Iranian Authorities Pressure ‘Critical Zone’ Director Ali Ahmadzadeh to Pull Out of Locarno Film Festival

Iranian filmmaker Ali Ahmadzadeh clinched the Golden Leopard in the main international competition of the 76th Locarno Film Festival with his latest feature Critical Zone (Mantagheye Bohrani).

Marta Balaga The hype is real: Ali Ahmadzadeh’s “Critical Zone” (“Mantagheye bohrani”) has picked up the top Golden Leopard at Locarno. It has been a bumpy ride for the film, set in Tehran over the course of one lonely night and described by the fest as “a hymn to freedom and resistance.” As reported by Variety, Iranian authorities have been pressuring Ahmadzadeh to pull it from the Swiss festival – arguing it was shot without permission – and with the director himself banned from leaving the country. “Instead of actors, I worked with real people.

The mystical and the industrial cross paths in this haunting debut from India, screening at this year’s Locarno Film Festival in the event’s parallel competition for first and second movies. It begins in an almost documentary style, showing the harsh, eerie beauty of Jharia, a once-proud mining community that’s now an apocalyptic ruin of a city, where toxic waste is dumped 24/7 and noxious fires burn just as endlessly. Midway through, however, Lubdhak Chatterjee’s film begins to change direction, as its passive hero becomes attuned to the natural mysteries lurking in the adjacent woods.  

Edinburgh International Film Festival (EIFF) head Kate Taylor has put together what she describes as an “eclectic and lively” mix of titles for her first year at the helm. 

It’s rare that European cinema impacts on Hollywood but it’s exciting when there’s a trickle-down effect, like the connection to be made between Denmark’s stripped-down Dogme movies, which launched in Cannes in the late ’90s, and Steven Spielberg’s decision to go back to basics (well, for him) with Catch Me If You Can a few years later. It’s a moot point how many will ever see Romanian director Radu Jude’s follow-up to his 2021 Berlinale winner Bad Luck Banging or Loony Porn, but, like Bob Dylan going electric or the Sex Pistols making their ramshackle debut at a London art school, this wilfully uncommercial but bloody-minded film could be genuinely seminal in its anarchic and totally individualistic approach, slipping discordant, Godardian subversion into a darkly comic, Ruben Östlund-style human drama.

Natalie Portman was spotted without her wedding ring on her 11th wedding anniversary.On Thursday, Portman posed with guests and panelists in Sydney, Australia, at the Angel City Equity Summit for a «meeting of the minds» to discuss pathways toward pay equity and other hot button topics. Portman is a co-founder and co-owner of Angel City FC, a Los Angeles-based team that joined the National Women's Soccer League (NWSL) in 2022.Portman had previously been photographed wearing her ring following reports of alleged infidelity by her husband, Benjamin Millepied.

Ellise Shafer Diane Kruger is set to receive the Golden Eye Award at this year’s edition of Zurich Film Festival. Throughout the course of her career, Kruger has worked with high-profile directors such as Quentin Tarantino, Wolfgang Peterson and Robert Zemeckis. She is best known for her roles as Helen of Sparta in “Troy” (2004), Abigail Chase in “National Treasure” (2004) and its sequel “Book of Secrets” (2007), Bridget von Hammersmark in Tarantino’s “Inglourious Basterds” (2009), Anna in “Mr.

EXCLUSIVE: Two-time Oscar winner Cate Blanchett, who is an executive producer on Noora Niasari’s debut film Shayda, will not be attending the pic’s Aug. 12 closing night at the Locarno Film Festival out of support for the SAG-AFTRA Strike. Niasari and the movie’s star Zar Amir Ebrahimi will still attend the movie’s play at Locarno.

Leo Barraclough International Features Editor Zurich Film Festival will honor the chief executive of German film and TV company Leonine Studios, Fred Kogel, with its Game Changer Award, which is presented to a leading personality from the film industry whose “extraordinary efforts serve to advance the sector.” Kogel set up Leonine four years ago, and it has grown rapidly to become Germany’s leading independent film company, as well as a major TV producer. Its successes as a film distributor have included the release of “The School of Magical Animals,” “Knives Out” and the “John Wick” franchise.

Malia Obama is going food shopping on a rare outing.

John Hopewell Chief International Correspondent Starring “Bones and All’s” Taylor Russell, Ewan McGregor and Ellen Burstyn, “Mother, Couch!” the feature debut of Sweden’s Niclas Larsson, features in a currently 11-title lineup of San Sebastian’s 2023 New Directors section, the most important sidebar at the highest-profile movie event in the Spanish-speaking world. Of just announced titles, also in the mix is “The Other Son,” Juan Sebastian Quebrada’s anticipated coming-of-age drama picked up by Film Factory. “Carefree Days,” the second feature from Chinese actor-director-screenwriter Liang Ming (“Wisdom Tooth”), will open New Directors.

Venice Film Festival artistic director Alberto Barbera is refusing to row back on his decision to invite controversial movie-biz bigwigs Roman Polanski, Woody Allen and Luc Besson to the late summer event, which will take place despite the potential disruption by the ongoing SAG-AFTRA and WGA strikes. “Luc Besson has been recently fully cleared of any accusations. Woody Allen went under legal scrutiny twice at the end of the ’90s and was absolved,” Barbera said in a new interview with Variety.

Anna Marie de la Fuente Switzerland’s preeminent Locarno Film Festival has tapped arts patron Maja Hoffmann, founder of the LUMA Foundation, to be its first female president in its 70-plus years of existence. The festival’s Board of Directors unanimously approved Hoffmann to succeed Marco Solari who has held the position for more than two decades.

SAG-AFTRA has granted more waivers in recent days that give permission to indie projects to shoot during the current strike, including the independent film The Summer Book starring Glenn Close. Other recent projects that will be allowed to shoot include the TV series Underdeveloped and Sight Unseen.

Filmmaker Ali Ahmadzadeh is under pressure from Iranian authorities to pull his latest feature Critical Zone from Locarno’s Main Competition after he was summoned to the country’s Ministry of Security.

Leo Barraclough International Features Editor “Family Portrait,” written and directed by Lucy Kerr, has debuted its trailer ahead of its world premiere in Locarno Film Festival’s Cineasti Del Presente section. World sales are being handled by Flavio Armone at Lights On. “Family Portrait” follows a sprawling family on a morning when they have planned a group picture. After the mother disappears and one of the daughters becomes increasingly anxious to find her and take the picture, the rest of the family appears to resist any attempt to gather. “Initially presenting itself as a realistic portrayal of a family on an idle but hectic summer day, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition,” according to a press statement.

Following SAG-AFTRA’s clearance of AppleTV+’s Israeli spy series Tehran and New Line’s horror movie Watchers –prolific projects from AMPTP studios that the guild remains in talks with– in their interim agreement process, some producers and filmmakers in town have been miffed.

Leo Barraclough International Features Editor Forty-nine films will compete for the Heart of Sarajevo awards at the 29th Sarajevo Film Festival, which runs in Bosnia and Herzegovina from Aug. 11 to 18. The Feature Film Competition will present 11 titles, with two world premieres, one international and five regional premieres. World premieres include “Europa” from Austrian-Iranian filmmaker Sudabeh Mortezai, whose credits include 2018 Venice Days entry “Joy,” the Best Film winner at London Film Festival, and “Macondo,” which competed for the Golden Bear at Berlin Film Festival in 2014. The other world premiere is “Medium,” from Greek director Christina Ioakeimidi, whose debut feature was “Harisma” in 2010.

Nick Vivarelli International Correspondent Iraqi film director and writer Amer Alwan, whose moving drama “Zaman, the Man From the Reeds” was shot right before the 2003 U.S.-led invasion of Iraq and had its North-American premiere at Tribeca in 2004, has died at 66. Alwan, who had long been living in France, died surrounded by family at the Simone Veil Hospital in the French town of Eaubonne on July 4 after battling an unspecified form of cancer for a year, his daughter, Camille Alwan, said by email. He was buried at Saint-Ouen Cemetery in Paris. Born in Babylon-Hills, Iraq, in 1957, Alwan graduated from Iraq’s National School of Drama and Arts and continued his studies at the Audio Visual School of Baghdad, which led to him doing TV work in Iraq. Then in 1980, he left Iraq to earn an advanced degree in philosophy of art and society from Paris’ prestigious Sorbonne university.

Patrick Frater Asia Bureau Chief The Melbourne International Film Festival has unveiled the full lineup for its 2023 edition, with “Shayda,” by Australian-Iranian director Noora Niasari, set as the opening title. The festival will run as a live event August 3-20, at venues around the city and its suburbs, and online Aug 18 – 27. The hybrid format was developed during the COVID pandemic and MIFF found it useful as a tool to reach further away audiences and wider demographics than a strictly in-theater edition. The ‘Bright Horizons’ competition section open to films by first- or second-time feature directors contains an 11-title mix of new and recently-debuted works.