‘Texas Chainsaw Massacre’ Film Review: Latest Sequel Delivers the Gory Goods

A royal surprise! Prince Harry left his Montecito mansion to attend a rodeo in Texas.

Prince Harry surprised many locals over the weekend when he was spotted at the Stockyards Championship Rodeo in Fort Worth, Texas. In a photo posted to social media, the 37-year-old Duke of Sussex is seen talking to several people at the annual event while wearing an olive green cowboy-like hat, and a gray shirt with the sleeves rolled up. Cindy Reid, the secretary of the Stockard Championship Rodeo, posted the pic on Monday, writing, «Where was Prince Harry Saturday night? Oooooh, just hanging out behind the bucking chutes at the Stockyards Championship Rodeo!!! Loooove it!!! Thank you for the visit!!»Harry appeared to be on his own for the outing, with his wife, Meghan Markle, and their two kids, Archie, 2, and Lilibet, 9 months, not pictured.A post shared by Cindy Reid (@cindyreid_stockyardsrodeo)This isn't Harry's only recent outing as he enjoys his new life in the United States. Last month, he attended Super Bowl LVI with his cousin, Princess Eugenie, at the Sofi Stadium in Los Angeles. «There's a lovely relationship there and I would imagine that it's an important relationship for Harry,» royal expert Katie Nicholl recently told ET of Harry and Eugenie.

Prince Harry is getting stuck in to American life.

st birthday that he’d give away most of his $25 million to anyone who asked — as a gift for the needy, a sign of rich-in-life contentment (he’d just gotten married), and a down payment on more love in a wartorn, unequal world.The largely forgotten story of the “hippie millionaire,” whose Scarsdale home, phone line, and Manhattan business address (all given out freely by Brody) were flooded with recipient hopefuls, is only part of the weird, wonderful, and woeful retelling that is Keith Maitland’s engrossing documentary “Dear Mr. Brody.” Maitland’s previous film “Tower,” which heart-stoppingly recounted the University of Texas campus killings in 1966, remains one of the best documentaries of the past decade, and as another imaginative slice of history, memory, and contemporary applicability, this one is a more than worthy follow-up.Even if you’re unfamiliar with this blip in the timeline of eccentric beneficence, paying attention to the last 50 years would tell you that Brody’s pie-in-the-sky mission to change the world didn’t pan out.

directive from Gov. Greg Abbott (R) ordering the state’s Department of Family and Protective Services to investigate parents of transgender children based on the presumption that they are allowing their children to receive gender-affirming medical care.Abbott issued the directive, which he justified by citing an opinion issued last week by Attorney General Ken Paxton (R) that stated that all forms of surgical and hormonal interventions for transitioning youth constitute “child abuse” because the medical treatments for gender dysphoria can cause “sterilization” and thereby violate a child’s fundamental right to procreation.But five district attorneys signed an open letter calling Abbott’s order “un-American” and an “egregious invasion of privacy.”“We are deeply disturbed by GovernorAbbott and Attorney General Paxton’s cruel directives treating transgender children’s access to life-saving, gender-affirming care as ‘child abuse,'” the letter, dated Feb.

Jazz Tangcay Artisans Editor“Texas Chainsaw Massacre” cinematographer Ricardo Diaz knew he would pay homage to the original film while working on the 2022 sequel. Teaming with director David Blue Garcia and Mark Burnham, who plays the iconic movie slasher, Diaz took on recreating Leatherface’s famous dance… in one take.Diaz spoke with Variety about pulling off that feat in “Texas Chainsaw Massacre,” offering insight into the horror film’s cinematography.David Blue Garcia and I have a shorthand because of our years-long friendship — we went to film school together — and he also came up in the business as a cinematographer. We essentially speak the same language both technically and artistically.

Lara Flynn Boyle made a rare public appearance on Wednesday night (Feb. 23). The Twin Peaks star had dinner at celebrity hotspot Craig’s in Los Angeles, Lara, 51, brought all the vibes with her outfit. The actress, who entertained fans as Helen Gamble during the late ’90s series The Practice, wore a pair of chic flared jeans, a black turtleneck top, and a jacket that was fringed from here to heaven. Lara channeled her “Urban Cowboy” motif down to her shoes and the snakeskin bag she carried into the restaurant.

William Earl “The Texas Chainsaw Massacre” franchise is one of the few film series whose name alone could make squeamish folks ill. There’s no way to consider it without facing the blood, sinew and gore erupting from the weapon of choice of Leatherface, the cannibalistic killer who ties things together.

Texas Chainsaw Massacre is back!

Texas Chainsaw Massacre is back with a new film that is streaming now on Netflix.

In 1974, “The Texas Chainsaw Massacre” emerged as one of the most influential slasher movies of all time, and Leatherface entered the pantheon of horror villain greats. After the whopping success of Tobe Hooper’s original, seven films have continued its legacy of haunted houses, cannibal families, and yes, lots of chainsaws. Feb.

Wilson Chapman editorThe COVID-19 pandemic happened at an inconvenient time for Elsie Fisher’s career. The teen actor, who has been working professionally since she was five, had her breakthrough in 2018 as the lead in Bo Burnham’s hilarious and squirm-inducing “Eighth Grade.” A stint on season two of Hulu’s “Castle Rock” as the daughter of “Misery” villain Annie Wilkes followed, along with a voice role in the 2019 “Addams Family” adaptation. But just as she was lining up new projects for herself, quarantine happened, putting most of her plans on indefinite hold.Now, Fisher is making her belated return to film acting with “Texas Chainsaw Massacre,” the latest entry in the iconic slasher series and a direct sequel to the 1974 original.

Nearly 50 years after the original was released, Netflix is ready for a whole new generation to discover “Texas Chainsaw Massacre,” with a new sequel arriving today. And on this episode of The Playlist Podcast, filmmaker David Blue Garcia joins to talk about the latest entry in the history of ‘Chainsaw’ films.

A “Texas Chainsaw Massacre” movie made for 2022 is a low-expectation enterprise. Is it set in Texas? Is there a massacre? How about a chainsaw? Check the boxes, and off you go.

Netflix’s new “Texas Chainsaw Massacre” on my TV in broad daylight, with sunlight streaming through the windows and the comforting din of traffic below, and with the remote in my hand throughout, ready to hit “pause” to delay the really bad stuff.But things dragged and I got complacent, and sure enough, that pause button was too far away when I really needed it — a truly shocking moment I did not see coming. I won’t reveal when this moment arrives, but if your plan is to be saved by your own pause button, well, good luck!Despite that admirably executed shocker of a scene, though, the question does arise not long into this, the 10th movie in the “Chainsaw” oeuvre: Did we really need another? And sadly, given the lack of imagination, creativity or even basic attention to logic in a perfunctory and downright silly script, the answer seems a resounding “Nope.”Unless you just want to see a lot of chainsaw killing.

When I think of the Texas Chainsaw Massacre, gentrification, social media, and capitalism are not the words that come to mind. However, director David Blue Garcia and screenplay scribe Chris Thomas Delvin decided to bring all of these elements together to create the first entry on my worst of the year list.

Owen Gleiberman Chief Film CriticI’m all for bad horror movies with short running times. (It lessens the pain.) And there are classics of horror cinema that are notably compact, like the 1931 “Frankenstein,” with a twisty tumultuous plot that plays out in just 71 minutes, or the original 1974 version of “The Texas Chain Saw Massacre,” which achieved its slow-burn descent into the abyss in just 83 minutes.But the new, garishly crude, bluntly overlit, what-you-saw-is-what-you-get “Texas Chainsaw Massacre,” which in case you’re counting is the eighth “Chainsaw” movie since the original (you‘d need a serious flowchart to diagram where the sequels meet the reboots meet the origin stories meet the what-the-hell-let’s-just-do-this-again whatevers), achieves a running time of 82 minutes only because there simply isn’t much to it.