Ari Aster’s Surreal Odyssey ‘Beau Is Afraid’ Lands A24’s Best Limited Opening Since ‘Uncut Gems’ – Specialty Box Office

The Morning Show has been confirmed for a fourth season on Apple TV+.It comes ahead of the third series which is set to air later this year. The acclaimed TV drama starring Jennifer Aniston and Reese Witherspoon last aired in 2021.The next season is set to return with new showrunner Charlotte Stoudt along with new stars including Jon Hamm, Stephen Fry, Tig Notaro and Nicole Beharie.Aniston announced season 3 had wrapped filming in February via an Instagram post which, promised that there was “so much more to come.”A post shared by Jennifer Aniston (@jenniferaniston)Stoudt will be taking over from Kerry Ehrin, who developed The Morning Show and served as showrunner on the first two seasons.

We’ve known, for a while now, that Martin Scorsese is a big fan of Ari Aster. Several years ago, the legendary director raved about Aster’s second film, “Midsommar.” Now, as Aster receives some of the harshest critiques of his relatively young career, thanks to his third film, “Beau is Afraid,” Scorsese is there to back him up, yet again.  READ MORE: ‘Beau Is Afraid’ Review: Joaquin Phoenix Guides Ari Aster’s Hilarious, Horrific, Despairing Nightmare, Hellish Mom Comedy During a Q&A alongside Ari Aster (via A24), Martin Scorsese talks about the young filmmaker’s career, up to this point, and how he believes Aster is one of the best directors working today.

Jazz Tangcay Artisans Editor SPOILER ALERT: This story discusses major plot points for “Beau Is Afraid,” currently playing in theaters. In the final act of Ari Aster’s three-hour anxiety trip “Beau Is Afraid,” Beau, played by Joaquin Phoenix, arrives very late for his mother’s funeral and finds himself reunited with his childhood love Elaine, played by Parker Posey. It’s an awkward reunion for the two, but the two wind up in bed together. Just as they are about to have sex, Elaine pulls out her phone and the intro to Mariah Carey’s 1995 hit “Always Be My Baby” begins to play. Speaking over Zoom, the film’s music supervisor Jemma Burns said Aster told her during their first meeting, “’If there’s one thing you do for me on this film, I have to have this Mariah Carey song.’”

After posting giant per screen numbers at four theaters last weekend, A24’s Beau Is Afraid  jumps to 926 for the distributor’s third outing with Ari Aster. It’s a very different film from his horror favorites Hereditary and Midsommar but one the distributor hopes will cement the director’s place as a modern auteur.

Ari Aster has made a career out of the horror and twisted comedy of anxiety. Regardless of where each individual audience member is in their life or the experiences they’ve had, this is what makes films such as “Hereditary” and “Midsommar” universally loved and relatable.

Ari Aster‘s “Beau Is Afraid” isn’t even in theaters yet, but the “Midsommar” and “Hereditary” already has his fourth film lined up. World Of Reel has the scoop: Aster will start shooting his next movie, “Eddington,” this summer, with Joaquin Phoenix set to lead its ensemble cast.

Rebecca Rubin Film and Media Reporter Ari Aster’s latest anxiety-inducer “Beau Is Afraid” is taking the indie box office by storm. The A24 film, which stars Joaquin Phoenix as an apprehensive man who endures a lot over the course of three hours, grossed $320,396 on four screens in New York and Los Angeles. Those ticket sales translate to a sizable $80,099 per location, the biggest screen average of the year. It’s also the second-best per-screen-average for A24 after Adam Sandler’s “Uncut Gems.” Now, “Beau Is Afraid” needs to sustain its momentum as it expands nationwide next weekend. That’s been a struggle for plenty of indies in post-pandemic times, although A24 has managed to propel films like “Everything Everywhere All at Once” and “The Whale” to box office success. But “Tár,” “Triangle of Sadness” and other acclaimed arthouse films weren’t as successful in parlaying their huge screen averages — which is the key metric for platform releases — to robust theatrical runs. Those films fizzled after struggling to connect with mainstream audiences.

Filmmaker Ari Aster has oedipal issues. The artist has deeply complicated and unresolved issues with his mother that go back to his earliest movies (to this day, Aster won’t really talk about his mother in the press and has hinted at a troubled, rocky relationship).

Marc Malkin Senior Film Awards, Events & Lifestyle Editor Director Ari Aster says it took about six months for Joaquin Phoenix to sign on to star in his new movie, “Beau Is Afraid.” “You get on your hands and knees and beg,” Aster jokes about his first meeting with the Oscar winner. “He’s the best. He’s the greatest. He’s the prince. And those eyes. He could be so naked, so exposed, and he’s funny. He’s a funny guy.” Aster (“Hereditary” and “Midsommar”) and his cast celebrated the Los Angeles premiere of the A24 film Monday night at the DGA in West Hollywood. “It’s when I first saw ‘I’m Still Here’ that I knew I needed to work with this guy,” Aster said. “One, it’s such a funny film, and two, that performance is really a brilliant comic performance. But it’s also because as a gesture that movie is suicidal. What he was doing with his own name there is so crazy and funny and sick. It’s like a sick thing to do. Since then, I’ve known I’ve wanted to work with him.”

Joaquin Phoenix and director Ari Aster have brought their new film Beau Is Afraid to L.A.

Peter Debruge Chief Film Critic Poor Beau. Nearly half a century on Earth, and he’s never really lived. Sure, he was born — that much director Ari Aster depicts from Beau’s point of view at the outset of his wildly self-indulgent and frequently surreal third feature, “Beau Is Afraid,” lingering long enough to witness the infant’s umbilical cord being snipped — but what has Beau done with his life since then? Can it be said that he ever really developed an identity apart from his successful single mom, Mona Wasserman, who haunts the film for the better part of three hours before finally revealing herself? Not since “Psycho” has an off-screen mother loomed so large over a film’s protagonist, played here by Joaquin Phoenix, cowering from the world. The Hitchcock comparison could be misleading, since Aster (who helmed indie studio A24’s two most successful horror movies, “Hereditary” and “Midsommar”) makes a surprising tonal shift away from traditional nightmare material for this deranged road trip, which follows Beau cross-country — and through several substitute families — to face his intimidating Jewish mom.

At a surprise New York City screening, or rather unveiling, of Beau Is Afraid a few days ago, the Q&A moderator, actress Emma Stone, reportedly began by asking writer-director Ari Aster, “Are you okay, Ari?”

J. Kim Murphy It’s a box office Koopa d’état. “The Super Mario Bros. Movie” continues to super smash its opening projections, drawing $55 million from 4,343 theaters on Friday. Released Wednesday, the film has already earned $137 million in domestic ticket sales. If every dollar were a coin, that would amount to 1.37 million 1-Up mushrooms. That’s a lot of extra lives. The Universal and Illumination film is still on track for a $195 million opening in North America over the five-day Easter weekend frame. That’s way ahead of the $150 million projections that were being reported at the start of the week. Even more impressively, “Super Mario Bros.” now looks to leap to a $368 million global debut. That would become the biggest ever opening for an animated film, though that comes with a huge caveat. The current record holder, 2019’s “Frozen II,” earned $358 million over a traditional three-day window.

Joaquin Phoenix kept a low profile at a screening for his highly anticipated new movie Beau Is Afraid.

BreAnna Bell “Murder Mystery 2” was Netflix’s top film title after its March 31 debut. In its first three days of availability, the film took the title for Netflix’s second biggest opening weekend for a comedy film with over 42 million views. The sequel starring Adam Sandler and Jennifer Aniston earned 64.42 million hours viewed total during the viewing window and also appeared in the Top 10 in 91 countries. The first film in the franchise also joined the list of film titles at No. 2 with 24.7 million hours viewed. On the English TV side, “The Night Agent” continued to stay ahead of the competition taking the No. 1 spot for the second week. The action-thriller has pulled in an 385 million total hours viewed in its first two weeks and now has more than 47 million views. Netflix calculates total views by taking the total hours viewed and dividing that by the show’s runtime hours, which in this case was 8.2 hours. The streamer also recently renewed the series for a second season.

In short order, indie filmmaker Ari Aster has become one of the most exciting writer/directors on the planet. Following the one-two punch of two amazing, psychologically bruising horrors, “Hereditary” and “Midsommar,” the filmmaker returns with his most ambitious film, “Beau Is Afraid” which stars Joaquin Phoenix, is a dark, surreal, black comedy nightmare odyssey.

Brent Lang Executive Editor Emma Stone was blunt. “Are you okay, man?” she asked Ari Aster after a surprise screening of his latest film, “Beau Is Afraid” at Brooklyn’s Alamo Drafthouse on a rainy Saturday afternoon. Audiences around the country may be asking variations of the same question after they emerge from the occasionally creepy, often hilarious and deeply weird horror-comedy. It’s a movie about a neurotic man (Joaquin Phoenix) with serious mommy issues, who must endure a phantasmagoric odyssey as he labors to get home following a family tragedy. Over the course of his journey he will be kidnapped by a suburban couple (Nathan Lane and Amy Ryan), stalked by a hulking vet with PTSD, menaced by a paint-drinking teenage girl and embraced by an experimental theater troupe. There’s also an animated sequence, as well as a recurring gag involving Phoenix’s distended testicles, plus a sex scene with Parker Posey that may rank among the wackiest ever committed to film. Oh, and did we mention the whole thing is three hours long?

Ari Aster is quite the prankster.

Ari Aster pulled an epic April Fool’s prank on moviegoers expecting to see a screening of Midsommar but instead were treated to a screening of his newest film Beau Is Afraid starring Joaquin Phoenix.

Jennifer Aniston and Adam Sandler reunited for their new Netflix film Murder Mystery 2, to the delight of their fans, but the reviews for the detective comedy are mixed.  The co-stars and pals have reprised their roles as married couple Nick and Audrey Spitz, who are now full-time private detectives after finding themselves caught up in a murder investigation in 2019's Murder Mystery.  In the sequel directed by Jeremy Garelick, the Spitzes are invited to the destination wedding of the Maharajah Vikram Govindan (Adeel Akhtar), but they are forced to go into detective mode when he is kidnapped before the ceremony.