New ‘The Shining’ Prequel Axed Due to Poor ‘Doctor Sleep’ Box Office, Director Says

Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic.

After a pandemic recovery year in which Focus has started many of its releases with larger theater counts, “Tár” is starting with a return to the traditional four-screen launch in New York and Los Angeles, earning $160,000 for a per-theater average of $40,000. With the LA theaters that first got platform releases, the Arclight Hollywood and Landmark Pico, both now closed, Focus has turned to the AMC locations in Century City and the Grove on Fairfax to release “Tár,” while releasing it at the Angelika and AMC Lincoln Square in New York.

Universal/Working Title’s Ticket to Paradise, the latest big-screen collaboration for Julia Roberts and George Clooney, has led the duo to a new milestone. Five films in which the mega-stars worked together have now grossed a combined $1B at the global box office. 

a factor? Yes, in certain parts of the country, I think it was a factor,” he said.In its opening weekend, “Bros” made just $4.8 million, despite a 3,500 screen wide release; most of that money came from New York, Los Angeles and San Francisco. On Sunday Oct.

EXCLUSIVE: One of the most honored documentaries of the year is heading to the very big screen.

Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.

EXCLUSIVE: eOne has struck a multi-year first-look deal with BAFTA-winning writer-director Paul Andrew Williams.

Graham McTavish is back in Scotland and sharing his love for the capital ahead of a special event this weekend.

Following the death of Queen Elizabeth II last month, not only were members of the royal family left navigating their own personal loss, but they were left dealing with a whole new series of changes. From King Charles III becoming monarch to Camilla becoming Queen Consort, many members of the family were given brand new titles immediately upon the late Her Majesty's passing.

New York University's firing of Professor Maitland Jones Jr., following student complaints about poor grades has lit a fuse under parents who say the lowering of academic standards in U.S. school is doing students no favors.

“Bros,” the Billy Eichner-fronted film tumbled at the box office on opening weekend. And Eichner – who also co-wrote the film with director Nicholas Stoller – puts the blame on straight people not showing up.“Rolling Stone already has ‘Bros’ on the list of the best comedies of the 21st century.

“Smile,” which was projected for an opening in the high teens against its $17 million production budget, actually saw a slight 4% increase in grosses from Friday to Saturday, beating industry estimates which had predicted a slight decrease after the film earned audience scores of B- on CinemaScore and a 69% positive rating on Comscore/Screen Engine’s PostTrak. While those scores could signal a more frontloaded box office run, the word-of-mouth among hardcore horror fans still seems to be running pretty strong and giving “Smile” a chance to match the $23.6 million opening of Universal/Blumhouse’s “The Black Phone” from earlier this year if Sunday numbers also beat projections.

Rebecca Rubin Film and Media Reporter Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone (in post-COVID times) for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a heavily therapized assassin named Ladybug. “Bullet Train” reached $101 million in domestic ticket sales on Friday, making it only the 14th release this year to hit that benchmark. With another $130 million at the international box office, the film has now earned $231 million in global ticket sales to date.

SATURDAY AM:Paramount and other studios are calling Smile at a $19M opening. In a deja vu to last weekend with New Line’s Don’t Worry Darling, another genre pic, this R-rated horror film has received a B- CinemaScore and a severe 69%/53% definite recommend on Comscore/Screen Engine’s PostTrak; a standard audience reaction for such fare. We see one studio calling Smile at $20M, and frankly with this audience score, and the front-loaded nature of horror films, only tonight will determine if this goes up. Last weekend, everyone got excited about the initial numbers they were seeing for Don’t Worry Darling, got over their skis and called the weekend at $20M on Saturday AM before it eased to $19.3M by Monday. Smile‘s Friday is $8.2M, which includes Thursday’s $2M previews.

eerily grinning fans at a baseball game or Eichner running down New York City streets with Paul Rudd and a pack of lesbians. For a comparison for “Smile,” Universal and Blumhouse’s “The Black Phone” from this summer, another original horror film, managed $3 million in its Thursday previews before opening to $23.6 million.

greeted with accusations of Islamophobia after its Sundance premiere from several Muslim and Arab filmmakers, Meg Smaker has told The New York Times that very few festivals have chosen to screen her film while she has struggled financially to promote it. “I don’t have the money or influence to fight this out,” Smaker said. “I’m not sure I see a way out.”“In my naïveté, I kept thinking people would get the anger out of their system and realize thisfilm was not what they said,” she added.

The dinosaurs have done it as Universal/Amblin’s Jurassic World Dominion crossed the $1B mark at the global box office with Thursday’s business included. It took a little while, but that shouldn’t diminish that this makes the Colin Trevorrow-directed installment one of only three films to the milestone since the beginning of the pandemic. It is the No. 2 film of 2022 behind Top Gun: Maverick.

Doctor Sleep‘s poor box office figures have ultimately ended Mike Flanagan’s hopes of releasing a second film based on The Shining, according to the director.Reports of a follow-up movie were reported back in November 2019, barely a week after the release of Doctor Sleep.The film was set to focus on the character of Dick Hallorann, played by Scatman Crothers in Stanley Kubrick’s 1980 Stephen King adaptation of The Shining, and Carl Lumbly in Doctor Sleep.“We were so close,” Flanagan tweeted. “I’ll always regret this didn’t happen.”In the comments section, Flanagan added that the film was cancelled because of Doctor Sleep’s box office performance.

Zack Sharf “Doctor Sleep” director Mike Flanagan confirmed on Twitter that a planned sequel to his 2019 “The Shining” prequel is officially dead. The filmmaker cited the dismal box office performance of “Doctor Sleep” as the main reason why Warner Bros. isn’t moving forward with a second “The Shining” prequel film, this one focused on the character of Dick Hallorann (played in Stanley Kubrick’s film by Scatman Crothers and in “Doctor Sleep” by Carl Lumbly.” “We were so close,” Flanagan wrote on Twitter about getting the Dick Hallorann movie made. “I’ll always regret this didn’t happen.” Flanagan also shared a fan-made poster for his scrapped second “The Shining” prequel. When asked by one user why his “Doctor Sleep” follow-up wasn’t going to be made, Flanagan responded, “Because of ‘Doctor Sleep’s’ box office performance, Warner Bros. opted not to proceed with it. They control the rights, so that was that.”

according to IMDB’s Box Office Mojo.Produced by and starring Viola Davis, The Washington Post called the film the actress’ “ultimate flex.” The drama, which cost $50 million to make, is projected to take in anywhere from $13.5 million to $22.5 million during its domestic debut, according to Forbes.Clubbing its way to second place was “Barbarian” which earned over $1.96 million. The horror-thriller, which Vogue said is one of “the best reasons to go to the movies right now,” tells the story of a young woman, played by Georgina Campbell, who discovers the remote home she booked on Airbnb was double-booked by a man, portrayed by Bill Skarsgård.