‘Passages’: MUBI Still Plans To Release Ira Sachs’ Latest Film Theatrically Despite NC-17 Rating

Edinburgh International Film Festival (EIFF) head Kate Taylor has put together what she describes as an “eclectic and lively” mix of titles for her first year at the helm. 

Wigan’s maternity services have welcomed praise from inspectors after maintaining a rating of ‘Good’ from the Care Quality Commission.

CatVideoFest, which is just what it sounds like, joined notable indie debuts and festival favorites Shortcomings and Passages, the re-release of Shiva Baby and juggernaut Talk To Me in another weekend of varied specialty fare, both new and holding over. Indies are helping drive a buoyant box office. They’re also waiting for the Barbenheimer tsunami to recede as bit as these unusual blockbusters vacuum up the arthouse/adult audiences.

Andrea Iervolino, the Italian producer behind Michael Mann’s forthcoming Ferrari, today announced his investment of around 50 million euros, or $55M U.S., in The Tuscany Film Studios, a top-flight production facility soon to be active in central Italy.

Festivals past are populating a busy specialty market this weekend with films from Sundance and Venice. Sony Pictures Classics is giving Randall Park’s Shortcomings a substantial 400+ screen release. See Deadline review. Mubi is out with Passages in New York and LA – both premiered to critical acclaim in Park City.

When it comes to “Passages,” Ira Sachs’ witty, wise and very sexy Parisian drama, it all started with Franz Rogowski, who plays the film’s self-absorbed film director, Tomas. “I had seen Michael Haneke’s “Happy End” starring Franz,” remembers Sachs, the auteur of richly textured, grown-up gems such as “Love is Strange,” “Little Men” and “Keep the Lights On,” recently joining me for an interview about his latest, opening in theaters this week.

The UK Government has said it has "no plans" to increase the number of overseas worker visas available for HGV and bus drivers despite firms struggling to recruit staff.

In a move that harkens back to the 1950s while simultaneously echoing the ongoing censorship of depictions of LGBTQ identity nationwide, the Motion Picture Association has given the upcoming queer film Passages an NC-17 rating.“We hunger for movies that are in any proximity to our own experience,” director Ira Sachs told Los Angeles Times, “and to find a movie like this, which is then shut out, is, to me, depressing and reactionary.”To be sure, the Sundance drama is quite sensual — it centers on a Parisian love triangle between a movie director (Franz Rogowski), his artist husband (Ben Whishaw), and a teacher (Adèle Exarchopoulos).And yes, it has its fair share of sex and nudity — including a two-minute scene of the two husbands shot in a single take. But none of the scenes are particularly indelicate or over-the-top, the film’s distributor MUBI said in a statement.For Sachs, the rating is “a form of cultural censorship that is quite dangerous, particularly in a culture which is already battling, in such extreme ways, the possibility of LGBT imagery to exist.”“MUBI has officially rejected this NC-17 rating,” the film’s distributor said, per Variety.

SAG-AFTRA has granted more waivers in recent days that give permission to indie projects to shoot during the current strike, including the independent film The Summer Book starring Glenn Close. Other recent projects that will be allowed to shoot include the TV series Underdeveloped and Sight Unseen.

Filmmaker Ali Ahmadzadeh is under pressure from Iranian authorities to pull his latest feature Critical Zone from Locarno’s Main Competition after he was summoned to the country’s Ministry of Security.

Naman Ramachandran Ali Ahmadzadeh, director of Locarno competition title “Critical Zone,” is under threat from Iran’s ministry of security. The film, shot without Iranian authorities’ permission before the “Woman, Life, Freedom” revolution in Iran, is billed as an artistic reflection on the anger and the rage of the young generation of Iranians. “Guided by the voice of his GPS, Amir navigates the underworld districts of Tehran to comfort the troubled souls of the night,” reads the film’s description in the Locarno program. “Instead of actors, I worked with real people. In most situations, we had to hide the camera or find complicated tricks to work around the limitations. Making this film was a big rebellion. Showing it means an even bigger victory for us,” Ahmadzadeh said in his director’s statement.

Leo Barraclough International Features Editor Forty-nine films will compete for the Heart of Sarajevo awards at the 29th Sarajevo Film Festival, which runs in Bosnia and Herzegovina from Aug. 11 to 18. The Feature Film Competition will present 11 titles, with two world premieres, one international and five regional premieres. World premieres include “Europa” from Austrian-Iranian filmmaker Sudabeh Mortezai, whose credits include 2018 Venice Days entry “Joy,” the Best Film winner at London Film Festival, and “Macondo,” which competed for the Golden Bear at Berlin Film Festival in 2014. The other world premiere is “Medium,” from Greek director Christina Ioakeimidi, whose debut feature was “Harisma” in 2010.

Filmmaker Ira Sachs has called the Motion Picture Association’s decision to give his film an NC-17 rating “a form of cultural censorship.”

Filmmaker James Mangold’s “Indiana Jones And The Dial Of Destiny” is in theaters now, and while it seemed to underwhelm at the global box office in its opening weekend, the film has grossed $305 million worldwide so far, so maybe there’s hope it can have some minor legs. If anything, it maybe shows how making a blockbuster with an 80-year-old star can only take you so far with audiences.

On-location filming in Los Angeles has plummeted during the ongoing Writers Guild strike to levels not seen since the dog days of the Covid pandemic, according to FilmLA, the city and county film permit office.

Zack Sharf Digital News Director Ira Sachs’ sexy Sundance drama “Passages” has received an NC-17 rating by the MPA but will be released unrated by MUBI, the distributor confirms to Variety. MUBI called the rating “unexpected” and said it was “deeply disappointed by the MPA’s decision.” “MUBI has officially rejected this NC-17 rating,” the distributor added. “MUBI remains committed to releasing ‘Passages’ nationwide in its original version as the filmmaker intended, with our full backing, unrated and uncut.” “Passages” centers on a love triangle in Paris between a movie director (Franz Rogowski), his artist husband (Ben Whishaw) and a grade-school teacher (Adèle Exarchapoulos, no stranger to NC-17 controversies as the star of “Blue Is the Warmest Color”) he meets out one night. The film includes several sex scenes in which the actors are fully nude, but none of them are salacious or gratuitous. One scene centers on the husbands having sex and is shot in an unbroken long take that runs just over two minutes.

Leo Barraclough International Features Editor Seven films have been selected for the 11th edition of Final Cut in Venice, the works-in-progress section of the 80th Venice Film Festival. Final Cut in Venice, which runs Sept. 3-5, provides support for the completion of films from Africa and five Middle Eastern countries: Iraq, Jordan, Lebanon, Palestine and Syria. It is one of the programs run by the festival’s industry section, Venice Production Bridge. Over three days, the working copies of the selected films will be presented to producers, buyers, distributors, post-production companies and film festival programmers. The first two days are devoted to screenings, and then one-to-one meetings between the producers of the projects and the professionals attending the Venice Production Bridge will take place on the third day. The program will conclude with the awarding of prizes in kind or in cash, the purpose of which is to provide support for the films’ post-production.

With poor box office numbers so far for Pixar‘s “Elemental” and James Mangold‘s “Indiana Jones And The Dial Of Destiny,” Disney sees itself in the middle of its worst theatrical slump in a long time. And it arguably started back in March with “Ant-Man And The Wasp: Quantumania,” which made less than $500 million worldwide and suffered the steepest second-week drop at the domestic box office of any Marvel film.

Tom Cruise still has every opportunity blast off into space.

Elsa Keslassy International Correspondent Les Films du Losange has unveiled the trailer for “Un Silence,” Joachim Lafosse’s thought-provoking film starring Daniel Auteuil and Emmanuelle Devos that will world premiere in competition at San Sebastian Film Festival. Tackling themes of abuse, the timely film revolves around Astrid (Devos), the wife of an acclaimed lawyer (Auteuil). Silenced for 25 years, her family balance suddenly collapses when her children initiate their own search for justice. One of Belgium’s leading filmmakers, Lafosse is best known internationally for 2012’s “Our Children,” a heart-wrenching drama based on a true story starring Emilie Dequenne and Tahar Rahim. “Our Children” represented Belgium in the Oscars race. “Un Silence” will mark Joachim’s follow up to “The Restless,” which competed at Cannes in 2021 and also explored imploding family dynamics.