Ava DuVernay’s ‘Origin’ Set For Gala Presentation At TIFF

Nick Vivarelli International Correspondent Italian multi-hyphenate Ilaria Borrelli’s Arabic-language feminist drama “The Goat” – featuring Mira Sorvino and John Savage, alongside a stellar Egyptian cast – is set for back-to-back launches at Egypt’s upcoming El Gouna Film Festival, followed by the closing film slot at the Rome Film Festival. A rare, if not unique, case of an Arab production directed by an Italian, “The Goat” stars young Egyptian TikTok star Jessica Hosam as an 11-year-old pregnant orphan named Hadya who after being forced into marriage becomes the target of a western corporation that seeks to control the only water source in her village.

Outfest on Thursday announced Academy Award winner Shirley MacLaine and Transparent breakout Trace Lysette as the recipients of its 2023 Legacy Awards, which will be presented at NeueHouse in Hollywood on Sunday, October 22nd.

Addie Morfoot Contributor Woodstock Film Festival has added Tony Goldwyn’s comedy drama “Ezra,” starring Bobby Cannavale and Robert De Niro to its 2023 lineup.In the film, which made its world premiere earlier this month at the Toronto Intl. Film Festival, Cannavale stars as Max, a stand up comic who after recently blowing up his career and marriage is living with his father Stan (De Niro).

Clayton Davis Senior Awards Editor “Poor Things” can win things. That’s a nugget of information we gleaned at the conclusion of Venice, Telluride and Toronto, the three major fall festivals. For starters, Yorgos Lanthimos’ sci-fi dramedy collected the Golden Lion at Venice.

EXCLUSIVE: Ryan Donowho (The O.C.) is set to topline Art of a Hit (fka Excelsis), an indie psychological horror film directed by Gaelan Draper that will begin shooting in France this month under a SAG Interim Agreement. Rounding out the cast are Rob Raco (Riverdale), Charlie Saxton (Hung), Tim Jo (This Is Us), Allie MacDonald (Under the Silver Lake), James Earl (White Men Can’t Jump), and David Valdes (Speechless). Draper and Saxton co-wrote and are co-producing under their Dewey & Bug banner.

The Toronto International Film Festival loses its prime sponsor Bell, and now this.

Clayton Davis Senior Awards Editor Every awards season, pundits leave themselves open to late-year breakers. This is where a film not necessarily on anyone’s radar comes in and walks away with the industry’s most coveted prize for best picture.

The Contestant, making its world premiere on Friday at the Toronto International Film Festival, begins with this text on screen: “At the end of the 20th century, Japanese audiences were confronted with an extraordinary television event.”

Angelique Jackson After directing “Origin” — the feature adaptation of Isabel Wilkerson’s Pulitzer Prize-winning book “Caste: The Origins of Our Discontents” — Academy Award-nominee Ava DuVernay is feeling incredibly content. In fact, when she appears over Zoom from her office at the ARRAY creative campus in L.A. in late August, just a couple days ahead of the film’s world premiere at the Venice Film Festival, there’s a glow about her.

penned on Instagram on Monday.On Aug. 28, Guthrie and family took in a tennis match at the US Open.

Patrick Frater Asia Bureau Chief Entertainment, sports and brand licensing firms WildBrain CPLG and WildBrain Ltd. have brokered location-based entertainment (LBE) deals on behalf of Peanuts Worldwide for “Peanuts,” “Teletubbies” and “In the Night Garden” with China’s Max-Matching Entertainments. These are expected to lead to the opening of family entertainment centers and IP-themed hotel rooms for each brand in Beijing, in Zhongshan City, Guangdong and a third city yet to be announced.

Ava DuVernay touched down at the Venice Film Festival on Wednesday evening with her new film Origin, which world premiered in Competition and received a more than eight-minute ovation in its debut screening.

Ellise Shafer Ava DuVernay’s latest film, “Origin,” premiered in competition at Venice Film Festival to a 5 minute and 46 second standing ovation. Based on Isabel Wilkerson’s book “Caste: The Origins of Our Discontents,” “Origin” chronicles “the remarkable life and work” of Wilkerson “as she investigates the genesis of injustice and uncovers a hidden truth that affects us all,” according to the film’s synopsis. The drama stars Aunjanue Ellis-Taylor, Niecy Nash-Betts, Jon Bernthal, Niecy Nash-Betts, Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood, Connie Nielsen, Emily Yancy, Jasmine Cephas-Jones, Finn Wittock, Victoria Pedretti, Isha Blaaker and Myles Frost.

Peter Debruge Chief Film Critic In “Origin,” Ava DuVernay weaves a centuries- and continents-spanning narrative feature around the ideas of Pulitzer Prize-winning writer Isabel Wilkerson, who rejects the word “racism.” It’s not that she doesn’t believe that racism exists; rather, she doesn’t think that racism alone can explain the inequity in human society — the way America’s founders could have written “all men are created equal” and meant something so different. As Isabel Wilkerson, the protagonist (played by Aunjanue Ellis-Taylor), who is based on Isabel Wilkerson, the author of “Caste: The Origins of Our Discontents,” puts it to her editor (Blair Underwood), “Racism as the primary language to understand everything is insufficient.” And later, to her sister (Niecy Nash-Betts): “We have to consider oppression in a way that does not centralize race.” The book “Caste” was Wilkerson’s answer to that challenge, drawing connections between discrimination in the United States and how Nazi Germany invented a social hierarchy to justify the Holocaust, which she links in turn to the rigid system of caste in India.

When Pulitzer Prize-winning author Isabel Wilkerson (Aunjanue Ellis-Taylor) first conceived of the multifaceted premise that would eventually become the lauded non-fiction book “Caste: The Origin of Our Discontents,” her editors were concerned about whether she would manage to cohesively merge her personal experiences with all the moving parts of her research across cultures and continents to prove that it all interconnects.   Venice Film Festival 2023: The 17 Most Anticipated Movies To Watch That’s in turn the same task that writer-director Ava DuVernay faced to convey the big-picture ideas and Wilkerson’s revelatory odyssey to put them on the page in an enticingly cinematic manner.

Ava DuVernay’s past experiences with the Venice Film Festival have been more exclusionary than esteemed, revealed the director during a press conference for her new film “Origin” on Wednesday.

In Ava DuVernay’s 7th feature, Origin, which premiered at the Venice Film Festival tonight, the exploration of caste systems as a mode of oppression takes center stage. Written by DuVernay and Isabel Wilkerson, the film is adapted from the latter’s book, Caste: The Origin of Our Discontents. The narrative delves into the deep-seeded intricacies of caste and how it underpins much of society’s discrimination, sometimes transcending even race. The film stars Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash-Betts, and includes performances by Vera Farmiga, Audra McDonald, Nick Offerman, Blair Underwood and Connie Nielsen.

Ava DuVernay is making history today. In Venice with Origin, which world premieres in the Sala Grande this evening, she is the first African American female filmmaker to ever have been selected in competition at the world’s oldest festival. DuVernay earlier told Deadline’s Dominic Patten, “Venice was a big goal. It feels like a real full-circle moment.”

Ellise Shafer At the Venice Film Festival press conference for Ava DuVernay’s new film “Origin” on Wednesday, the director revealed that she has previously been told not to apply to the festival, because “you won’t get in.” DuVernay is making history this year as the first African American woman in the festival’s 80-year history to have a film compete for the Golden Lion. “For Black filmmakers, we’re told that people who love films in other parts of the world don’t care about our stories and don’t care about our films.

“That is the part where you look up and you say, ‘how could people have allowed their neighbors to be taken and put in the camps?’” says Origin director Ava DuVernay of the deep roots of discrimination and the cruel consequences of subjugation.