Mubi Seals Multi-Territory Deal For Sofia Coppola’s ‘Priscilla’ Ahead Of Venice Premiere

Nick Vivarelli International Correspondent Emmy-nominated “The White Lotus” star Sabrina Impacciatore will play the Venice Film Festival’s master of ceremonies in the upcoming second season of the Italian version of “Call My Agent,” which will also feature a cameo by Venice artistic director Alberto Barbera. Impacciatore, wearing a red gown, disembarked from a water taxi at the Excelsior Hotel pier on the Venice Lido on Saturday welcomed by Barbera, as cameras rolled for a key scene in the show.

Amy Schumer turned a recent photo of herself into a meme to express how she feels about actors attending film festivals amid the ongoing SAG-AFTRA strike.

Priscilla Presley is opening up about her and Elvis’ controversial age gap… But is she really telling the truth? Or trying to clean up history??

Priscilla Presley has insisted that she “never had sex” with Elvis when the pair first met when she was 14.The late icon was 24 when he first met his future wife in Germany in 1959, with the pair marrying seven years later in 1967 when she was 21.Speaking at press conference at the Venice Film Festival for the premiere of Sofia Coppola’s new biopic, Priscilla which depicts their relationship, Presley said Elvis never took advantage of her, despite their age gap of 10 years when they first met.“It was very difficult for my parents to understand that Elvis would be so interested in me and why,” she said, via Variety. “And I really do think [it was] because I was more of a listener.“Elvis would pour his heart out to me in every way in Germany: his fears, his hopes, the loss of his mother – which he never, ever got over. And I was the person who really, really sat there to listen and to comfort him.

The tears flowed for Priscilla Presley following the world premiere of Sofia Coppola’s biopic, “Priscilla”, in Venice on Monday.

Priscilla Presley is addressing the age gap between her and her late husband, Elvis Presley.

Sofia Coppola’s Priscilla got a rousing response at its world premiere at the Venice Film Festival on Monday evening. The pic, a biopic of Priscilla Presley, who was in attendance for the move based on the memoir she co-authored, scored a 7-minute, 45-second ovation.

Priscilla Presley was all shook up at the Venice Film Festival premiere of “Priscilla.” The subject of Sofia Coppola’s drama wiped away tears from her face on Monday night in Italy as the audience on the Lido exploded in a 7-minute standing ovation for the A24 indie film. Coppola and Presley attended the premiere alongside Cailee Spaeny and Jacob Elordi, who star as Priscilla and Elvis. The actors were granted a SAG-AFTRA waiver to promote the film amid the strike.

Owen Gleiberman Chief Film Critic The last time Sofia Coppola made a movie about a teenage royal living in a rococo palace that turned out to be a lavish prison, it was 2006, and the movie, “Marie Antoinette,” was a stylized dream of history — the story of the young queen as naïve and isolated rock star. Coppola’s new movie dramatizes the relationship between Priscilla and Elvis Presley, and the parallels with the earlier film are there if you want to see them.

Priscilla Presley is speaking out about her controversial relationship with Elvis Presley when she was 14.

The devil is in the details. Pink-nailed toes scrunching on a pink carpet; a packet of false eyelashes; piles of chips in a Vegas casino; the pills. Always the pills: squeezed in a palm that opens to reveal its little white prize; lined up in bottles on the bedside table; slipped into a pocket on the way to school. “Maybe the pills are too much,” ventures Priscilla Beaulieu to her boyfriend Elvis Presley, after one of his flares of temper where she just manages to dodge his fist. “I have doctors looking after me,” he growls. “I don’t need a second opinion.”

The most powerful aspect of Sofia Coppola’s “Priscilla,” premiering in Competition at this year’s Venice Film Festival, is in the title: to focus on Priscilla Presley, née Wagner, formerly Beaulieu, is to show a side of a marriage and of the King himself less familiar than and in some ways different from the romantic popular legend. But Coppola’s film does much more than simply show us the facts of how a fourteen-year-old girl gets to become the girlfriend and then wife of one of the biggest artists of all time.

Although she wasn’t seated at the dais this afternoon, and rather in the audience, Priscilla Presley loomed large over the Venice press conference for Sofia Coppola’s film, Priscilla, which screens in competition here tonight. 

Fremantle kicked off its presence at the Venice Film Festival with a bang this year with the announcement of its new €150M ($162.7M) Scripted Fund forged in partnership with Israel-based IBI Investment House. 

Ellise Shafer Though Priscilla Presley was not initially part of the Venice Film Festival press conference to discuss Sofia Coppola’s biographical drama about her relationship with Elvis Presley, she jumped in on the conversation when asked what it was like to see her life portrayed on screen. “It’s very difficult to sit and watch a film about you, about your life, about your love,” Priscilla Presley began as tears welled in her eyes. After taking a moment to collect herself, she continued: “Sofia did an amazing job.

Jacob Elordi is getting ready for the premiere of his new movie.

The Venice Film Festival began August 30 with opening-night movie , an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.

The haves and have-nots of Great Britain have always served as ripe subject matter for writers of every stripe and the tradition continues in Saltburn, a vibrant if rather familiar take on the class system circa 2006. Emerald Fennell, following up on her Oscar-winning script for Promising Young Woman, reveals a strong hand behind the camera, even if the trajectory of the story feels rather overwrought and familiar. Nonetheless, the writing is alive and often amusing, giving the fine cast a lot to play with.

Jeymes Samuel’s sophomore feature The Book of Clarence, Martin Scorsese’s Killers of the Flower Moon, and The Boy and the Heron by Hayao Miyazaki are among the titles that have been announced within the full lineup of the British Film Institute’s (BFI) 67th London Film Festival. Scroll down for the full list.

Naman Ramachandran The 67th BFI London Film Festival has unveiled its full lineup, which includes galas and special presentations of films by contemporary masters. As previously announced, Emerald Fennell’s “Saltburn” will open the festival and Kibwe Tavares and Daniel Kaluuya’s “The Kitchen” will close it.