In the realm of zombie-themed films, a genre often filled with clichés and predictable plot lines, Handling the Undead aims to stand out as something different.
02.01.2024 - 19:03 / variety.com
Nick Clement Following years of delays and pandemic restrictions, and now celebrating a post-strike awards season, what better way to kick off the 35th annual Palm Springs Intl. Film Festival than with a “fun and naughty film,” says festival director Lili Rodriguez. Thea Sharrock’s “Wicked Little Letters” will enjoy its U.S.
premiere Jan. 5 at the desert fest, followed by 179 films from 74 countries including 47 premieres (eight world, three international, 12 North American and 24 U.S.), while showcasing a lineup of 40 international feature film Oscar submissions. “The real excitement is that we’re back to a full-on festival with all pre-pandemic offerings, and 100% venue capacity.
The moment we saw ‘Wicked Little Letters,’ we knew we needed it as our opener,” says Rodriguez. Among films earning attention at PSIFF include the world premieres of “A Look Through His Lens,” which details the life of Oscar-winning cinematographer Philippe Rousselot, and “All About the Levkoviches,” from debuting director Adam Breier. The event closes with “Ex-Husbands,” from director Noah Pritzker, Jan.
13. The festival will also have a dedicated focus on South Korean films, with screenings of “Cobweb,” “The Handmaiden,” “Memories of Murder” and “Train to Busan.” Always popular is the Talking Pictures program, which takes place Jan. 4-5, allowing festgoers the chance to interact with filmmakers and actors.
In the realm of zombie-themed films, a genre often filled with clichés and predictable plot lines, Handling the Undead aims to stand out as something different.
Nico Parker is experiencing one of the most exciting moments of her career. The young actress is booked and busy, with “Suncoast” premiering at the Sundance Film Festival.
Anyone with more than a passing interest in the weird and wonderful will have seen, if not heard of, the Patterson-Gimlin footage, the cryptoozological equivalent of the Zapruder film. Shot in 1967 in the forests of Northern Carolina, it purports to show a large, ape-like creature with an elongated forehead striding purposefully into the trees. Unlike an ape, the creature walks upright, and, unlike the furtive behavior of any other forest creature, it has the casual air of the average human being popping over to the 7-11 to pick up a gallon of milk. Most people who see the footage wonder what the hell this damn thing is, but the sibling directors of Sasquatch Sunset have a couple more questions that they’d like answered. Like, where is it going? And what does it do all day?
In the space of just two movies, Jane Schoenbrun has established a completely unique aesthetic; from the opening credits alone, a riot of black light and neon pastels, it’s obvious that I Saw the TV Glow comes from the same mind that created the trippy 2021 cult hit We’re All Going to the World’s Fair. Anyone puzzled by the latter is advised to stay clear, since the follow-up is more vertiginously dizzying and twice as impressionistic, causing lots of head-scratching at its Sundance premiere. For those ready and willing to embrace its commitment to mood over logic, I Saw the TV Glow is a must-see, pairing the otherworldly ambience of Kyle Edward Ball’s Skinamarink with the morbid surrealism of Charlie Kaufman’s Synecdoche, New York. (If you know, you know.)
Cillian Murphy will open the Berlin International Film Festival this year.Small Things Like These, directed by Peaky Blinders’ Tim Mielants, is based on the 2021 book by Irish author, Claire Keegan, and the screenplay has been written by Enda Walsh.The Oppenheimer star plays a devoted father and coal merchant named Bill Furlong. Set in 1980s Ireland, he discovers unsettling truths about the Magdalene Laundries, which were dreadful asylums run by the Roman Catholic church, said to house “fallen women”, mainly sex workers.The cast includes Belfast‘s Ciaran Hinds, Emily Watson (Chernobyl), Game Of Thrones’ Michelle Fairley, and Irish actor, Eileen Walsh, who also starred in a 2002 movie about the infamous asylums, titled The Magdalene Sisters.Murphy produced the film with Alan Moloney through their company, Big Things Films, alongside Catherine Magee.
Ellise Shafer “Small Things Like These,” a historical drama starring Cillian Murphy, is set to open this year’s Berlin Film Festival. Directed by Tim Mielants from a script by Enda Walsh, the film will have its world premiere in the festival’s competition on Feb. 15.
Diego Ramos Bechara editor Radio Silence Productions and Project X Entertainment, both behind the relaunch of the “Scream” franchise, are forming a joint financing pact with studio MRC to fund and produce horror and thriller features. The partnership, announced Wednesday morning, aims to produce two to three features annually.
‘Ghosts‘ Producer Developing TV Version Of Podcast About Prolific British Con Woman
Addie Morfoot Contributor Ben Fowlie, executive and artistic director of the Points North Institute and founder of Camden Intl. Film Festival, is stepping down from his position after 20 years with the organization. Longtime board member Rick Rector will serve as interim executive director until a search for a permanent replacement is completed.
Ben Fowlie, founder of the Camden International Film Festival, is departing as executive and artistic director of the Points North Institute, the nonprofit that produces the highly-respected documentary festival in coastal Maine.
Jaden Thompson The complete program for the 39th Santa Barbara International Film Festival has been announced. Taking place from Feb. 7-17, the festival will open with the world premiere of the documentary “Madu,” directed by Matt Ogens and Joel ‘Kachi Benson.
Leo Barraclough International Features Editor Debbie Harry, lead singer of Blondie, will be among those taking part in on-stage talks at the International Film Festival Rotterdam, which runs Jan. 25 to Feb.
Caroline Brew editor The 35th Annual Palm Spring International Film Festival, which took place from Jan. 4 to 15, has announced this year’s jury award winners.
Annika Pham Actors Ewan McGregor, Sidse Babett Knudsen, Renate Reinsve, Anders Danielsen Lie, directors Ruben Östlund, Ernst de Geer, Ramata-Toulaye Sy and Cannes Film Festival honcho Thierry Frémaux are some of the stellar guests set to walk the red carpet at the 47th edition of Sweden’s Göteborg Film Festival. This year’s Göteborg Fest unspools from Jan. 26 to Feb.
Sean Penn rescued a journalist stranded in the desert. Marc Malkin, the Variety journalist known for his Golden Globes pre-show, was stranded in the desert after attending the Palm Springs Film Festival hosted earlier this month. Penn came to his rescue, helping him return home to Los Angeles.
It’s a Barbie reunion! Yes, Barbie herself, Margot Robbie, director Greta Gerwig, and co-star America Ferrera had a little impromptu reunion at the 2024 Palm Springs International Film Festival Film Awards, held on January 4 in Palm Springs, California. Sadly, handsome co-star Ryan Gosling (Ken) wasn’t in attendance.
Oscar winners Emma Stone and Penelope Cruz were among the stars who honored emerging directors during a brunch event at the 2024 Palm Springs International Film Festival.
Kirsten Dunst and Jesse Plemons are coordinating outfits on the red carpet.
Sundance Institute announced the addition of the documentary The Greatest Night in Pop to the 2024 Sundance Film Festival film program and the lineup for the Festival’s Beyond Film programming.
Clayton Davis Senior Awards Editor The Palm Springs International Film Festival’s annual gala recognizing some of the year’s finest achievements in cinema Thursday evening saw several honorees let their guards down, allowing the tearducts to flow. Mary Hart returned as host for the starry awards gala held at the Palm Springs Convention Center. Billie Eilish and Finneas became the first songwriters ever to receive the Chairman’s Award for their chart-topper “What Was I Made For?” from “Barbie.” Before paying tribute to their parents and recalling their journey as aspiring actors, Eilish got candid about the emotional song’s personal meaning.