The 2022 Cannes Film Festival has officially come to a close and the winners list has been revealed!
28.05.2022 - 21:59 / variety.com
Peter Debruge Chief Film CriticCANNES — The awards show for the 75th anniversary Cannes Film Festival is underway, bringing 12 days of competition between 21 international features to a close. “Benedetta” star Virginie Efira is hosting, while several directors can be spotted in the audience waiting to receive their awards, including Claire Denis (“Stars at Noon”), Park Chan-wook (“Decision to Leave”) and Belgian brothers Jean-Pierre and Luc Dardenne (“Tori & Lokita”).Guillaume Canet presented best actress honors to Zar Amir-Ebrahimi, who plays the reporter who risks her own life to catch a serial killer in “Holy Spider.” The tense true-crime thriller exposes the crimes and aftermath of a man who targeted prostitutes, and that portion of society which accepted his religious justifications he claimed for cleaning the streets.
Representing the Camera d’Or jury, Spanish actor Rossy de Palma presented the award for best first film to “War Pony,” by Gina Gammell and Riley Keough. “War Pony” tells the story of two young men from the Oglala Lakota tribe and was written and made in close collaboration with the Native American community it depicts.
The 2022 Cannes Film Festival has officially come to a close and the winners list has been revealed!
The 75th Cannes Film Festival is coming to a close. The two-week festival saw some of the biggest stars and most anticipated films of the year come together to celebrate cinema.
Refresh for latest…: The 75th Cannes Film Festival draws to a close tonight as the main awards, including the Palme d’Or, are soon to be handed out in the Palais. Scroll down for the list of winners which is being updated as prizes are announced.
Michelle Williams is glowing in Cannes! On Friday, the 41-year-old actress stepped out to attend the premiere of her latest film, , at the 2022 Cannes Film Festival, and proudly displayed her baby bump on the red carpet.Williams, who's currently in the midst of her third pregnancy, stunned in an all Chanel look, wearing a white and midnight blue lace long dress with embroidered top from the fashion house's Haute Couture Spring-Summer 2022 collection.Two hundred and seventy hours were spent embroidering 15,000 elements, including a floral motif embroidery composed of strass, glass beads and sequins, on the gown.She paired the dress with white shoes, along with a white gold and diamond ring and coordinating necklace, all which were designed by Chanel.Williams' Cannes appearance came the same month that she confirmed she and her husband, Tony-winning director Thomas Kail, are expecting their second child together.The couple also shares a son, Hart, whom they welcomed in 2020, the same year they tied the knot. Williams is also mom to Matilda, 16, the daughter she shares with the late Heath Ledger.«It’s totally joyous,» Williams told of her third pregnancy.
Joe Alwyn and Margaret Qualley pose together at the photo call for their film Stars At Noon in Cannes, France on Thursday (May 26).
“The Stars at Noon” finds the French filmmaker Claire Denis shooting in Panama doubling for Nicaragua; directing a cast of Yanks, Brits, and assorted Central Americans; and working from a script switching between Spanish and English. Internationally coproduced Towers of Babel such as this aren’t at all uncommon at the Cannes Film Festival, but the errors in translation all over this disappointing foreign-relations drama run deeper than simple differences of ethnicity or language.
Given the combustible subject matter and the director’s reputation, French auteur Claire Denis has made a remarkably listless and unpersuasive film in Stars at Noon. Set during the Nicaraguan Sandanista revolution circa 1984, this adaptation of Denis Johnson’s novel published two years later centers on a couple of Americans of dubious character who misspend time in Central America before finally deciding it’s time to split when, in fact, it might be too late. This is the sort of misfire that, just because it comes from a hallowed French auteur, sometimes gets programmed in the Cannes competition even when it manifestly doesn’t deserve to be there.
Deadline’s studio at the 2022 Cannes Film Festival kicked off at the American Pavilion by hosting fest-goers such as Joel Edgerton of The Stranger, Jesse Eisenberg and Julianne Moore of When You Finish Saving The World, and many more. Click on the photo above to launch the gallery.
The first time Joe Alwyn came to the Cannes Film Festival in 2018, he walked away with the Trophée Chopard. Now he is back to help director Claire Denis compete for the Palme d’Or with Stars at Noon, based on the novel by Denis Johnson. Alwyn stars in the romantic thriller as a mysterious businessman in Nicaragua who falls in love with an American journalist, played by Margaret Qualley. In addition to Stars at Noon, Alwyn also stars in the BBC Three/Hulu series Conversations with Friends directed by Lenny Abrahamson and based on the Sally Rooney novel, which premiered May 15.
CANNES, France -- South Dakota’s Pine Ridge Reservation has often been depicted in film but rarely from the inside. The Cannes Film Festival entry “War Pony," though, sought to capture daily life on the reservation by relying on the perspectives of its Native American residents.The film was directed by the actor Riley Keough and her friend, Gina Gammell.
CANNES – It may seem obvious, but sometimes combining two compelling stories doesn’t lead to an overall more captivating film. That’s the primary takeaway from Gina Gammell and Riley Keough‘s somewhat messy “War Pony,” which debuted at the 2022 Cannes Film Festival this weekend.
Peter Debruge Chief Film CriticIf Larry Clark had ever found his way onto the Pine Ridge Reservation, he probably would have come away with a film like “War Pony,” which observes its young Native American characters hustling, skating and stealing drugs from otherwise distracted adults. Presenting such behavior without judgment, first-time directors Gina Gammell and Riley Keough developed this unvarnished portrait in collaboration with their actors, capturing something at once tragic and true about these kids, who are torn between Oglala Lakota traditions and the consumer culture around them.A few years older than the hero of Chloé Zhao’s recent “The Rider” — a movie this one can’t help but resemble, at least superficially — Bill (Jojo Bapteise Whiting) is like the slacker version of that American dreamer.
It is more than a bit ironic in a Cannes Film Festival where Baz Luhrman’s biopic Elvis is one of the most anticipated entries, that the subject of it, Elvis Presley turns out to have another direct connection this year’s fest. His granddaughter Riley Keough is making her directorial debut with the Un Certain Regard selection, War Pony having its World Premiere today. The film focuses on two young Native Americans coming of age and trying to get by in a story set on the Pine Ridge Reservation in South Dakota. It is a location that has intrigued other filmmakers like Chloe Zhao (The Rider) in recent years, and now has caught the attention of Keough and her co-director Gina Gammell in order to tell an authentic and unique contemporary tale of Native American youth brought to life by an impressive group of first-time actors, mostly locals the directors cast in order to give this as fresh and real a feel as possible. They have succeeded.
Elizabeth Wagmeister Senior CorrespondentRiley Keough has been in the business for more than a decade. At just 32 years old, the granddaughter of Elvis Presley has made a name for herself as a performer with great range, known for “Mad Max: Fury Road,” “Magic Mike,” “Zola” and Steven Soderbergh’s “The Girlfriend Experience,” which earned her a Golden Globe nomination.
Anne Hathaway is channeling one of her most iconic characters. On Thursday, the 39-year-old actress stepped out for a screening of her new flick, , at the 2022 Cannes Film Festival, and gave off serious Mia Thermopolis vibes.Hathaway stunned on the red carpet in a custom, white Giorgio Armani Privé gown that included a train and oversized bow.