The family of a Manchester aid worker are close to being able to bring his body home, they have said.
07.09.2022 - 13:53 / deadline.com
The Ukrainian cast and crew of Luxembourg, Luxembourg — premiering in the Horizons section of the Venice Film Festival — today used their Lido photo call as a powerful call for support of Ukraine’s families.
In connection with the theme of the movie, director Antonio Lukich and team held up a series of pictures from classic films featuring a strong father and son relationship, and in which the father’s image was obscured. This while posing with banners that read “Imagine movies without fathers” and “Since the beginning of the Russian invasion, thousands of Ukrainian children have been left without parents.”
Luxembourg, Luxembourg follows twin Ukrainian brothers who set out on a journey to the titular country upon learning their long-absent father is sick in the capital.
In a statement, the filmmakers said, “We want to attract the attention to the problem with which we, as Ukrainians, will be faced after the war – the problem of absent fathers.
“There was a generation of absent fathers during the 1940s, after WW2; there was a generation of absent fathers during the 1990s, after criminal wars; and unfortunately there will be a big generation of absent fathers after this cruel war in Ukraine… If we don’t stop this brutal invasion by Russia, we will be left not only with ruins, but also with an innumerable amount of ruined families and children’s destinies. Of course, we cry watching (Roberto Benigni’s) Life is Beautiful, but do we need more of these absent fathers’ stories in real life? “The absent parents issue is not just a good story line for dramatic films, but sadly the cruel destiny of children left without care. Help Ukraine overcome it.”
Today will also see the premiere out of competition of Evgeny Afineevsky’s
The family of a Manchester aid worker are close to being able to bring his body home, they have said.
The parents of a teenager who died after crashing an electric bike have urged cyclists to wear helmets to 'prevent families going through this same tragic hell'.
Algerian filmmakers have stepped up a campaign calling for their government to unlock promised state funds for cinema, warning that Algeria’s film industry is on its last legs following a near-year-long funding freeze.
Marta Balaga Acclaimed cellist Lukas Stasevskij pursues his dream of cinema with documentary “My Ukraine,” currently in development and set to make a bow next week during film industry event Finnish Film Affair. The film is produced by Tero Tamminen (East Films) and Ilona Tolmunen (Made), also behind Aino Suni’s “Heartbeast,” recently snapped up by France’s Wayna Pitch. “When Lukas approached Tero Tamminen and then they called me, we were both immediately interested,” Tolmunen tells Variety, praising Stasevskij’s “universal” story about finding one’s identity and understanding the meaning of roots.
She played much-loved Coronation Street character Kylie for six years, until the wife of David Platt was dramatically killed-off in harrowing scenes that prompted tears across the nation. After winning hearts as the reformed gobby cage dancer, soap star Paula Lane will be playing a 'Kylie-esque' character in Oldham Coliseum Theatre's stage production of Road, Jim Cartwright’s powerful snapshot of Lancashire life during Thatcher’s England in the 80s.
Nick Vivarelli International Correspondent Italian director Paolo Virzì (“Human Capital,” “Like Crazy”) is in Venice where his dystopic drama “Siccità,” which means drought in Italian, is premiering out-of-competition. The innovative pic, which features an A-list ensemble cast comprising Monica Bellucci, Sara Serraiocco (“Counterpart”) and Silvio Orlando (“The Young Pope”), is set amid a protracted drought caused by climate change in the Italian capital where the Tiber has dried up. Virzì spoke to Variety about how “Siccità” germinated during COVID-19 and was shot amid tight pandemic protocols. Excerpts. You worked with novelist and screenwriter Paolo Giordano on the concept and the script for this film. How did the collaboration start?
Paul McCartney, The Rolling Stones, Slash, Kasabian and Madness are auctioning off Gibson guitars to help victims of the war in Ukraine.The artists have been playing Gibson guitars featuring the colours of the Ukraine flag over the summer.Now, Gibson has crafted a limited edition run of four Guitars For Peace Les Paul Custom electric guitars, with autograph books by the artists that also include Chic, Paloma Faith, The Charlatans, The Vaccines, Toyah, My Chemical Romance and actor Jason Momoa.Starting on October 11, bidding will open via Julien’s Auctions. A live auction will take place online from November 11-13 here and in person at the Hard Rock New York.“I’m happy to auction this beautiful guitar of mine to benefit the fine people of Ukraine,” said McCartney.
Evgeny Afineevsky released his Oscar-nominated Netflix documentary Winter on Fire: Ukraine’s Fight for Freedom in 2015, documenting the Euromaidan protests the previous year in the city of Kyiv that led to the collapse of the Russia-aligned Azarov government and the removal and exile of Putin ally Viktor Yanukovych as Ukraine’s president. Afineevsky returns to Venice this year with Freedom on Fire: Ukraine’s Fight for Freedom, a follow-up that details the real stories of the people of Ukraine as they continue their fight against Russia’s invasion of their country.
Christopher Vourlias The journey to the Lido has been longer than most for Ukrainian director Antonio Lukich, whose sophomore feature, “Luxembourg, Luxembourg,” has its world premiere Sep. 7 in the Horizons strand at the Venice Film Festival. Since the Russian invasion of Ukraine on Feb. 24, Lukich’s life has been upended. Forced to flee Kyiv at the start of the war, the director spoke to Variety from Sweden, where he’s among four Ukrainian filmmakers who were granted a residency with the support of the Göteborg Film Fund. It is, he acknowledges, a world removed from the one he left behind. “It’s a great opportunity to develop Ukrainian stories when you cannot develop them right now in Ukraine,” he said.
Ana de Armas steals a kiss from boyfriend Paul Boukadakis as they catch a water taxi to their hotel in Venice, Italy.
Ana de Armas keeps it casual while arriving in Venice, Italy on Monday (September 5).
Christopher Vourlias On the eve of the 79th Venice Film Festival, where his powerful Ukraine war documentary “Freedom on Fire: Ukraine’s Fight for Freedom” will premiere out of competition on Sept. 7, Oscar-nominated filmmaker Evgeny Afineevsky was in a frantic race against time. Footage was still being shot in Ukraine into the second week of August, with Afineevsky only completing the film on Aug. 31 — the same day that Ukrainian President Volodymyr Zelenskyy addressed the A-list celebrities and foreign press at the festival’s opening ceremony, urging the world not to forget the war in Ukraine with the impassioned plea: “Don’t turn your back to us.”
Joel Edgerton has the support of his partner Christine Centenera at his big premiere at the 2022 Venice Film Festival!
A panel of international figures joined forces today at the Venice Festival to pledge their support for filmmakers suffering oppression, harassment and imprisonment around the world.
Leo Barraclough International Features Editor Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmakers Jørgen Leth, best known for “The Five Obstructions,” and “The Lost Leonardo” helmer Andreas Koefoed, has debuted its trailer with Variety. The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s most renowned and prolific jazz musicians, including Jakob Bro, Bill Frisell, Lee Konitz, Paul Motian and Midori Takada. Leth, who has directed more than 40 films including landmark works such as “A Sunday in Hell” (1977) and the surrealist short “The Perfect Human” (1968), returns to Venice after his feature documentary “The Five Obstructions,” which he co-directed with Lars von Trier, screened on the Lido in 2003.
Naman Ramachandran Leads Sigourney Weaver, Joel Edgerton and Quintessa Swindell were thankful for the opportunity to work with revered writer-director Paul Schrader on his latest film “Master Gardener,” showing out of competition at the Venice Film Festival. In a lively press conference on Saturday attended by the leads and Schrader, the filmmaker referred to the “lonely man in the room” archetype that he’s returned to in film after film beginning with “Taxi Driver.” “Hopefully, I’m done with him,” Schrader said. “I’ve always admired Paul’s work; never dreamed of working with him, because I’m not a lonely man in the room – I’m the lusty woman in the house,” Weaver said, adding that the “Master Gardener” role was one of the best she’s ever had. Weaver also thanked Schrader for writing two great parts for women in the film.
Alissa Simon Film Critic This fall, Arab filmmakers will be out in force at such prestigious international fests as Venice and Toronto. Venice alone boasts six features from first- and second-time Arab directors in its official sections, plus an additional six works-in-progress at its Final Cut Production Bridge. Meanwhile, Toronto opens with “The Swimmers,” a drama from U.K. helmer Sally El Hosaini based on the journey of Syrian sisters and Olympic hopefuls Yusra and Sara Mardini, who fled the war in their home country for Germany. Yusra competed in the 2016 and 2021 Summer Olympics. An additional six Arab films will screen at the Canadian fest. Dek: Arab filmmakers embrace genres and issues as festivals and distributors take notice