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Ben Affleck’s Axed Batman Movie Was ‘F—ing Awesome’ and Built on 80 Years of Mythos, Says DC Storyboard Artist: ‘It Was the Best’ - variety.com
variety.com
04.08.2023 / 15:27

Ben Affleck’s Axed Batman Movie Was ‘F—ing Awesome’ and Built on 80 Years of Mythos, Says DC Storyboard Artist: ‘It Was the Best’

Zack Sharf Digital News Director Jay Oliva, a storyboard artist who worked on several DC and Warner Bros. movies such as “Man of Steel,” “Batman v Superman: Dawn of Justice” and “Wonder Woman,” recently opened up to Inverse about Ben Affleck’s scrapped standalone Batman movie. Affleck debuted as Batman in Zack Snyder’s “Dawn of Justice” and reprised the role in “Justice League.” He was developing his own Batman movie to direct and star in before deciding to exit the role.

‘Sucker Punch’: Zack Snyder Wants To Release A Director’s Cut & Reveals Film’s Original Ending - theplaylist.net
theplaylist.net
03.08.2023 / 12:21

‘Sucker Punch’: Zack Snyder Wants To Release A Director’s Cut & Reveals Film’s Original Ending

While a lot of the debate and discussion regarding Zack Snyder films revolves around his superhero work, people tend to forget that before he worked on DC films, he was largely known for films like “300” and “Dawn of the Dead.” He also released his first ever all-original film, “Sucker Punch.” But that film received mixed reviews and is generally looked at as a lesser Snyder movie.

Zack Snyder still wants to work on a director’s cut for ‘Sucker Punch’ - www.nme.com
nme.com
03.08.2023 / 08:53

Zack Snyder still wants to work on a director’s cut for ‘Sucker Punch’

Zack Snyder has revealed that he still want to work on a director’s cut of his 2011 psychological fantasy action film Sucker Punch.Speaking to Letterboxd in a recent interview with IFC Center, Snyder shared that 12 years after the theatrical release of the film, he’s still holding on to hop that he’ll be able to work on a director’s cut so his original of the vision can be seen by fans.Snyder also shared that the film’s original ending was changed as Warner Bros. thought it was “too weird”.“I’ve never gotten around to doing the director’s cut.

Zack Snyder Teases Potential Release Of Director’s Cut For ‘Sucker Punch’ - deadline.com
deadline.com
03.08.2023 / 04:37

Zack Snyder Teases Potential Release Of Director’s Cut For ‘Sucker Punch’

Zack Snyder’s surreal film Sucker Punch has had an extended Blu-ray version released. But the director has raised fanboy and fangirl hopes by stating in a recent interview that we ain’t seen nothin’ yet.

‘Sucker Punch’: Zack Snyder Wants To Release A Director’s Cut & Reveals Film’s Original Ending - theplaylist.net
theplaylist.net
02.08.2023 / 18:43

‘Sucker Punch’: Zack Snyder Wants To Release A Director’s Cut & Reveals Film’s Original Ending

While a lot of the debate and discussion regarding Zack Snyder films revolves around his superhero work, people tend to forget that before he worked on DC films, he was largely known for films like “300” and “Dawn of the Dead.” He also released his first ever all-original film, “Sucker Punch.” But that film received mixed reviews and is generally looked at as a lesser Snyder movie.

Zack Snyder Says ‘Sucker Punch’ Being Called ‘Exploitative’ Was ‘Disheartening,’ Hopes for Director’s Cut After Studio Axed ‘Too Weird’ Ending - variety.com
variety.com
02.08.2023 / 14:37

Zack Snyder Says ‘Sucker Punch’ Being Called ‘Exploitative’ Was ‘Disheartening,’ Hopes for Director’s Cut After Studio Axed ‘Too Weird’ Ending

Zack Sharf Digital News Director Zack Snyder recently joined Letterboxd for an interview about “Sucker Punch,” his hugely divisive 2011 fantasy action movie that was a box office bomb for Warner Bros. with just $89 million grossed worldwide. The film, which was notable at the time for being Snyder’s first original concept, stars Emily Browning as Babydoll, a young woman committed to a mental institution whose fantastical imagination creates a dream heist for her to escape imprisonment.

Gal Gadot on ‘Wonder Woman 3’: ‘What I Heard’ From James Gunn and Peter Safran ‘Is That We’re Gonna Develop It Together’ - variety.com
variety.com
02.08.2023 / 14:19

Gal Gadot on ‘Wonder Woman 3’: ‘What I Heard’ From James Gunn and Peter Safran ‘Is That We’re Gonna Develop It Together’

Zack Sharf Digital News Director Gal Gadot is keeping the hope for a “Wonder Woman 3” alive despite the big changes going on at DC Studios. In an interview with ComicBook.com while promoting her upcoming Netflix action movie “Heart of Stone,” Gadot alluded to hearing from new DC bosses James Gunn and Peter Safran about developing a third “Wonder Woman” movie together. “I love portraying Wonder Woman,” Gadot said when asked about the third movie.

Patrick Wilson Says ‘Watchmen’ Was ‘Ahead of the Curve’: It Was ‘So Dark’ and Allowed ‘The Avengers’ to ‘Go So Light’ - variety.com - New York
variety.com
17.07.2023 / 14:23

Patrick Wilson Says ‘Watchmen’ Was ‘Ahead of the Curve’: It Was ‘So Dark’ and Allowed ‘The Avengers’ to ‘Go So Light’

Zack Sharf Digital News Director Patrick Wilson said in an interview on the “Reelblend” podcast that Zack Snyder’s “Watchmen” adaptation helped pave the way for “The Avengers” and the larger Marvel Cinematic Universe to take a much lighter approach to the comic book genre. Snyder’s dark and operatic take on Alan Moore’s graphic novel proved divisive, as the film didn’t even make it past $200 million at the worldwide box office. Wilson revealed “Watchmen” is “the only movie of mine that I have watched front to back since a premiere,” adding, ‘That movie is awesome.” “I just wanted to look at it as an older guy, as a filmmaker,” Wilson added. “I knew Zack was ahead of the curve. It’s weird to say that audiences weren’t ready for it. But you need a movie like that. You need movies to go so dark that then ‘Avengers’ can go so light. I do believe in that…I’d love to do that movie now. It would be so awesome to just do it now.”

Patrick Wilson On Why Zack Snyder’s ‘Watchmen’ Was “Ahead Of The Curve” & How It Paved The Way For ‘The Avengers’ Films - deadline.com
deadline.com
16.07.2023 / 04:41

Patrick Wilson On Why Zack Snyder’s ‘Watchmen’ Was “Ahead Of The Curve” & How It Paved The Way For ‘The Avengers’ Films

Patrick Wilson is looking back at Watchmen and praising director Zack Snyder for being “ahead of the curve,” which he says ultimately led the way for films like The Avengers.

‘Insidious: The Red Door’ Scares Up Best Overseas Horror Bow Since 2019; ’Indiana Jones’ Moves Dial To $248M Global; ‘Elemental’ Catching Fire Offshore; ‘Fast X’ Tops $700M WW – International Box Office - deadline.com - Australia - Britain - Spain - France - Mexico - Italy - India - Germany - Japan - Indiana - Indonesia - Philippines
deadline.com
09.07.2023 / 19:11

‘Insidious: The Red Door’ Scares Up Best Overseas Horror Bow Since 2019; ’Indiana Jones’ Moves Dial To $248M Global; ‘Elemental’ Catching Fire Offshore; ‘Fast X’ Tops $700M WW – International Box Office

Refresh for latest…: Busy weekend at the international box office with a strong scary new entry, some unexpected spark in holds and a milestone for a long-running franchise.

‘Indiana Jones 5’ and ‘Insidious: The Red Door’ Tie at International Box Office, ‘Transformers’ Hits $400 Million Globally - variety.com - Mexico - Indiana - county Harrison - county Ford - Philippines
variety.com
09.07.2023 / 18:13

‘Indiana Jones 5’ and ‘Insidious: The Red Door’ Tie at International Box Office, ‘Transformers’ Hits $400 Million Globally

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

Box Office: ‘Insidious: The Red Door’ Dethrones ‘Indiana Jones 5’ With $32.6 Million Debut - variety.com - USA - Indiana - county Harrison - county Ford
variety.com
09.07.2023 / 15:51

Box Office: ‘Insidious: The Red Door’ Dethrones ‘Indiana Jones 5’ With $32.6 Million Debut

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

‘Insidious: The Red Door’ came knocking at the box office - nypost.com - Colombia - Indiana - county Harrison - county Ford
nypost.com
08.07.2023 / 20:05

‘Insidious: The Red Door’ came knocking at the box office

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

Box Office: ‘Insidious: The Red Door’ Knocking Down ‘Indiana Jones 5’ After $15.2 Million Opening Day - variety.com - Indiana
variety.com
08.07.2023 / 16:11

Box Office: ‘Insidious: The Red Door’ Knocking Down ‘Indiana Jones 5’ After $15.2 Million Opening Day

J. Kim Murphy Indiana Jones has faced Nazis and aliens, snakes and the fury of an Old Testament God — but he has never faced the terrors of the Red Door. Sony’s “Insidious: The Red Door,” the latest installment in the supernatural series, blew by expectations on its opening day with a $15.2 million gross from 3,188 venues — a figure that includes $5 million in Thursday previews. Horror entries usually face front-loaded weekend performances, but the Screen Gems, Stage 6 Films and Blumhouse co-production has fired off with a commanding lead. It looks to land the top spot on domestic charts for the weekend, projecting a $31 million haul and toppling last week’s victor “Indiana Jones and the Dial of Destiny” in the process.

Ghost and Patrick Wilson cover Shakespears Sister’s ‘Stay’ for ‘Insidious’ soundtrack - www.nme.com
nme.com
08.07.2023 / 10:09

Ghost and Patrick Wilson cover Shakespears Sister’s ‘Stay’ for ‘Insidious’ soundtrack

Ghost and actor Patrick Wilson have teamed up to cover Shakespears Sister‘s ‘Stay’ as part of the Insidious: The Red Door soundtrack.The track, a cover of Shakespears Sister’s 1992 goth-pop hit ‘Stay’, features in the closing credits of the newly released horror film. It also marks Ghost’s first release since their recent covers EP ‘Phantomime’ in May.Listen to Ghost and Patrick Wilson perform ‘Stay’ below.Wilson – who also directed Insidious: The Red Door – revealed via a press statement that he got word that Ghost were planning to release a cover of the track, and reached out to Tobias Forge for a collaboration.“Ghost, for me, is one of the most unique rock bands out there.

‘Insidious: The Red Door’ Review: The Sequel Disappoints Despite Patrick Wilson’s Promising Directorial Debut - thewrap.com
thewrap.com
08.07.2023 / 03:44

‘Insidious: The Red Door’ Review: The Sequel Disappoints Despite Patrick Wilson’s Promising Directorial Debut

While ghosts by themselves are frightening, the idea that they can hurt the very people we love is several shades scarier. “The Conjuring” and “Insidious”—the two James Wan joints that have spun the two most successful and sophisticated supernatural horror franchises of the last decade—understood this timeless fear at a deep level.

Slash and Patrick Wilson bonded over their love of horror: “I bug him all the time” - www.nme.com
nme.com
07.07.2023 / 17:13

Slash and Patrick Wilson bonded over their love of horror: “I bug him all the time”

Guns N’ Roses’ guitarist Slash has revealed that he bonded with actor Patrick Wilson over his love for horror movies.The rock and roll legend, who recently worked on the soundtrack for new horror film The Breach, told NME that he met Wilson at a Guns N’ Roses show and instantly hit it off due to their mutual appreciation of each other’s work.Slash then expressed his excitement for Insidious: The Red Door, the upcoming horror sequel in which Wilson reprises his role as Josh Lambert.“Oh I know Patrick Wilson, I met him after the first Insidious,” said the guitarist. “He came to a Guns N’ Roses show because he’s a fan.“We met there and I sort of fanboyed out and managed to get his phone number and now I bug him all the time.

Box Office: ‘Insidious: The Red Door’ Earns Strong $5 Million in Previews, ‘Joy Ride’ Grosses $1.1 Million - variety.com - Indiana - county Harrison - county Ford
variety.com
07.07.2023 / 16:53

Box Office: ‘Insidious: The Red Door’ Earns Strong $5 Million in Previews, ‘Joy Ride’ Grosses $1.1 Million

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

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