Netflix and Disney+ Lead as Taiwan Adds SVOD Subscribers in Third Quarter – Study

Netflix will showcase a collection of short films chosen by Wes Anderson. On Dec. 9, the Aero Theatre will show Anderson’s “The Wonderful Story of Henry Sugar” and “Ready, Steady, Zoom” at 12 p.m.

Patrick Frater Asia Bureau Chief Leading Korean star Jung Woo-sung (“A Moment to Remember”) will star opposite Shin Hyun-been (“Hospital Playlist”) in “Tell Me That You Love Me,” an original series for Genie TV. The show is a remake of the hit Japanese series of the same name that first aired at Tokyo Broadcasting Systems linear channel in Japan some 28 years ago in 1995. The new show will upload to Genie’s own streaming service on Nov. 27 and the same day in Japan on Disney+.

Patrick Frater Asia Bureau Chief Mystery-horror film “Five Nights at Freddy’s” landed on top of the South Korean cinema box office. But fellow new release title “The Hunger Games: The Ballad of Songs and Snakes” managed only a fourth placed start. “Five Nights” earned $1.78 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council.

Pain Hustlers trailer has arrived with Emily Blunt and Chris Evans leading the cast of the new Netflix film, arriving on the streaming service soon. David Yates (director of some of the Harry Potter films and the more recent Fantastic Beasts series) is helming this.

Patrick Frater Asia Bureau Chief The fourth running of the Taiwan Creative Content Fest (aka TCCF) wrapped on Friday with the award of some 30 prizes to film and TV projects in five sections. The prizes followed three and a half days of one-on-one meetings and pitching within the context of the TAICCA-backed project, innovation and rights sales market.

Patrick Frater Asia Bureau Chief Taiwanese production companies DaMou Entertainment and KOKO Entertainment unveiled a starry local cast for “Fired Up,” their Taiwan remake of hit Korean series “Itaewon Class.” At an event held within the Taiwan Creative Content Fest (TCCF) on Thursday, the two companies also confirmed plans for a second season of “The World Between Us,” a 2019 drama series that premiered on Taiwan’s Public Television Service and regional streamer Catchplay. “Fired Up” will star Mandarin-language pop star Eric Chou, Golden Horse Film Award nominee Angela Yuen, Shao Yu-wei, Huang Guan-zhi, Cosmos Lin, Ben Wu and Sean Lin in leading roles. The show is co-directed by kao Pin-chuan and Tseng Ying-ting, working from a script headed by Chien Li-ying (“Wave Makers”). “Itaewon Class” is a story about an ex-convict who sets up his own business after release from jail.

Patrick Frater Asia Bureau Chief France and Taiwan on Thursday signed a wide-ranging agreement to enable their film and TV industries co-operate on a higher level. At a signing ceremony in Taipei at the Taiwan Creative Culture Fest (TCCF) convention, government representatives of both territories stressed shared values at the political level and in the audiovisual sphere.

Patrick Frater Asia Bureau Chief Adele Lim, the screenwriter behind “Crazy Rich Asians” and Disney’s “Raya and the Last Dragon” animation, says that the opportunities for Asian filmmakers are growing as Hollywood is becoming more receptive to international talent. “[In Hollywood] I felt that I was disadvantaged, coming from Malaysia. It is not the cultural nexus,” said Lim, whose infancy was in Malaysia, before her family moved to the U.S.

EXCLUSIVE: Anya Chalotra (The Witcher), Chloe Cherry (Euphoria) and Ralph Ineson (The Green Knight) are set to lead the ensemble cast of indie feature Two Neighbors from debut feature director Ondine Viñao. The project has received a SAG-AFTRA Interim Agreement.

Patrick Frater Asia Bureau Chief CJ ENM Hong Kong, a unit of South Korea’s CJ ENM, has signed a memorandum of understanding with the Taiwan Creative Content Agency (TAICCA), Far EasTone Telecommunications (FET) and local TV network – TVBS to launch a multi-year content fund that would support the co-production and joint distribution of audiovisual content. The “strategic alliance” combines assets including production, distribution and marketing, media networks and technology.

Patrick Frater Asia Bureau Chief Japanese entertainment conglomerate Kadokawa is seeking to double its international revenues through a strategy of diversification and localization. Taiwan is expected to be a key plank in the outreach, executives at the Taiwan Creative Content Fest (TCCF) heard on Tuesday. “Currently 20% of Kadokawa’s revenues come from outside Japan. I want to get this figure to 40%,” said Natsuno Takeshi, CEO Kadokawa Corp. Kadokawa has its roots in publishing of comics and other fiction and also has deeply-established roots in film production and distribution.

Patrick Frater Asia Bureau Chief A trio of ministers, accompanied by a fleet of senior industry names, were on hand Tuesday in Taipei to give their official blessing to the opening of the fourth running of the Taiwan Creative Content Fest (TCCF) – and to underline the Taiwan government’s investment in soft power. Cheng Wen-tsan, VP of the [government executive branch] Executive Yuan, Taiwan’s Minister of Culture, Shih Che, and a minister without portfolio were accompanied by Chunghwa Telecom’s chairman, Kuo Shui-Yi, head of TAICCA Homme Tsai and Dominique Boutonnat, president of France’s National Center of Cinematography and the Moving Image, on stage at the Songshan Cultural and Creative Park, a former-tobacco factory site that has since been redeveloped. “Nowadays we are investing not only in semiconductors and heavy industry, but also in media and content,” said Cheng. He confirmed that some NT$10 billion ($310 million) of government funding has been approved for the “1 Plus 4T Content Plan” and will be released over four years. In a classic example of public-private partnerships, state cash is being supplemented by further financial commitments from Taiwan’s three major cable-telecoms-internet groups through deals signed last week with Taiwan Creative Content Agency (TAICCA).

Patrick Frater Asia Bureau Chief Screenworks Asia, the production subsidiary of Taiwan-based streaming platform Catchplay, has set two series to release early next year. “Not A Murder Story” follows a wannabe actor who finally gets a chance of success. And when he wakes up with a dead woman besides him, he is determined not to let it stand in his way.

Patrick Frater Asia Bureau Chief Unscripted queer reality dating series “Boys Like Boys” is to air on Warner Bros. Discovery’s TLC channel in Taiwan in early 2024, making it the first local LGBTQ+ dating reality show to air on linear TV in the territory. The show is an original production by GagaOOLala, Asia’s out and proud LGBTQ+ streaming service, which is pitching an expanded array of queer content at the Taiwan Creative Contents Fest (TCCF) that launches Tuesday in Taipei. “Boys Like Boys” had its premiere at the Kaohsiung International Film Festival and is now available worldwide on GagaOOLala and WeTV in the Philippines and Thailand, where the ‘Boys Love’ genre has become highly popular.

Patrick Frater Asia Bureau Chief TAICCABOSSAs Taiwan seeks for creative, industrial and political reasons to make a bigger mark for itself on the international stage, its Taiwan Creative Content Fest is diversifying, expanding and making greater efforts at cross-border outreach. Homme Tsai, chair of industry support body TAICCA spoke outline the event’s strategy and novelties in a conversation with Variety. What are the objectives of the Taiwan Creative Content Fest? The TCCF is an international event for content licensing and project investment.

Patrick Frater Asia Bureau Chief “The Boy and the Heron” supposedly the final feature film by Japanese animation maestro Miyazaki Hayao, placed on top of the south Korean box office for a second weekend. It held off challenges from a clutch of new releases, including “Taylor Swift: The Eras Tour” and “Talk to Me.” “The Boy and the Heron” collected $2.49 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Warner Bros. Discovery, Taiwan Mobile and the Taiwan Creative Content Agency have signed a multi-year memorandum of understanding to create and distribute Taiwanese original content locally and across international markets. The MOU, signed in advance of next week’s TCCF event, combines the expertise and reach of the three companies to develop, produce and distribute local IP and content for both local and global audiences.

Producers and animators behind Netflix and Disney's latest releases are giving special talks at Manchester Animation Festival (MAF) this November.

K.J. Yossman Bella DeLong (“The Winchesters”) and Amber Janea (“A Predator Returns”) have been cast in Andy Fickman’s upcoming horror feature “Blue Light.” Daryl Tofa (“Two-Bit”), Ana Zambrana (“La Traición en la Amistad”), Crystal Lake Evans (“Hightown”), Jarrett Brown (“Colin in Black and White”), John Bucy (“Frasier”) and Finley Rose Slater (“Playing with Fire”) round out the cast. “Race to Witch Mountain” and “Anaconda” helmer Fickman directs the film, which “follows a group of friends on a road trip who soon realize something terrifying and unworldly is threatening their lives.” It is apparently based on “true and and terrifying unexplained events.” The feature, which is set to premiere at AFM, has already sold to Germany (Lighthouse Home Entertainment), India (VR Films and Studios), the Middle East (Eagle Films Middle East) and Poland (Media4Fun).

LOAF podcast. “Nobody.” According to Barker, her mental health began to deteriorate while filming the show’s first season, saying that her character’s isolation — due to a scandalous pregnancy — began to take a toll on her in real life.