real full-circle moment.”

“That is the part where you look up and you say, ‘how could people have allowed their neighbors to be taken and put in the camps?’” says Origin director Ava DuVernay of the deep roots of discrimination and the cruel consequences of subjugation.

It’s crazy to think that it’s been nine years since the release of Ava DuVernay’s Oscar-nominated film, “Selma.” And over that time, while she has produced quite a bit and even directed an acclaimed limited series, DuVernay has only released one feature film, the underwhelming “A Wrinkle in Time.” However, it would appear the filmmaker is returning in a big, big way with her new film, “Origin.” READ MORE: ‘Origin’ First Look: Ava DuVernay’s Adaptation Of ‘Caste’ With Aunjanue Ellis, Jon Bernthal & Vera Farmiga Premieres At Venice On September 6 As seen in the new teaser for “Origin,” the film is inspired by the life of Pulitzer Prize-winning author Isabel Wilkerson as she writes the book, “Caste: The Origin of Our Discontents.” The journey to bring that book to life finds Wilkerson traveling all over the world and experiencing various cultures.  Continue reading ‘Origin’ Teaser: Ava DuVernay’s New Drama Is Picked Up By NEON & Will Hit Theaters Later This Year at The Playlist.

Rebecca Rubin Film and Media Reporter Neon has acquired worldwide rights to Ava DuVernay’s “Origin” ahead of its world premiere in competition at the Venice Film Festival. The movie, starring Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash-Betts, will also screen at the Toronto International Film Festival. “Origin” will be released in theaters later this year.

Neon has acquired worldwide rights for Ava DuVernay’s Origin ahead of its world premiere in Competition at the Venice Film Festival on Wednesday (September 6).