Editor’s note: This will start a regular column for Deadline journos to plant their flag in deals, hires and firings and industry developments before they’re fully baked.
08.07.2022 - 02:09 / thewrap.com
are meant to live in the real world. The icy lens of cinematographer Eric Gautier (“Ash Is Purest White’) ensures that Jean and Sara do not embody the Paris of your dreams but of their mundane routines. They have to remember to carry their COVID-era masks everywhere, and it’s usually rainy or gray as Sara heads to her radio job interviewing guests on a range of social ills.
There are no bright and shiny days for Jean, either, when his mysterious past keeps blocking his unformed present. Or, for that matter, when he occasionally visits Marcus, whose mother is Black and who wants no part of his white, absentee father’s lectures on ignoring racism.This tension between Denis’ cinematic imagination and the characters’ quotidian lives winds up feeling less nervy than frustrating. Marcus seems too often like an afterthought not only to Jean but also the movie itself.
Sara’s emotional impulsivity becomes increasingly less believable, and neither man is either the hero or the villain that might inspire her unlikely choices.Still, Binoche is reliably excellent, even when Sara herself is unconvincingly capricious. And though Colin’s François remains a symbolic cipher, Lindon, Perica, and Ogier bring a lived-in authenticity to their characters’ unsettled lives.Ultimately, what Denis gives us most of all is a mood. “Tu le sens?” François asks Sara, wondering whether she feels what he does.
Editor’s note: This will start a regular column for Deadline journos to plant their flag in deals, hires and firings and industry developments before they’re fully baked.
“DC’s League of Super-Pets” is a goofy, colorful throwback to those comic books of the 1950s and ’60s that allowed no costumed avenger to go un-sidekick-ed.While not as anarchic or outrageously hilarious as “Teen Titans GO! to the Movies,” this latest all-ages animated adventure from DC Comics and Warner Bros. nonetheless has — and offers — lots of fun with the four-legged counterparts of a Justice League that’s more “Super Friends” than Snyder Cut.We open on the final moments of the planet Krypton, where puppy Krypto (voiced by Dwayne Johnson) hops into baby Kal-El’s spacecraft to join him on his sojourn to Earth.
The only real problem with Thirteen Lives, an engrossing account of the rescue of 12 Thai boys and their coach from desperate straits when they become stranded in perilous caves during a monsoon, is that the same story was just recounted in the documentary The Rescue last fall. Yes, of course, big-budget feature films starring known actors can draw a lot more customers than do docs. But the fact that Ron Howard’s sometimes stirring new drama will only be in theaters for a week before it starts streaming August 5 will vastly diminish the number of people who might otherwise have experienced this stirring tale on the big screen, where it was clearly designed by Howard and his colleagues to be seen. Too bad, because it’s a fulsome film, both emotionally and as a production.
“The Horse in Motion.”)The soft-spoken, laconic OJ remains committed to the day-in, day-out labor of maintaining the ranch, while his brash sister has other show-business ambitions. With live animals increasingly phased out by CG, OJ finds himself having to sell horses to a neighboring Wild West–themed amusement park managed by former child star Jupe (Steven Yeun), who survived a traumatic incident that occurred during the shooting of a ’90s sitcom.That’s before OJ and Emmy come to realize that a UFO is hovering over the ranch, and they set out to make their fortune documenting it.
Flume has told NME that he’s created a “full album’s worth” of house music. Watch our video interview with the article above.Speaking to NME backstage at Mad Cool Festival 2022, the Australian producer – real name Harley Streten – discussed various projects that he’s been working on. His third album ‘Palaces’, released back in May, played host to a range of ideas which he hoped to later return to.“I mean I’ve got a full album’s worth of house music that’s just sitting there that I just need to finish off,” said Streten.
Owen Gleiberman Chief Film CriticThe documentarian Alexandre O. Philippe, who was born in Switzerland and is based in Denver, has carved out a neat niche for himself. He makes movies about movies — that is, movies about our obsession with movies.
The results of the departure are less impressive in Williams’’ case, but there’s still a notable maturity to “The Sea Beast” that could have clashed with the mostly sanitized storytelling that currently dominates Disney. Sailors drink their pints and bleed when injured.But though one can appreciate Williams’ and Benjamin’s interest in crafting a philosophically layered fable, there’s a righteousness to the message of “You must change!” that blindsides the adult characters.
This interview was originally conducted in March during Film at Lincoln Center’s Rendezvous with French Cinema program. This year, Juliette Binoche pulls double duty in Film at Lincoln Center’s Rendezvous with French Cinema program, leading a pair of selections as women with only the most tenuous connection to one another.
This interview was conducted in March during Film at Lincoln Center’s Rendez-vous with French Cinema. The incomparable Claire Denis has come to New York City for Film at Lincoln Center’s Rendez-vous with French Cinema, where her latest feature “Both Sides of the Blade” (formerly known as “Fire“) has been set for its US premiere.
EXCLUSIVE: French film sales powerhouse Wild Bunch International (WBI) has unveiled a slew of deals on key titles on its 15-title Cannes 2022 slate.
The Minions have risen to astonishing heights since Sergio Pablos birthed what would become the franchise some 12 years ago — if you’ve lost count, their progeny includes three feature sequels (one due two years hence), two prequels, more than a dozen shorts, a TV special, video games and the inevitable theme park attraction.