Claire Denis Latest Celebrity News & Gossip

Move over, Orson Welles and Alfred Hitchcock, there’s a new director at the top of BFI‘s “Greatest Films Of All Time” critics’ poll. And it’s none other than Chantal Akerman, whose 1975 “Jean Dielman, 23, Quai du Commerce, 1080 Bruxelles” now sits atop the esteemed list.

Belgian filmmaker Lukas Dhont’s Close, Danish director Ali Abbasi’s Holy Spider and Swedish director Ruben Ôstlund’s Triangle Of Sadness lead the nominations for the 35th European Film Awards, which were unveiled today.

Independent projections predicted a $50 million opening weekend for the Universal and Blumhouse picture, on par with that of “Halloween Kills.” The 2021 sequel scored $4.9 million at its Thursday box office debut. In 2018, “Halloween” made $7.7 million on its first night and went on to earn an eye-popping $77.5 million from its opening weekend – the second highest of any rated-R horror movie at the time.Set four years after the events of “Halloween Kills,” “Halloween Ends” presents the last showdown between Laurie Strode (Curtis) and longtime nemesis Michael Myers.

The centerpiece of Claire Denis’ “Stars at Noon” plays out in a stilled, near-empty nightclub suffused with violet light, where two strangers in a strange land share a moment of swooning intimacy. We glimpse Trish (Margaret Qualley) first adrift in the dark before two hands, belonging to the Englishman (Joe Alwyn) she’s become entangled with, materialize at her waist.

Joe Alwyn‘s star continues to be on the rise and now he has the public endorsement of Ryan Reynolds!

Joe Alwyn stars opposite Margaret Qualley in the forthcoming film, , from director Claire Denis and A24. On Thursday, the steamy first trailer was released and promises an «erotic tale of sex, lies and intrigue.» Based in Nicaragua,  is the film adaptation of Denis Johnson's 1986 novel of the same name.

What a year 2022 has been for French director Claire Denis. Back in February, her film “Both Sides of the Blade” (formerly known as “Fire”) premiered at the Berlin Film Festival.

EJ Panaligan editor A24 has released the official trailer for its upcoming Claire Denis-helmed romantic thriller “Stars at Noon,” starring Margaret Qualley and Joe Alwyn. The film first premiered at the Cannes Film Festival in May. The two-hour film follows a young American journalist (Qualley), who falls for a mysterious Englishman (Alwyn) while stranded in Nicaragua. Though at first he seems like her best bet at getting out of the country, it is slowly revealed that her affiliation with the Englishman has put both of them in immense danger. Also appearing in the film in supporting roles are Danny Ramirez, John C. Reilly and Benny Safdie. Ramirez plays a Costa Rican policeman, Reilly plays an American boss and Safdie plays a CIA agent. They all take interest in the Englishman’s ominous dealings in Nicaragua.

Liza Foreman “You have to know how to reject roles so as not to enter into a system in which women are only seen in a certain way,” said French actor Juliette Binoche on Sunday. Binoche spoke up for women whilst answering questions from the press at the San Sebastián Film Festival where she is a recipient this year of the festival’s Donostia Award, as a tribute to her career. “The English Patient” star is a go-to actress for a slew of auteur directors, including Krzysztof Kieślowski and Claire Denis. Denis joined her on stage to discuss “Both Sides of the Blade,” a love triangle film co-starring Binoche, which will screen at the festival before the award’s presentation.

Belgium has selected Lukas Dhont’s Cannes-winning title Close as its official submission to the International Oscar race this year.

John Hopewell Chief International Correspondent Packing its first full-on onsite edition since the pandemic, Spain’s San Sebastian Festival has never been busier or bigger. 10 Takes on what is shaping up as a vibrant edition:    Playing Off Powerful Market Forces Nine of Netflix’s 20 Top 10 non-English-language films and TV series are sourced from Spain or Latin America. Platforms are battling to tie down talent.  This year, eight movies from Spain and Latin America play in competition alone at San Sebastian, the most important film event in the Spanish-speaking world. The fest’s main sidebar is its New Directors strand. San Sebastian’s focus on the Spanish-speaking world and new talent now aligns with powerful market forces. That fact plays out over the 2022 edition.

Anna Marie de la Fuente Seattle-based MindRiot Entertainment is teaming up with Panama’s Hypatia Films, an associate producer of Claire Denis’ Cannes Grand Prix winner “Stars at Noon,” on the groundbreaking documentary, “In Search of Atlantis,” based on the findings of Seattle native Dr. Jason Rubin who has used deductive reasoning, the writings of philosopher Plato and the most advanced satellite sonar imagery to pinpoint the location of the fabled lost island of Atlantis.  According to MindRiot co-founder and chief creative officer Jonathan Keasey, Dr. Rubin passed on other Hollywood suitors as he liked MindRiot’s approach to the content and the fact that it had marshalled the support of multiple universities, including deep sea explorer Don Walsh, the honorary president of the Explorers Club, and even European authorities, given the maritime jurisdiction of Rubin’s site in the Atlantic Ocean.

Canadian distributor Sphere Film has signed a multi-picture deal with A24 under which it will handle the release of nine of its titles in Canada.

Manori Ravindran International Editor Canada’s Sphere Films has signed a multi-picture deal with A24 that will cover nine of the U.S. studio’s films in the Canadian market. Under the deal, Sphere Films will theatrically release pics including Charlotte Wells’ Cannes breakout “Aftersun,” which is currently screening as part of TIFF, and Ari Aster’s “Disappointment Blvd.” starring Joaquin Phoenix. The latter is believed to be A24’s biggest production to date. The A24 deal comes off the back of Sphere Films’ acquisition of MK2 Mile End in April. Charles Tremblay, former boss of MK2 Mile End and now the president of Sphere Films, said: “We felt that by joining a larger media company like Sphere that would help our chances of being a larger distributor than on our own.”

Sam Mendes is set to be honoured by the Toronto International Film Festival following the Canadian premiere of his latest fil, “Empire Of Light”.

Yes, we premiered the trailer for the 60th New York Film Festival—which runs September 30–October 16, 2022—this morning, but there’s more. Film at Lincoln Center announced the Spotlight section for NYFF today and added a few world premieres in the line-up while there were at it.

Sam Mendes is set to be honoured by the Toronto International Film Festival.

This year’s New York Film Festival is a special edition of the annual event. Celebrating the festival’s 60th year, NYFF is pulling out all the stops to bring New York City the very best cinema has to offer this year with an eclectic selection of filmmakers bringing their latest works.

Sam Mendes, whose latest movie from Searchlight, Empire of Light, is making its Canadian premiere at the Toronto International Film Festival, will be receiving the event’s TIFF Ebert Director Award.

The Hollywood Reporter confirmed that the filmmaker would be going solo without his brother Joel who directed The Tragedy of Macbeth without him last year.Ethan wrote the script for the untitled film, reportedly inspired by Russ Meyer, alongside his wife Tricia Cooke in the early 2000s.A synopsis reads: “The story centred on a party girl who takes a trip from Philadelphia to Miami with her buttoned-down friend. Cruising bars ensues as does the potpourri of a severed head in a hatbox, a bitter ex-girlfriend, a mystery briefcase and an evil senator.”The film’s lead roles have now been filled.

set to kick off on Sept. 30 with Noah Baumbach’s “White Noise” and close with the Oct.

Rebecca Rubin Film and Media ReporterNew movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct.

The 60th New York Film Festival unveiled its main slate from established and upcoming directors with Cannes’ Palme d’Or-winner Triangle of Sadness by Ruben Östlund, Claire Denis’s Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director), and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).

Toronto announced the 10 world premieres in its Platform program, a section comprised of first-time feature filmmakers and vets whose voices are emerging in the cinematic landscape.

are meant to live in the real world. The icy lens of cinematographer Eric Gautier (“Ash Is Purest White’) ensures that Jean and Sara do not embody the Paris of your dreams but of their mundane routines. They have to remember to carry their COVID-era masks everywhere, and it’s usually rainy or gray as Sara heads to her radio job interviewing guests on a range of social ills.

This interview was originally conducted in March during Film at Lincoln Center’s Rendezvous with French Cinema program. This year, Juliette Binoche pulls double duty in Film at Lincoln Center’s Rendezvous with French Cinema program, leading a pair of selections as women with only the most tenuous connection to one another.

This interview was conducted in March during Film at Lincoln Center’s Rendez-vous with French Cinema. The incomparable Claire Denis has come to New York City for Film at Lincoln Center’s Rendez-vous with French Cinema, where her latest feature “Both Sides of the Blade” (formerly known as “Fire“) has been set for its US premiere.

Selome Hailu Billy Porter has signed a first look deal with FX Productions to develop new content through his production company Incognegro with his producing partner D.J. Gugenheim.The deal is a continuation of Porter’s with FX, as he starred as Prayerful “Pray” Tell in all three seasons of the network’s hit drama “Pose.” in 2019, the role won him the Emmy Award for lead drama actor, and he was nominated again in 2020 and 2021.Along with “Pose,” Porter is best known for originating the role of Lola in “Kinky Boots” on Broadway.

Hearing about the new Claire Denis drama felt like playing a game of hot potato earlier in the year. Was the film named “Fire,” as its original English title was announced to be? Or was it “Both Sides of the Blade” its international name? Eventually, IFC Films acquiesced to Denis’ wishes and settled on “Both Sides of the Blade,” its official title in North America.

EXCLUSIVE: In an eye-catching acquisition, 42 has bought respected UK talent and literary agency Dalzell and Beresford, we can reveal.

Peter Debruge Chief Film CriticCANNES — The awards show for the 75th anniversary Cannes Film Festival is underway, bringing 12 days of competition between 21 international features to a close. “Benedetta” star Virginie Efira is hosting, while several directors can be spotted in the audience waiting to receive their awards, including Claire Denis (“Stars at Noon”), Park Chan-wook (“Decision to Leave”) and Belgian brothers Jean-Pierre and Luc Dardenne (“Tori & Lokita”).Guillaume Canet presented best actress honors to Zar Amir-Ebrahimi, who plays the reporter who risks her own life to catch a serial killer in “Holy Spider.” The tense true-crime thriller exposes the crimes and aftermath of a man who targeted prostitutes, and that portion of society which accepted his religious justifications he claimed for cleaning the streets.

Joe Alwyn and Margaret Qualley pose together at the photo call for their film Stars At Noon in Cannes, France on Thursday (May 26).

Clayton Davis The 2022 Cannes Film Festival is nearing its conclusion, and soon the jury will be selecting awards for this year’s impressive, albeit quieter, slate of films. After last year’s “Titane” from Julia Ducournau made history as the first female-directed film to fully win the Palme d’Or (Jane Campion’s “The Piano” tied with “Farewell My Concubine” in 1993), at this point in the festival, it doesn’t seem likely that a woman-directed project will walk away with it this year.“Forever Young” by French-Italian director Valeria Bruni Tedeschi seems to be the only film directed by a woman that has so far invoked any passion for bringing it to the finish line.

Marta Balaga French filmmaker Léa Mysius follows her nose in “The Five Devils,” focusing on the sense of smell. That’s her protagonist’s special gift, one that scares her mother (“Blue Is the Warmest Color” actor Adèle Exarchopoulos) but allows her to venture beyond the constraints of time and space.Shown in Cannes’ Directors’ Fortnight – with Wild Bunch on board – it’s Mysius’ second feature film as a director following “Ava,” awarded at the French fest in 2017. She also co-wrote Claire Denis’ “The Stars at Noon,” presented in the main competition.“It all started when I was a kid – I was fascinated by smells,” Mysius tells Variety.“Together with my sister, we had fun making these little potions.

“The Stars at Noon” finds the French filmmaker Claire Denis shooting in Panama doubling for Nicaragua; directing a cast of Yanks, Brits, and assorted Central Americans; and working from a script switching between Spanish and English. Internationally coproduced Towers of Babel such as this aren’t at all uncommon at the Cannes Film Festival, but the errors in translation all over this disappointing foreign-relations drama run deeper than simple differences of ethnicity or language.

Given the combustible subject matter and the director’s reputation, French auteur Claire Denis has made a remarkably listless and unpersuasive film in Stars at Noon. Set during the Nicaraguan Sandanista revolution circa 1984, this adaptation of Denis Johnson’s novel published two years later centers on a couple of Americans of dubious character who misspend time in Central America before finally deciding it’s time to split when, in fact, it might be too late. This is the sort of misfire that, just because it comes from a hallowed French auteur, sometimes gets programmed in the Cannes competition even when it manifestly doesn’t deserve to be there.