If you watch Paul Giamatti in the new movie The Holdovers, you might be left wondering: is that his real eye?
22.11.2023 - 15:49 / theplaylist.net
In case you were wondering, there was no beef between Paul Giamatti and Alexander Payne. The actor and filmmaker collaborated on 2004’s “Sideways,” an art-house breakout that earned over $100 million worldwide and five Oscar nominations including Best Picture (Payne and Jim Taylor won for Adapted Screenplay).
But it’s almost been 20 years since that first collaboration. Now, finally, the pair are back together with the word-of-mouth wonder, “The Holdovers.” READ MORE: “The Holdovers”: David Hemingson on writing for Paul Giamatti, channeling his boarding school experiences and more [Interview] Set mostly at a prestigious New England boarding school in 1970, the film centers on the unlikely friendship between a student abandoned by his parents over the Christmas break (newcomer Dominic Sessa), a grumpy teacher with a scandalous past (Giamatti), and the kitchen head who is still mourning the death of her son in Vietnam (Da’Vine Joy Randolph).
If you watch Paul Giamatti in the new movie The Holdovers, you might be left wondering: is that his real eye?
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Three very different movies, original, with arthouse cred and in theaters for weeks, are drawing audiences showing welcome depth and breadth in the specialty market as awards season kicks off. Nicolas Cage’s nerdy character sees his life collapse when he randomly starts appearing in people’s dreamsas Dream Scenario has a solid expansion, Saltburn is attracting young crowds on the coasts, The Holdovers drawing elusive older demos to theaters.
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In a super weekend for specialty, Saltburn had a lofty open on seven screens and The Holdovers a nice $2.7 million in a major week-three expansion that put it at no. 6 at the domestic box office. Actors are once again out promoting their films and indie/original fare continues to benefit from fewer studio releases in the aftermath of the SAG-AFTRA strike.
Alexander Payne, director of The Holdovers, said he gets pushback for the kinds of films that he makes but he plans to persevere and hopes there will be more space for “human” stories in theaters.
If you watch Paul Giamatti in the new movie The Holdovers, you might be left wondering: is that his real eye?
Clayton Davis Senior Awards Editor It could have been easy for Da’Vine Joy Randolph’s role in “The Holdovers” to be yet another stereotypical trope for Black women that Hollywood has lazily thrown out throughout history. If that had been the case, the actress tells Variety that would have passed. “When I meet with these studio execs and they ask ‘What is it you would like to do next?’ she says.
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