Cinephil Takes World Sales on Elliot Page-Supported Transgender-Themed Doc ‘Into My Name’ (EXCLUSIVE)

This review of “Page One” was first published on January 24, 2011 after the film’s premiere at the Sundance Film Festival.  It’s kind of weird for me to watch “Page One,” a year-long chronicle of my former colleagues on the media desk of The New York Times and their struggle to produce journalism in this most challenging of times.The film, which starts around the time I started TheWrap in 2009 after having left the paper, is kind of like watching the conversation continue in the room after you’ve walked out.On the one hand, the film directed by Andrew Rossi does an able job of documenting the critically important role that the Times continues to play in news-gathering and dissemination – and why it can be so damn exciting to be there.On the other hand, the film gives a rather superficial assessment of what everybody really wants to know: Will the Times make it, or not? Can the newspaper of record change fast enough, dramatically enough, to adjust to an upside-down business model?That he doesn’t answer.In 2008, the Times cut 100 jobs, borrowed $250 million and re-leased its building. In 2009, it cut another 100 jobs.It is distinctly odd to hear someone say on film exactly what I felt at that tie: “The mood is funereal.” And, I might have added, not conducive to doing great journalism.The team on which he focuses includes heroically smart and dedicated journalists – David Carr, Brian Stelter, Bruce Headlam (proud to say I’ve worked with two of them, hope one day to work with the third) who make up much of the media desk.The challenge of the media desk is even more profound – to chronicle the potential demise of an industry of which you are a part.

Zack Sharf Sam Elliott railed against Jane Campion’s “The Power of the Dog” during his visit to Marc Maron’s “WTF” podcast (via Insider). Campion’s drama is nominated for 12 Oscars, more than any film this year. Benedict Cumberbatch stars as a sadistic rancher who makes life hell for his new sister-in-law and her son in 1925 Montana.

Elliot Page is speaking out after Texas officials declared gender-affirming surgeries among youth would be classified as “child abuse”.

Elliot Page is speaking out.

After Texas Governor Greg Abbott gave a direction to the state’s Department of Family and Protective Services to order investigation of parents of transgender children who have received gender-affirming surgeries as child abuse, numerous celebrities have spoken out against the action. Now, stars like Ariana Grande, Demi Lovato, and more are jumping on board, noting their condemnation of the action and standing up for trans rights.

Zack Sharf Elliot Page is “horrified” by Texas government officials declaring that medical care for transgender youth is child abuse. The “Juno” actor spoke out after Texas Attorney General Ken Paxton proclaimed Monday that hormone therapy, puberty blockers and other types of gender-affirming health care for trans youth are forms of chid abuse.“There is no doubt that these procedures are ‘abuse’ under Texas law, and thus must be halted,” Paxton said in a news release.

Elliot Page is sharing his personal experience, announcing the release of his upcoming memoir ‘Pageboy,’ which is set to be published in 2023 and will delve into his emotional journey.Flatiron Books has revealed more details about the book, and readers can expect to gain more insight into “Page’s relationship with his body, his experiences as one of the most famous trans people in the world,” sharing his thoughts on different topics, including “mental health, assault, love, relationships, sex, and the cesspool that Hollywood can be.”The 34-year-old star of ‘Umbrella Academy’ made history, becoming the first openly trans man to be on the cover of Time Magazine, declaring at the time that he was “anticipating a lot of support and love and a massive amount of hatred and transphobia.”Elliot is also known for his activism, constantly spreading awareness and fighting for equality. He previously described his journey as “not only life-changing but lifesaving,” and responded to political attacks against the trans community.“We know who we are,” he explained, “people cling to these firm ideas [about gender] because it makes people feel safe.

EXCLUSIVE: His reps declined to comment, but word in publishing circles is that Elliot Page’s memoir Pageboy sold to Flatiron Books for north of $3 million. The deal was made based on a 49 page proposal shopped by UTA. Deadline read the document, and it sounds like Page has a truly compelling story to tell about a long struggle to find himself amidst a torrent of homophobic hatred, not only in his hometown of Halifax, Novia Scotia but also in Hollywood where Page first came to fame as an Oscar nominee for Juno. Before he transitioned, Page describes numerous occasions where he was set upon by homophobic bullies, with few willing to help. A beer thrown at Page in Toronto, a menacing loudmouth chasing Page into a restaurant in Hollywood, this was something that happened often to the diminutive Page. The loathsome industry people in Hollywood weren’t named, but there was the male film director who tried to seduce Page at age 16; and the time that a big movie star — who would later say he was ossified and blacked out in a clumsy apology — berated Page at a party in an outrageous homophobic rant. This was just after Page — then known as Ellen — had come out as queer. The actor accused Page’s bold announcement of being false. “You aren’t gay. You are just afraid of men…I’m going to fu*k you to make you realize you aren’t gay.” As the torrent grew louder and more graphic, nobody in the room, even Page’s closest friends, stood up for their friend. It was unclear if they were shocked, or afraid to say anything because the actor was one of the biggest stars in town.

Elliot Page is working on a memoir, in which he will write about everything from his Oscar-nominated film career to becoming a prominent transgender person.

becoming a prominent transgender person.Flatiron Books announced Thursday that “Pageboy” will be published next year.“The memoir will delve into Page’s relationship with his body, his experiences as one of the most famous trans people in the world, and will cover mental health, assault, love, relationships, sex, and the cesspool that Hollywood can be,” according to Flatiron.The 34-year-old Page, who came out as transgender in 2020, is known for such films as “Juno” and “Inception.” He currently stars in the Netflix series “The Umbrella Academy.” Season 3 will premiere sometime in 2022.

Brent Lang Executive Editor of Film and MediaReese Witherspoon’s Hello Sunshine has forged a storytelling partnership with World of Women (WoW), the NFT collective that is cracking open the male-dominated world of crypto currency while celebrating inclusivity and equality. World of Women launched in July 2021 with some 10,000 artworks from women creators, quickly becoming one of the most popular and profitable purveyors of non-fungible tokens.As part of the partnership, Hello Sunshine will build out the World of Women character universe and franchise into entertainment properties including feature films, scripted and unscripted TV series.

Elliot Page is telling his story.

Nick Vivarelli International CorrespondentItalian multi-hyphenate Nicolò Bassetti is an urban planner and director, whose doc “Into My Name,” screening in Berlin’s Panorama Documentary section, provides an eye-opening look at the universal challenges of gender transition.The doc features Nico, Leo, Andrea, and Raff, whose ages span from their mid-20s to mid-30s, and come from different parts of Italy. They start their gender transition at different times in their lives within a tight-knit group of friends in the central Italian city of Bologna.“Into My Name,” which is being supported by Elliot Page, stems from Bassetti’s personal experience with the gender transition of his child, Matteo.

Kia‘s commercial featuring a Robo Dog is already one of our favorite ads of the year!

Nick Vivarelli International CorrespondentRAI Com is launching sales at the online EFM on Giuseppe Piccioni’s Fascist-era drama ‘L’Ombra del giorno,” starring Italian A-lister Riccardo Scamarcio (“Three Floors”) and Benedetta Porcaroli (“Baby,” “The Catholic School”).Pic, which Scamarcio produced, is a love story with a thriller twist set in 1938, two years before Italy entered World War II. It unfolds entirely in the central Italian town of Ascoli Piceno, a hidden gem with gorgeous medieval monuments, churches and piazzas.The film’s title translates as “The Shadow of the Day,” a reference to the darkness of Fascism.Luciano (Scamarcio), a wounded World War I veteran and a sympathizer of Fascism like most Italians at the time, runs a classy restaurant overlooking the town’s ancient square.