Netflix & Yash Raj Films On Track To Launch ‘The Railway Men’ In November

Naman Ramachandran Tatino Films, a French production and consultancy company involved in industry events in Asia and Europe, has teamed with Kazakhstan-based Alternativa Film Project and the Philippines’ QCinema Project Market for three film residencies. The partnership will yield two Pop Up film residencies called the Pop Up Alternativa Awards for filmmakers from Central Asia and one Pop Up QCFC (Quezon City Film Commission) x QCinema Award for Southeast Asian filmmakers to develop their upcoming film projects.

It’s that time of the year when Manchester city centre transforms into a Christmas wonderland. The Christmas Markets are finally up and running, welcoming hordes of shoppers to buy food, drink and presents from the picture perfect wooden huts.

Marta Balaga India Donaldson picked up the Polish Film Institute Award for her upcoming feature “Good One” at the American Film Festival in Wrocław, coming with a $50,000 cash prize for post-production in Poland. “It’s an affirmation of how we have been working and what we have been working towards,” Los Angeles-based Donaldson told Variety after the ceremony. “Good One” – presented during AFF’s industry event U.S.

Naman Ramachandran Stuart Gatt’s “Catching Dust,” which premiered at Tribeca earlier this year, will open the 54th International Film Festival of India (IFFI), Goa. Robert Kolodny’s “The Featherweight,” which bowed at Venice, will close the festival.

Naman Ramachandran Vijay-starring “Leo: Bloody Sweet” is the fifth highest grossing Indian film of the year with $72 million. Its director Lokesh Kanagaraj is now in high demand. The film got off to a winning start when it released in October, debuting in third position at the global box office with a $31.2 million weekend.

Sarvnik Kaur’s documentary Against The Tide won the Golden Gateway Award at this year’s Jio MAMI Mumbai Film Festival, while the Silver Gateway Award went to Bahadur – The Brave, directed by Diwa Shah. The Special Jury Award went to Kanu Behl’s Agra. 

Naman Ramachandran Sarvnik Kaur’s documentary “Against the Tide” has won the Golden Gateway Award at the Jio MAMI Mumbai Film Festival. The film previously won awards at Sundance, Sydney and Seattle. Diwa Shah’s San Sebastian winner “Bahadur: The Brave” received Mumbai’s Silver Gateway Award.

Paradise, directed by Sri Lankan filmmaker Prasanna Vithanage, is playing in the Icons: South Asia section of Mumbai Film Festival, fresh from its world premiere at Busan International Film Festival where it won the Jiseok Award.

Nick Vivarelli International Correspondent WestEnd Films has scored multiple sales, including to North America, on British director Patrick Dickinson’s drama “Cottontail,” which stars Japan’s Lily Franky (“Shoplifters”) and Ciaran Hinds. The film, first announced at the AFM in 2019, won the prize for best first feature last week at the Rome Film Festival, where it had its world premiere.

Zee-Sony Merger Back On Track

Naman Ramachandran Former Disney India head and leading producer Siddharth Roy Kapur has warned of some practices that could arise in making films for streamers. Delivering the keynote address at the Jio MAMI Mumbai Film Festival‘s Industry Connect Symposium on Monday, Kapur, who is currently basking in the success of International Emmy nominated series “Rocket Boys” for streamer SonyLIV, lauded the positives brought to the industry by the platforms but also pointed out the pitfalls.

Naman Ramachandran The ban by Indian regulator Securities and Exchange Board (SEBI) on Punit Goenka, MD-CEO of media giant Zee Entertainment Enterprises (ZEEL) has been lifted after an appeal. In June, SEBI barred Goenka and ZEEL chair emeritus Subhash Chandra from holding management positions in listed companies while SEBI carried out investigations into allegations of insider trading and fund siphoning. Goenka appealed the order with India’s Securities Appellate Tribunal (SAT).

Indian actress Priyanka Chopra Jonas talked about how she was warned away from doing female-centric films when working in Hindi cinema, as well as her ambitions to expand her portfolio in the U.S., in a  conversation with fellow Indian actress Bhumi Pednekar at Mumbai Film Festival today. 

Luminate, a provider of music and entertainment data, the Top 100 K-pop artists globally have racked up a total of 90.4billion streams across audio and video services so far this year.The figure is a 42.2 per cent increase as compared to the same period in 2022, with Japan having the high number of on-demand streams at 9.7billion, up from 8.6billion from the year prior.The US came in second with 9.2billion, a marked increase from 6.6billion in 2022. Rounding out the Top Five in terms of most on-demand streams are Indonesia (7.4billion), South Korea (7.3billion) and India (6.2billion).In its report, Luminate also broke down the regional composition of streams for a number of top K-pop groups.

Naman Ramachandran “Zende,” a feature documentary about supercop Madhukar Zende, who arrested the notorious Charles Sobhraj twice, will have its world premiere at the Jio MAMI Mumbai Film Festival. Produced by Dora Digs Studios and directed by debutant Akshay Shah, “Zende” is one of the first Indian feature documentaries to use artificial intelligence (AI) technology to recreate and regenerate some of Mumbai’s most iconic locations and moments in history.

Peter Debruge Chief Film Critic With “Leo,” Indian director Lokesh Kanagaraj adds another “badass” to the growing network of formidable action heroes he calls the “Lokesh Cinematic Universe.” How do we know this guy’s a badass? Because the Tamil film’s techno soundtrack tells us so, chanting “Leo Das is a badass!” before even establishing who Leo Das is. By this time, the character in question has already wrestled a wild hyena into submission with his bare hands.

Jordan Moreau The International Documentary Association announced the 17 feature-length and 25 short documentaries included on the shortlists for the 39th IDA Documentary Awards, which will be held during the week of Dec. 11in Los Angeles.

There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.

Killers of the Flower Moon,” by David Grann, which details how the Osage fell victim to a string of murders.One was killed with poisoned whiskey (there may have been more), others got shot and Bill and Rita Smith, a white man married to an Osage woman had their home blown up. The pure greed of it all was made evident when William King Hale (often referred to, simply, as King), a wealthy rancher who held considerable sway over Native Americans and whites alike, took out a $25,000 life insurance policy on an Osage man named Henry Roan. A doctor who examined Roan for the policy asked Hale if he planned on killing Roan.

Editor’s note: This interview was originally published on May 16 during the Cannes Film Festival. It is being rerun now to coincide with the film’s domestic release and interviews were carried out prior to the SAG-AFTRA strike.