Parker Posey Wants to Return to 'Scream' Franchise, Addresses Her Character Jennifer Jolie's Fate in 'Scream 3'

Rachel Bilson joined the podcast and had a very raw conversation about sex.The 41-year-old actress didn't hold back when the topic of sex came up, and she told co-hosts Roxy Manning and Tammin Sursok that she found one sure way to experience an orgasm while having sex. «I like missionary,» she said. «I've learned that if you want to have an orgasm during sex, you have to be on top.» star didn't end there in divulging her preferences when it comes to sex.«But missionary is my favorite,» she added.

Jenny Slate will join the upcoming adaptation of Colleen Hoover's, the author announced today. Slate is the newest in a growing list of stars attached to the much-anticipated project. Slate will play Allysa, the sister of protagonist Ryle Kincaid, portrayed by Justin Baldoni.

Melissa McCarthy is game for a Bridesmaids sequel, the 2011 comedy that also starred Kristen Wiig and Maya Rudulph and directed by Paul Feig.

EXCLUSIVE: As the deadline approaches to avert a threatened writers strike, IATSE President Matt Loeb has told leaders of his locals that it’s probably going to be do-or-die when the WGA’s current contract expires Monday night at midnight PT and that “he doubts an extension is in the cards.”

Jazz Tangcay Artisans Editor SPOILER ALERT: This story discusses major plot points for “Beau Is Afraid,” currently playing in theaters. In the final act of Ari Aster’s three-hour anxiety trip “Beau Is Afraid,” Beau, played by Joaquin Phoenix, arrives very late for his mother’s funeral and finds himself reunited with his childhood love Elaine, played by Parker Posey. It’s an awkward reunion for the two, but the two wind up in bed together. Just as they are about to have sex, Elaine pulls out her phone and the intro to Mariah Carey’s 1995 hit “Always Be My Baby” begins to play. Speaking over Zoom, the film’s music supervisor Jemma Burns said Aster told her during their first meeting, “’If there’s one thing you do for me on this film, I have to have this Mariah Carey song.’”

Joaquin Phoenix is jokingly making a public service announcement to those people buying tickets to go watch him in his latest film Beau is Afraid.

Beau is Afraid (★★☆☆☆), Ari Aster’s ambitious third feature film, in which I weighed how unprofessional it would be to walk out of a three-hour screening early, convinced as I was by that juncture that I was not enjoying myself and would likely not enjoy myself for the duration of the movie.It was about 20 minutes in.If you like vivid nightmares driven by existential depression and crushing grief — which, is to say, if you’re looking for a movie that acts as a mirror for the encroaching suffocation of American life in 2023 — you will love Beau is Afraid.Unlike most horror films that seek to provoke a feeling of escapism from the drudgery of daily life, Aster has drilled deep into the fragile psyche of a nation reeling from two decades of outsized culture war trauma and buttered up those sensitive neuroses with cayenne pepper.That may sound appealing to some viewers. I personally don’t understand watching a movie to be further reminded why everything is on fire with possibly no hope of recovery or redemption.

Emily Ratajkowski heads back to her home following an afternoon out with her friends in New York City on Friday (April 21).

Jem Aswad Senior Music Editor For those without long memories, Everything But the Girl are a British duo that first emerged in the early 1980s as a sort of neo-jazz outfit combining Tracey Thorn’s virtuoso but downcast vocals and Ben Watt’s formidable guitar playing. Over the next 15 years they morphed impressively through different styles — from Smiths-style jangly alt-rock to the slick pop of “The Language of Life” — but with 1994’s “Amplified Heart,” electronics began to enter their latest jazz-trio-ish incarnation. And when house music producer Todd Terry’s dancefloor-driven remix of that album’s “Missing” became a surprise global hit, Watt immediately embraced the then-burgeoning drum n’ bass scene in the U.K. and within months was behind the turntables for nearly all of the group’s live sets. The next two albums, “Walking Wounded” and “Temperamental,” evolved this sound, with beats and atmospheric keyboards creating the backdrop for Thorn’s increasingly soulful singing.

reprise her role as Phillipa Georgiou from “Star Trek: Discovery” in a standalone movie event.Production on the movie, titled “Star Trek: Section 31,” will begin later this year. The film will “follow Georgiou as she joins a secret division of Starfleet tasked with protecting the United Federation of Planets and faces the sins of her past.”“Section 31” was initially announced as a series back in 2019.

may be unmasked on , but rest assured, Julie Andrews is not going anywhere.The legendary actress promised viewers that though the all-knowing gossip maven was revealed to be Penelope Featherington (Nicola Coughlan) at the end of season 2, she'll continue to narrate the Netflix series in the upcoming season — and beyond. «Oh, it's coming back. Oh definitely, yeah,» Andrews confirmed to ET's Denny Directo on the red carpet in March for the NBC special, which airs April 26.But the 87-year-old icon elegantly turned down any possibility that she could potentially appear in of the camera on .«No, no, no,» she answered when asked about the chance.

Zack Sharf Digital News Director The “Scream” franchise is at an all-time high right now, with March’s “Scream VI” grossing $106 million and counting at the domestic box office to become the series’ top-grossing film. No wonder former cast members like Drew Barrymore and Parker Posey are eager to return. Posey, who has been making the press rounds in support of her role in Ari Aster’s “Beau Is Afraid,” told ComicBook.com that she’s interested in reprising the role of Jennifer Jolie from 2000’s “Scream 3.” Jennifer was the actor playing Gale Weathers (Courteney Cox) in the “Stab” franchise. She was killed by Ghostface, but that didn’t stop Posey from recently pitching her return to the “Scream” team.

Emma Chamberlain is opening up about those very expensive DMs that her website was briefly selling.

Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A24 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per-screen average of $80K+ in sold-out shows on both coasts. (Uncut Gems with Adam Sandler had a $105k PSA on five screens in 2019 — a limited-opening record at the time.)

Radio Silence is the directing team of Matt Bettinelli-Olpin and Tyler Gillett, and they first landed on everyone’s radar with their Samara Weaving-led horror-comedy “Ready or Not. That also caught the attention of Spy Glass Media, who tasked them to direct the last two “Scream” installments—a seventh film now getting ready to go in front of cameras in the near future.

Jennifer Garner and Reese Witherspoon are celebrating the premiere of their new Apple TV+ series!

Associated Press, Mo’Nique said, “I just want the contractual compensation that I’ve earned.”Mo’Nique’s hit show “The Parkers,” was a spin-off of the sitcom “Moesha.” The show ran for five seasons and 110 episodes on now-defunct network UPN from 1999 to 2004. The Oscar-winning actress starred as Nikki Parker, a mother who returns to the same college her daughter is attending.

One of Love Is Blind‘s most embattled stars is speaking out about her portrayal on-screen.

Jennifer Lopez is ! The actress sheds her lighthearted romantic comedy persona for darkness and grit in her new Netflix thriller.The film features Lopez as a deadly assassin living as a recluse in the wilderness when an unexpected threat to the estranged daughter (Lucy Paez) that she gave up years before, pushes her to come out of hiding to protect her.«I'm a killer. But I'm also a mother,» Lopez says as the trailer shows her racing through various locations in a series of high-speed chases through a seaside city, a motorcycle pursuit in the mountains, and plenty of gunfire as she runs away from dangerous men in pursuit. «And I will die protecting her.»Directed by Niki Caro,  is the first installment of the actress' three-movie deal with Netflix.  creator Misha Green wrote the original screenplay with revisions by 's Andrea Berloff.