‘Nelly & Nadine’ Director Magnus Gertten Discusses His Berlin Doc

This Much I Know to Be True, the latest feature from Andrew Dominik which recently debuted at the Berlin Film Festival, has been set for a May theatrical release by Trafalgar Releasing.

Jamie Lang SF Studios has announced that the 2021 Berlin Generation Kplus player “Nelly Rapp: Monster Agent” is getting a sequel. The original was a hit among kids and parents alike in its native Sweden and won a pair of Swedish Guldbagge Awards. Based on Martin Widmark’s popular children’s books of the same name, the film features rising star Matilda Gross as the titular Nelly, a young girl who, along with her dog London, are dragged into a world of ghosts, vampires and werewolves.Johan Rosell will direct with Jon Nohrstedt and Niklas Larsson producing for SF Studios.

The Sole family grows peaches. Round white peaches ripen first; then the flat white peaches that supermarkets like; then yellow cling peaches. Their farmhouse is surrounded by the plantation they have tended for three generations, promised to them in perpetuity by the current owner’s great-grandparents during the Civil War. Memories are long in their corner of Catalonia. Nobody remembers a time before peaches. Harvesting determines the rhythm of their rumbustious family life. When the fruit ripens, it’s all hands on deck.

Emiliano Granada Colombian-Canadian director Lina Rodríguez’s third feature, “My Two Voices”,  a 68 min documentary that through its short runtime  artfully orchestrates a polyphony of emotions, colors, textures and voices in its portrayal of three immigrant women.Produced by Canada’s Rayon Verde, the same production company behind her previous film “This Time Tomorrow,” Rodríguez’s meticulous approach interweaves the voices of Claudia Montoya, Marinela Piedrahita and Ana Garay Kostic as they share their experiences of immigrating to Canada. Energized by a rich soundscape, the film achieves a deep intimacy, while refusing to draw borders, between spaces, between voices, between there and here, who I was and who I am, between I and Us.

Holly Jones Set in Costa da Caparica, Portugal, amidst the 2008 economic crisis, “Vanda” – which screened at Berlin Film Festival’s European Film Market – tells the true-to-life story of distressed hairdresser turned unlikely criminal Dulce Caroço.Our titular character, played by Gabriella Barros (“Al Berto”), is introduced as she lies on the floor, vacant-faced, smoking a cigarette. Moments later, we see her doused in disguise, a blond wig and oversized sunglasses.In this hour-long, crime-heist episodic, created by Patrícia Müller (“Madre Paula”) and directed by Simão Cayatte (“A Viagem”), Vanda goes from surviving to destitute in a matter of scenes.

Ben Croll To follow-up his 2016 debut “Marija,” Swiss filmmaker Michael Koch set his sight skyward, fixing his vision on a remote Alpine farming community both untouched and victim to time. The filmmaker immersed himself in that world, working with village locals, collecting stories and living off the land, and would then channel those experiences into his sophomore feature.Now premiering in competition in Berlin, “A Piece of Sky” follows a taciturn farmhand, Marco (Simon Wisler), and a single mother, Anna (Michèle Brand), who find strength in each other as they build a life in the punishing Alpine range.

Jamie Lang AMC Networks’ genre-focused streaming platform Shudder has acquired the rights to horror maestro Gustavo Hernández’s “Virus: 32” in the U.S., Canada, Australia, New Zealand and the U.K.The deal was closed between Shudder and Pip Ngo from XYZ, CAA Media Finance and Juan Torres from Latido Films. Spanish sales powerhouse Latido is selling the film and has been showing it to buyers at this year’s European Film Market.A high-profile title to track since it was first unveiled at the virtual Cannes Market in 2020, “Virus: 32” stars Paula Silva (“In the Quarry”) and former Berlin Silver Bear winner Daniel Hendler (“Lost Embrace”) in a story about a rapidly spreading virus which transforms people into intelligent, ultra-violent, extra-fast zombie hunters.

Emilio Mayorga Carla Simón’s first feature “Summer 1993” was a knockout; a Generation Kplus and Best First Feature award winner at the 2017 Berlinale and Spain’s 2018 Oscars submission, winning three Spanish Academy Goya Awards. The director has since become a reference within a new wave of Catalan women filmmakers that have broken out to considerable box office and festival success.Now, Simón competes in Berlin’s main competition with her sophomore effort “Alcarràs,” exploring her own roots through her adoptive mother’s family.Set in the so-called Catalan Far West, in a small village near Lleida, the film is shot entirely using non-professional actors.

Holly Jones By way of improvisation, relying heavily on events to naturally develop, Argentine filmmaker Gastón Solnicki presents a meandering ode to the city of Vienna, its customs, cultures, facades, and the near-sacrilege of enacting a smoking ban in cafes city-wide.In, “A Little Love Package,” two main protagonists become the vehicles through which the minutiae of everyday life in Vienna unfolds. Experimental aural and visual cues present themselves as Angeliki (Angeliki Papoulia) and Carmen (Carmen Chaplin) seek the perfect apartment in a city suspended in time.Produced by Little Magnet Films, out of Austria, and Solnicki’s Argentine production company, Filmy Wiktora, “A Little Love Package” is the fifth cinematic feature for Solnicki, whose entire catalog was recently acquired by MOMA.

Nick Vivarelli International CorrespondentItalian multi-hyphenate Nicolò Bassetti is an urban planner and director, whose doc “Into My Name,” screening in Berlin’s Panorama Documentary section, provides an eye-opening look at the universal challenges of gender transition.The doc features Nico, Leo, Andrea, and Raff, whose ages span from their mid-20s to mid-30s, and come from different parts of Italy. They start their gender transition at different times in their lives within a tight-knit group of friends in the central Italian city of Bologna.“Into My Name,” which is being supported by Elliot Page, stems from Bassetti’s personal experience with the gender transition of his child, Matteo.

EXCLUSIVE: Shooting upcoming Netflix pic Against The Ice was no straightforward task, as its stars and director reveal to Deadline in a first interview as a trio.

Elsa Keslassy International CorrespondentAudrey Diwan, the BAFTA-nominated filmmaker of the Venice Golden Lion-winning “Happening,” is set to make her television debut with Haut et Court TV in France, Variety has learned.Haut et Court TV is one of France’s leading production companies with credits ranging from the supernatural drama series “The Returned,” to “Panthers” with Tahar Rahim and more recently “Possession.”Diwan is currently writing the series, which will be an original story about a mother and daughter running a plastic surgery clinic. The plot is under wraps but the series will be similar to “Happening” in that it will deal with women’s relationships to their bodies.

Ben Croll When developing films like 2008’s “Home” and 2012’s “Sister,” French-Swiss director Ursula Meier began by focusing on geography, imaging what stories may spring from a forgotten stretch of highway or how a remote mountaintop might shape the lives of those living upon it. But when she began work on “The Line,” which premiered on Friday at the Berlin Film Festival, the filmmaker had a different terrain in mind.“The setting for this film would be the character’s body,” Meier tells Variety.

Nick Vivarelli International CorrespondentChiara Bellosi, whose first work, “Ordinary Justice,” launched from Berlin’s Generation 14plus section in 2020, is back with “Swing Ride” (“Calcinculo”) about an overweight 15-year-old named Benedetta pining for attention in an Italian province where she falls in love with the skinny non-binary Amanda.A key difference between the two films is that while “Ordinary Justice,” which examined the lives of two families on opposite sides of a murder case, originated from a deeply researched screenplay that Bellosi wrote, “Swing Ride” — premiering in Panorama on Feb. 13 — stems from a prizewinning script proposed to her by Carlo Cresto Dina, her producer, who also discovered Alice Rohrwacher (“Happy as Lazzaro”) and is known for nurturing the cream of Italy’s new cinematic crop.   “It’s a very different process; it was the first time that I had to start from a world that didn’t germinate from me,” said Bellosi about working from the script penned by Maria Teresa Venditti and Luca De Bei that won Italy’s prestigious Solinas prize in 2018.It was like moving into a new house that she had to make her own, she said.“I worked with the writers; I wanted to make a few tweaks and we did that together,” she added, noting that initially “it was a leap into the void.” But directing from their screenplay actually ended up giving her “more freedom” than her previous pic because “the container is already there; but you can go pretty wild with the rest.”This freedom also made it more fun.

Manori Ravindran International EditorMia Wasikowska will take on the lead role in “Little Joe” director Jessica Hausner’s cult thriller “Club Zero,” Variety can reveal.The Australian actor will portray an unusual schoolteacher in Hausner’s second English-language film, which begins shooting in the U.K. and Austria in July.Wasikowska was most recently seen in Mia Hansen-Løve’s Cannes-premiering film “Bergman Island.”In “Club Zero,” Wasikowska’s teacher takes a job at an elite school and forms a strong bond with five students — a relationship that eventually takes a dangerous turn.Discussing the film at the Doha Film Institute’s Qumra event last year, Hausner described the film as “a lot about eating,” relating to eating disorders and “eating behaviors.” This will be Hausner’s sixth feature.

A gripping new crime documentary on Netflix has captivated viewers around the world as subscribers have been left astounded by the fraudulent actions of The Tinder Swindler, Simon Leviev.

Nick Vivarelli International CorrespondentTel-Aviv-based Cinephil, the sales company behind triple-Oscar nominated “Flee,” has snapped up world rights, excluding U.S., to Italian director Nicolò Bassetti’s transgender-themed doc “Into My Name,” which is executive-produced by Elliot Page.UTA Independent Film Group will be handling North American rights. The buzzy doc, which world-premieres at the Berlin Film Festival in the Panorama Documentary section, stems from Bassetti’s personal experience with the gender transition of his child, Matteo.“Into My Name” provides an intimate look at the universal challenges of gender transition by observing a tight-knit group of trans friends in the central Italian city of Bologna. Cinephil managing director Olivier Tournaud in a statement said that he was “immediately taken” by Bassetti’s “sensitive and relatable exploration of the many facets of gender and even more so the love letter from a father to his son.”“Into My Name is timely and spotlights voices that need to be heard; this is exactly the kind of film Cinephil is proud to represent,” Tournaud noted.Bassetti underlined that for him the doc “is a deeply personal project, both as a parent of a transgender son and as a director who has always explored individual paths that show our shared humanity.” “I trust that together with a strong partner such as Cinephil, we can add to the awareness and understanding of trans issues with international audiences,” the director said.The doc’s characters, Nico, Leo, Andrea and Raff — whose ages span from their mid-20s to mid-30s — come from different parts of Italy, and started their gender transition from a female to a male identity at different times in their lives.

here. “There have been many words to describe Dionne Warwick, however, for me, it comes down to one word: ‘genius,’” Wooley said.

Manori Ravindran International EditorIn a year when a festival darling like Ryûsuke Hamaguchi’s “Drive My Car” was able to garner four Oscar nominations, including best picture, questions for the Berlin Film Festival jury — which includes Hamaguchi — centered on the role of film festivals in connecting both arthouse and mainstream audiences.Declaring that he “felt like a kid” at the Berlinale, where his jury will be watching 18 films in all, M. Night Shyamalan sat beaming next to Hamaguchi, who is fresh off his Oscar nomination for best director earlier this week.

Alissa Simon Film CriticFor his sophomore feature, “Beautiful Beings,” playing in the Berlin Film Festival’s Panorama, Icelandic helmer-writer Gudmundur Arnar Gudmundsson returns to the subject of his prize-winning first feature “Heartstone” (2016): fraught adolescent friendships and difficult family lives. In “Beautiful Beings,” a horrendously bullied youth forms a tentative rapport with a trio of tough outsiders. Together, the boys experiment with aggression and violence, but also learn about loyalty and love.The action is captured with a shooting style that blends naturalism and lyricism, using mostly first-time young actors.