Morality Thriller ‘Autobiography’ Examines Effects of Military Dictatorship on Indonesian Youth – Venice

Wilson Chapman editorAlejandro González Iñárritu has released the first trailer for his Netflix Oscar contender “Bardo” — and the entire movie is now 22 minutes shorter.The Mexican filmmaker and two-time best director winner’s eighth film, “Bardo (or False Chronicle of a Handful of Truths),” premiered at this year’s Venice Film Festival. After screening at Venice and Telluride, Iñárritu went back into the edit room and cut down 22 minutes from the film, bringing its runtime to two hours and 32 minutes, without credits.“The first time I saw my film was with 2,000 people in Venice,” Iñárritu told IndieWire. “That was a nice opportunity to see it and learn about things that could benefit from being tied up a bit, add one scene that never arrived on time, and move the order of one or two things. Little by little, I tightened it, and I am very excited about it.”

Liza Foreman He died alone and abandoned, and today few people know his name, but in the second half of the 18th century Josef Mysliveček (1737-1781), the son of a Czech miller, broke family ties, and left Prague for Venice to become one of the go-to composers of opera of his time. The award-winning Czech director Petr Václav (“The Way Out”) has created a sumptuous period piece, rich in costume and the sounds of live music recorded for the film by the Czech ensemble Collegium 1704. Not to mention performances by real-life opera stars. Soloists from the music world include French countertenor Philippe Jaroussky, Hungarian soprano Emöke Baráth, Italian soprano Raffaella Milanesi, Slovak soprano Simona Šaturová, and opera singers Juan Sancho, Krystian Adam, and Sophie Harmsen.

Manori Ravindran International Editor Neon has acquired the North American rights to the thriller “How to Blow Up a Pipeline” out of the Toronto International Film Festival, where it world premiered in the auteur-driven Platform section. Based on Andreas Malm’s manifesto tackling the climate crisis, the film is directed by Daniel Goldhaber (“CAM”); produced, co-written and stars Ariela Barer (“Runaways”, “Atypical”); co-written by Jordan Sjol and edited by Daniel Garber (“CAM,” “Some Kind of Heaven”). “How to Blow Up a Pipeline” follows a group of young environmental activists who set out to sabotage an oil pipeline in a timely thriller that’s described as “part high-stakes heist, part radical exploration of direct action as climate activism.”

Standing between Steve Buscemi’s newest directorial effort, “The Listener,” and his last time on the director’s chair for the Sienna Miller-starring drama “Interview” is a whopping 15 years. Buscemi has been open about his desire to direct again, but nothing seemed to work out until Oscar-nominated writer Alessandro Camon knocked on his door, script in hand.

Casey Affleck heaped praise on Andrew Dominik’s forthcoming Marilyn Monroe biopic Blonde during a press conference for his latest film Dreamin’ Wild at the Venice Film Festival Wednesday.

The Ukrainian cast and crew of Luxembourg, Luxembourg — premiering in the Horizons section of the Venice Film Festival — today used their Lido photo call as a powerful call for support of Ukraine’s families.

Stalwart indie filmmaker Bill Pohlad today premeres in Venice Dreamin’ Wild. His directing follow up to the critically acclaimed Brian Wilson film Love & Mercy also follows a music story, though one far less familiar. Casey Affleck, Noah Jupe, Zooey Deschanel, Walton Goggins and Beau Bridges star. When Donnie Emerson (played by Affleck and Jupe) was a teenager growing up on his father’s farm in Fruitland, Washington (population 791) he spent his days writing music and dreaming of becoming a music star. And everyone in the family became invested in that dream, including his brother Joe (Goggins) who became his drummer, and especially his father, Don Sr (Bridges). He mortgaged his farm to build a $100,000 recording studio, and more to help Donnie make and release his first record. It went nowhere and the bulk of the farm had to be sold when the loan came due. But 30 years later, the overlooked album was rediscovered by the music scene. Suddenly Donnie, who continued to struggle and write and play his music, had gotten a taste of his childhood dreams. But it comes with the guilt of failure that haunted him for years, and involves having to play the songs that meant something as a teen, but not as a 50 year old man who has evolved as a musician. And it is all true.

Florence Pugh for her “unbothered energy” after she was filmed holding an Aperol spritz and strutting in Venice amid rumours of a feud between herself and Olivia Wilde. The rumours of a conflict between the Don’t Worry Darling star and Wilde, who directed the film, escalated after Pugh, 26, skipped a press conference for the upcoming movie ahead of the film’s red carpet premiere in Venice on Monday.

Chris Pine's rep is denying a fan theory. In a statement to ET, the 42-year-old actor's rep shuts down claims that Harry Styles spit on Pine at the premiere of their flick, at the Venice Film Festival. «This is a ridiculous story… a complete fabrication and the result of an odd online illusion that is clearly deceiving and allows for foolish speculation,» Pine's rep tells ET.

There’s always been a haunted mood in Joanna Hogg’s films, felt both in the deceptively mundane domestic rhythms of the likes of “Exhibition” and “Archipelago,” and in the exquisite memory pieces, “The Souvenir” and “The Souvenir Part II.” Like the best and most personal of storytellers—Chantal Akerman comes to mind as a creator with akin sensibilities—Hogg is a filmmaker possessed by the slivers of her recollections.

Five years on from their thrilling diplomatic drama “The Summit,” icons of Argentinian cinema Santiago Mitre (“White Elephant,” “Paulina,” ) and Ricardo Darín (“Wild Tales,” “The Secret in Their Eyes”) have teamed up once more for the Venice-bound “Argentina, 1985.” This time, however, their collaboration is much more fact than fiction, as the film seeks to bring one of Argentina’s most historic judicial trials to the big screen.

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

If you thought Harry Styles and Olivia Wilde were set to be the hottest couple at the Venice Film Festival, you've got the wrong person!!! During the standing ovation for the couple's forthcoming film,  Styles planted a kiss on none other than his co-star Nick Kroll.  In video from the event, you can see Styles and Kroll finding each other in the crowd after the film's premiere. The two actors, both looking dapper in blue suits, kiss each other on the lips and embrace as onlookers cheer. Harry Styles kisses Nick Kroll during the standing ovation for #DontWorryDarling.

Reviews of Olivia Wilde’s psychological drama “Don’t Worry Darling” premiering at the Venice Film Festival are now out. And while it’s a little too early to land on a consensus (our review is mixed), unless you’ve been living under a rock, the film and the spectacle surrounding it have threatened to become one of the biggest, nosiest dramas of the year.

The tragedy at the center of “Love Life,” the new film from Japanese director Kōji Fukada which premieres in Competition at this year’s Venice Film Festival, does not come to disrupt a perfectly happy family. Cracks are visible in the facade of the life shared by Taeko (Fumino Kimura) and Jiro (Kento Nagayama) even before the fatal accident that claims the life of Keita (Tetta Shimada), her young son from a previous marriage.

Marta Balaga German helmer Alex Schaad takes on the body-swap trope in Venice Critics’ Week title “Skin Deep,” produced by Walker + Worm Film in co-production with Bayerischer Rundfunk and Donndorffilm. Beta Cinema, which handles the sales, has shared its trailer exclusively with Variety ahead of the film’s world premiere at the Italian fest. The intimate, character-driven story sees a young couple – played by “And Tomorrow the Entire World” actor Mala Emde and Jonas Dassler – deciding to visit a remote island, hoping they might be able to solve their problems in a place that literally allows you to be someone else. But Schaad, who co-wrote the script with his brother Dimitrij, wasn’t trying to deliver another “Freaky Friday,” eschewing easy laughs for a much more philosophical approach.

The greatest strength of Ti West’s “X,” the very A24 vibes ‘n all sex-slasher which premiered to tepid acclaim at South By Southwest earlier this year, was never its reverence for “The Texas Chain Saw Massacre,” nor its lurid ‘70s grit and grain, nor its abundance of pornstaches. No, no: a double-dipping Mia Goth was the lynchpin, be it caked in prosthetics as the melting, murderous octogenarian Pearl or starlet-in-the-making (with an aptly porn-y name) Max Minx.

If you ever questioned it before, let “Bardo” — wordily subtitled ‘or False Chronicle of a Handful of Truths,’ as was the director’s wont with 2014’s “Birdman” — lay your queries to rest: Alejandro Iñárritu really, really loves Fellini. He’s not the only one, naturally: comparisons to “8 ½” are par for the course whenever a filmmaker comes out with a notionally autobiographical work, as with Pedro Almodóvar’s “Pain and Glory” in 2019.