Tim Burton and Monica Bellucci are making their first public appearance as a couple!
01.10.2023 - 03:17 / variety.com
Addie Morfoot Contributor Madeleine Gavin’s Sundance award-winning documentary “Beyond Utopia” has garnered the best documentary and best doc editing honors at the 24th annual Woodstock Film Festival. The documentary, which was recently acquired by Roadside Attractions, is vying for Academy Award attention.
Using hidden camera footage, the doc follows the high-stakes journey that a handful of desperate families make in order to defect from North Korea — a country with the most brutal regime on earth, led by a dictator, Kim Jong-un. Doc jurors included directors Barbara Kopple (“Harlan County USA”) Richard Rowley (“ Kingdom of Silence”) and Heidi Ewing (“Jesus Camp”).
“This year’s winner is an astonishingly intimate, white-knuckle thriller following families trying to escape North Korea,” the jurors said in a joint statement.
“Stitched together from raw, first person footage, it is impossible not to feel the heart-breaking courage as a family clings to each other during a nighttime crossing of the Mekong River. Or the anguish of a mother who may have led her only son into a horrific trap by trying to buy his way to freedom.”
The five-day festival, which runs from Sept.
27 to Oct. 1 in New York’s Hudson Valley, about 100 miles north of Manhattan, also awarded Kristi Jacobson’s “No Accident” and Jane Weinstock’s “Three Birthdays” with the excellence in documentary filmmaking awards.
Each director will receive $1,000 and a New York Women in Film & Television (NYWIFT) six-month membership.
Victor Nunez’s “Rachel Hendrix,” about a professor who experiences a relapse of grief one year after the death of her husband, received WFF’s top narrative prize.
Narrative jurors includes director Ramin Bahrani (“99 Homes”) and producer Ted
Tim Burton and Monica Bellucci are making their first public appearance as a couple!
Patrick Frater Asia Bureau Chief Amanda Nell Eu, director of breakout film “Tiger Stripes,” has disowned the censored version of the movie that launched in her native Malaysia on Thursday. “I do not stand behind the cut that will be shown in local cinemas […] the film that will be shown in local cinemas is not the film that we made, and it is not the film that won the Grand Prize of the Critics Week in Cannes,” said Eu in a statement (see below for full letter). The debut feature had received wide acclaim as the first Malaysian film in many years to play in Cannes, the first by a Malaysian woman director. It won a prize as best picture in Cannes Critics’ Week sidebar, will be the opening film of the Singapore International Film Festival and has been selected as Malaysia’s Oscar contender. Pitched somewhere between a coming-of-age drama and a body horror movie, the film tells the story of a 12-year-old who becomes the first among her friends to reach puberty.
Chris Willman Senior Music Writer and Chief Music Critic There aren’t a lot of precedents in pop music for the pairing of Billie Eilish and Finneas, when it comes to brother-and-sister performing or songwriting duos. But in the world of music for films, it might not be too soon to start considering a comparison with a very famous married duo: Alan and Marilyn Bergman, the long-reigning king and queen of movie theme songs.
Ellise Shafer Daniel Kaluuya world premiered his feature directorial debut, “The Kitchen,” at the BFI London Film Festival on Sunday night, calling it “one of the best days of my life.” Kaluuya was on hand alongside his co-director Kibwe Tavares, producer Daniel Emmerson and several of the film’s actors, including “Top Boy” star Kane Robinson and newcomer Jedaiah Bannerman. Set in a dystopian London where all social housing has been banned, the film follows the residents of a community called the Kitchen who must fight to save their home. Speaking before the premiere, Kaluuya and Tavares explained that it’s taken nearly a decade to bring the Netflix film to the screen.
EXCLUSIVE: Bruce Weber’s Academy Award-nominated documentary Let’s Get Lost has received a 4k restoration, which will debut at this year’s Lumiere Film Festival.
It’s not every day that a filmmaker will rise up during an interview and recite Old Testament tales and sing out their favorite hymn. Well, hallelujah, brother Jeymes Samuel for spreading the gospel’s good news.
Cailee Spaeny dazzles while promoting her new film Priscilla at the 2023 BFI London Film Festival on Monday (October 9).
Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.
Caroline Brew editor The Savannah College of Art and Design’s 26th annual SCAD Savannah Film Festival, which will run from Oct. 21-28, has announced its film lineup. “Nyad,” a film based on the life of world-class athlete Diana Nyad, will open the festival on Oct.
Elsa Keslassy International Correspondent The Berlin Film Festival has created a new scouting role to curate a rising generation of German filmmakers. The next edition, which is set to take place from Feb. 15-25, will see its section dedicated to newcomer German films merged into the main program.
Elsa Keslassy International Correspondent The Berlin Film Festival will be launching a new section, called Newcomer German Films, during its next edition taking place from Feb. 15-25. The section will highlight emerging German filmmakers, and will be part of the main program alongside the Competition, Encounters, Panorama, Generation and Forum sections.
Nick Vivarelli International Correspondent Egypt’s El Gouna Film Festival is back after a one-year hiatus with a rich mix of Arabic and international titles launching into the Middle East and plenty of promising projects from Arab countries set to be unveiled to prospective partners at its CineGouna industry side. The event launched in 2017 by Egyptian telecom billionaire Naguib Sawiris – whose brother Samih built the El Gouna resort in a swathe of desert near the tourist town of Hurghada 250 miles south of Cairo – was put on pause in 2022 ostensibly due to the country’s economic crisis following five editions during which fest co-founder Amr Mansi and chief Intishal Al Timimi had managed to rapidly put El Gouna on the international festival map while also making it a favourite with the local crowd.
Patrick Frater Asia Bureau Chief Leading Korean content firm Showbox Corp. has added “The Killers,” an unusual anthology film, to its Busan rights sales line up. The film takes its title and themes from Ernest Hemingway’s 1927 short story of the same name.
Marta Balaga Warsaw Film Festival sets out to spotlight a slew of new local releases, from “Anxiety” by Sławomir Fabicki – Oscar-nominated for his short “A Man Thing” – to this year’s opener “Song of Goats” by Andrzej Jakimowski. The latter, featuring “EO” star Mateusz Kościukiewicz and set in Greece, will show characters living close to an active volcano, exploring the question of how “each of us is responsible for maintaining our fragile heritage,” says the director.
Academy Awards. The film had its debut in the Critics’ Week section of the Cannes film festival in May and was directed by first-time feature filmmaker Amanda Nell Eu. The announcement was made on Thursday by Malaysia’s Communications and Digital Minister Fahmi Fadzil following selection by the National Film Development Corporation (FINAS). The film was a eight-way coproduction involving companies from Malaysia, Taiwan, Singapore, France, Germany, The Netherlands, Indonesia and Qatar, and emerged from a succession of labs, project markets and international funds. Since winning the Grand Prix at the Critics’ Week, “Tiger Stripes” has been a popular choice on the festival circuit, with stops so far at Neufchatel, The Hamptons, Sitges, London, Fantasia, Taipei and next week’s Pingyao events.Dir. Amanda Nell Eu. International sales: Films Boutique. All submissions and materials for the 2023 race must be received by the Academy of Motion Pictures Arts & Sciences by 5 p.m. on Oct. 2. And films must meet all the qualifying conditions between Dec. 1, 2022, and Oct. 31, 2023. A shortlist of 15 will be announced on Dec. 21. Final nominees will be announced on Jan. 23, 2024. The 96th Academy Awards is set to take place on March 10, 2024. Argentina, the South American country with the best Academy Awards history, has chosen as its Academy Awards submission “The Delinquents,” Rodrigo Moreno’s incorrigibly playful heist movie, which world premiered at Cannes Un Certain Regard, delighting critics.
Since NASA’s conception just over six decades ago, 600 astronauts have traveled to space, yet only 18 have been Black Americans. Hindered in equal parts by racial discrimination and the lack of educational and economic resources given to the Black community in the space administration’s formative years led to a significant racial disparity among those who aimed to reach for the stars.
Jessica Chastain is being honored!
Sharareh Drury Miami Dade College’s Miami Film Festival GEMS has announced the full lineup for its 2023 festival, which will run from Nov. 2-5. The 10th edition of the fest will feature 26 films from 14 countries, all taking place at MDC’s Koubek Center and Silverspot Cinema.
The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.
International execs from Unifrance, MK2 and TrustNordisk kicked off the annual Zurich Summit on Saturday to discuss the importance of film festivals when promoting a title and if fests are drifting away from what works in cinemas.