Netflix's 'Texas Chainsaw Massacre' Director Talks Sequel Hopes, Says He Has Ideas Ready

Backed against the wall, Netflix wants a Texas District Attorney stopped from hitting the streamer with child pornography charges over the coming-of-age drama Cuties.

Gene Maddaus Senior Media WriterNetflix asked a federal court on Thursday to block a Texas prosecutor from pursuing child pornography charges against the streaming service for distributing the 2020 French film “Cuties.”Lucas Babin, the elected district attorney in Tyler County, Texas, indicted Netflix in September 2020, alleging that the film violates a state law against the “lewd exhibition” of children. The film portrays a children’s dance troupe, and sparked controversy in the U.S.

Melinda French Gates opened up about her divorce from Bill Gates in a jaw-dropping and emotional interview with Gayle King on “CBS This Morning.” According to the Philanthropist, “not one thing but many things” forced her to end her 27-year marriage.French Gates said among those things is the affair the business magnate had with an employee. “I certainly believe in forgiveness, so I thought we had worked through some of that,” she explained. “It wasn’t one moment or one specific thing that happened.

Jazz Tangcay Artisans Editor“Texas Chainsaw Massacre” cinematographer Ricardo Diaz knew he would pay homage to the original film while working on the 2022 sequel. Teaming with director David Blue Garcia and Mark Burnham, who plays the iconic movie slasher, Diaz took on recreating Leatherface’s famous dance… in one take.Diaz spoke with Variety about pulling off that feat in “Texas Chainsaw Massacre,” offering insight into the horror film’s cinematography.David Blue Garcia and I have a shorthand because of our years-long friendship — we went to film school together — and he also came up in the business as a cinematographer. We essentially speak the same language both technically and artistically.

EXCLUSIVE: The documentary film team at Netflix might be popping champagne corks together right about now, if Covid didn’t inhibit the whole in-person office scenario. They’ve got a lot to celebrate.

William Earl “The Texas Chainsaw Massacre” franchise is one of the few film series whose name alone could make squeamish folks ill. There’s no way to consider it without facing the blood, sinew and gore erupting from the weapon of choice of Leatherface, the cannibalistic killer who ties things together.

Texas Chainsaw Massacre is back!

In 1974, “The Texas Chainsaw Massacre” emerged as one of the most influential slasher movies of all time, and Leatherface entered the pantheon of horror villain greats. After the whopping success of Tobe Hooper’s original, seven films have continued its legacy of haunted houses, cannibal families, and yes, lots of chainsaws. Feb.

Wilson Chapman editorThe COVID-19 pandemic happened at an inconvenient time for Elsie Fisher’s career. The teen actor, who has been working professionally since she was five, had her breakthrough in 2018 as the lead in Bo Burnham’s hilarious and squirm-inducing “Eighth Grade.” A stint on season two of Hulu’s “Castle Rock” as the daughter of “Misery” villain Annie Wilkes followed, along with a voice role in the 2019 “Addams Family” adaptation. But just as she was lining up new projects for herself, quarantine happened, putting most of her plans on indefinite hold.Now, Fisher is making her belated return to film acting with “Texas Chainsaw Massacre,” the latest entry in the iconic slasher series and a direct sequel to the 1974 original.

Nearly 50 years after the original was released, Netflix is ready for a whole new generation to discover “Texas Chainsaw Massacre,” with a new sequel arriving today. And on this episode of The Playlist Podcast, filmmaker David Blue Garcia joins to talk about the latest entry in the history of ‘Chainsaw’ films.

A “Texas Chainsaw Massacre” movie made for 2022 is a low-expectation enterprise. Is it set in Texas? Is there a massacre? How about a chainsaw? Check the boxes, and off you go.

Netflix’s new “Texas Chainsaw Massacre” on my TV in broad daylight, with sunlight streaming through the windows and the comforting din of traffic below, and with the remote in my hand throughout, ready to hit “pause” to delay the really bad stuff.But things dragged and I got complacent, and sure enough, that pause button was too far away when I really needed it — a truly shocking moment I did not see coming. I won’t reveal when this moment arrives, but if your plan is to be saved by your own pause button, well, good luck!Despite that admirably executed shocker of a scene, though, the question does arise not long into this, the 10th movie in the “Chainsaw” oeuvre: Did we really need another? And sadly, given the lack of imagination, creativity or even basic attention to logic in a perfunctory and downright silly script, the answer seems a resounding “Nope.”Unless you just want to see a lot of chainsaw killing.

When I think of the Texas Chainsaw Massacre, gentrification, social media, and capitalism are not the words that come to mind. However, director David Blue Garcia and screenplay scribe Chris Thomas Delvin decided to bring all of these elements together to create the first entry on my worst of the year list.

definitely be important later is one massive oversight: This ghost town’s still got people in it. An old lady named Mrs.

Owen Gleiberman Chief Film CriticI’m all for bad horror movies with short running times. (It lessens the pain.) And there are classics of horror cinema that are notably compact, like the 1931 “Frankenstein,” with a twisty tumultuous plot that plays out in just 71 minutes, or the original 1974 version of “The Texas Chain Saw Massacre,” which achieved its slow-burn descent into the abyss in just 83 minutes.But the new, garishly crude, bluntly overlit, what-you-saw-is-what-you-get “Texas Chainsaw Massacre,” which in case you’re counting is the eighth “Chainsaw” movie since the original (you‘d need a serious flowchart to diagram where the sequels meet the reboots meet the origin stories meet the what-the-hell-let’s-just-do-this-again whatevers), achieves a running time of 82 minutes only because there simply isn’t much to it.

Jazz Tangcay Artisans EditorWayne Bell’s score for Tobe Hooper’s 1974 film “The Texas Chainsaw Massacre” is in a word unsettling. Bell and Hooper worked together to conjure up aural elements that mix creepy sound effects with a synth-heavy staccato married with a keyboard that brings the chainsaw to life.For Leatherface’s 2022 reboot, Colin Stetson came on board to craft an equally unnerving environment as the slasher returns.

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