Monte Cazazza, industrial music pioneer, dies at 68

Brittany Snow offered a glimpse at her darker look for a cameo in an upcoming Kid Cudi music video — which may not see the light of day.

The Rise And Fall Of Britpop is developed by Steve Lamacq and Jo Whiley, and explores how the genre first came into formation. Through the course of the series, the two hosts will also hold interviews with various musicians from across the scene, and delve into how the genre impacted both the music industry and UK pop culture.It also arrives on what the BBC is describing as the 30th anniversary of the genre, and seeks to not only detail how it rose to prominence but also dive into the archives and share never-before-heard stories from those who understand it best.“It’s easy to forget the environment Britpop landed in; The passing of power from Thatcher to Major, Britain embroiled in war and the Union Jack derided as a symbol of the far right.

Miranda Cosgrove opened up about her music career and how it could intersect with iCarly - Just Jared Jr Victoria Beckham revealed something that her husband David has never seen her without – Celebitchy A member of BTS is gearing up to perform their new song for the first time – Popsugar Olivia Rodrigo reflected on her experiences as a young star in Hollywood – Just Jared Jr

Jazz Tangcay Artisans Editor Before “Indiana Jones and the Dial of Destiny” even opened, the Disney adventure tentpole sparked intrigue with a de-aged Harrison Ford, who, in his fifth film playing the whip-cracking archaeologist, is now 80 years old. The shots of a young Ford look impressive, and it’s thanks to the team of over 100 artists at Industrial Light and Magic, who spent three years on the film’s visual effects, which also included enhancing and developing their existing de-aging technology to create ILM FaceSwap. Photorealism de-aging was nothing new to the team. After all, technology such as Flux existed and had been used on films such as “Ant-Man and the Wasp: Quantumania” and “The Irishman.”

Jazz Tangcay Artisans Editor It took over 555 musicians with sessions around Europe — including in Rome, Vienna, Venice, Switzerland and London — to put together the score for “Mission: Impossible – Dead Reckoning Part One,” composer Lorne Balfe tells Variety. The composer started writing the music almost three years ago, and “at last count, there was over 14 hours of music recorded,” Balfe says. However, only two-and-a-half hours or so made it into the final cut of the film. The storyline sees Tom Cruise’s Ethan Hunt take on a new villain, The Entity, a sentient Artificial Intelligence. Ethan’s mission is to defeat The Entity with a metal key. And while the film features an array of mind-blowing stunts, including Ethan driving a motorcycle off a cliff or a climatic fight atop a moving steam engine train, there was also plenty of emotion for Balfe to root his score in.

Thania Garcia Spirit Music Group has signed Grammy-winning songwriter and producer Autumn Rowe to a worldwide publishing administration deal that encompasses a select catalog as well as a go-forward publishing deal. Rowe’s songwriting real estate includes co-writing credits on Jon Batiste’s “We Are,” which was nominated as record of the year and won in the album of the year category at the 2022 Grammys. She’s also worked alongside such celebrated acts as Dua Lipa, Pitbull, Diana Ross, Zendaya, Ava Max, FKA Twigs and Leona Lewis. Rowe is also a prominent figure in the fight for songwriters’ rights, serving as a member of the Songwriters of North America (SONA) board. She also co-founded and became co-director of the Songwriter Fund, a nonprofit enterprise that has raised and distributed more than $500,000 in an effort to support songwriters affected by COVID.

Proposals for a new industrial park will be the latest step forward in a masterplan for Oldham which aims to create more than 700 jobs.

propelled to fame and fortune as one-fourth of Culture Club in 1982, has released chart-topping hits such as “Karma Chameleon,” “Time,” and “Do You Really Want to Hurt Me?”However, before reaching eye-popping levels of global stardom, the British singer — who is set to embark on a 25-city North America tour with the group next month — recalled when he was told that his music would never see the light of day on US radio because of his sexuality.“I use the word ‘he’ and have done so for many years,” the 62-year-old told The Post. “In fact, when I was doing ‘Cheapness and Beauty’ I was told emphatically in America that I would never get played on radio because the songs used the word ‘he,’ ” he added, referring to his hit 1995 studio album.‘If you are gay and you keep it light, you can be camp on the surface and jump around in costumes but don’t talk about anything serious.

Thania Garcia Interscope Geffen A&M Records has partnered with Mogul Vision, the label founded by manager and music industry exec Josh Marshall. Marshall has helped foster the careers of KennyHoopla, who is currently on tour with Blink 182, Lil Mosey and d4vd, who has had a breakout year following the success of his global hits “Romantic Homicide” and “Hear With Me.” “Over the last few years, we’ve worked closely with Josh on a number of successful projects,” said Nicole Wyskoarko, executive vice president/co-head of A&R at Interscope. “He has an amazing ability to identify new artists across a number of genres and we’re looking forward to continuing our work with him via this new deal.”

Jem Aswad Executive Editor, Music Sony Pictures Television has announced a new division focusing on music development, headed by Palash Ahmed, who worked as a music producer before joining the company in 2017. The move is intended to leverage the company’s ties to Sony Music Group and the larger music industry. In this role, Ahmed will be collaborating on music-related projects across SPT’s production groups (U.S. scripted, international production, nonfiction and kids divisions).  SPT Chairman Ravi Ahuja made the announcement in an internal note to staff, obtained by Variety. 

Darrell Issa Guest Columnist Darrell Issa, Chairman of the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet represents California’s 48th Congressional District. Later today on the Nashville, TN campus of Belmont University, I’ll convene a field hearing of the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet. The hearing won’t just take place in Music City, USA but five years after Congress achieved that rarest of things: A consensus solution that recognized the rights of musical artists and created a way they could be compensated fairly by publishers. It may be hard for some to believe, but at the time we crafted this legislation, the music industry and other content owners were being crushed by widespread piracy and an inability to monetize the value of musical creativity.

Chris Willman Senior Music Writer and Chief Music Critic The Academy of Country Music has announced some of the musicians, producers, engineers, venues and touring industry execs winners who will be celebrated at the 16th ACM Honors ceremony at the Ryman Auditorium in Nashville on Aug. 23. The show serves as a music-industry-centric adjunct to the ACM Awards telecast that is globally webcast in the spring. The announcement of these winners precedes by a day the reveal of the big names that will receive special awards during the August program, along with forthcoming news of the show’s host and ticketing information. Jay Joyce, the producer for Lainey Wilson, Ashley McBryde and many other artists, was named producer of the year for a sixth time. Justin Niebank has an even longer-running streak — he’ll be awarded as audio engineer for a ninth time.

Warner Music Korea, the South Korean subsidiary of Warner Music, has issued a statement against claims by their agency Attrakt that it had attempted to illegally poach members of girl group FIFTY FIFTY.On June 26, K-pop girl group FIFTY FIFTY’s label Attrakt released a statement claiming that Warner Music Korea had been colluding with an unnamed third party to illegally poach members of the group.“We have evidence of [an outside party] clearly attempting to poach FIFTY FIFTY members illegally, and we request Warner Music Korea to provide an adequate explanation and answers,” said Attrakt earlier today, per Korea JoongAng Daily.This also comes several days after Attrakt stated last Friday (June 23) that it would take legal action against other agencies that had been spreading negative rumours about it “in an attempt to lure the members of FIFTY FIFTY” into breaking their exclusive contracts.Warner Music Korea has since denied the claims made by Attrakt in a new statement, per XSportsNews. “First, as FIFTY FIFTY’s overseas distributor, Warner Music Korea has has been working [with FIFTY FIFTY] since April 1, 2023,” it said, as translated by Soompi.“We have done our best to make the dazzling achievements of FIFTY FIFTY and their agency shine even brighter by mobilising Warner Music Group’s abilities and network, so we are very sorry that such unfortunate suspicions were raised,” added Warner Music Korea.The agency went on to say: “Attrakt’s claims are groundless, and we are regretful that they have sent [us] a certification of contents.

Jazz Tangcay Artisans Editor Issa Rae’s ‘Rap Sh!t” focuses on female friendships, but also female rappers and the challenges facing women in a male-dominated industry. For music supervisors Sarah Bromberg and Philippe Pierre, that meant pulling together a soundtrack of artists that not only reflected Miami’s rap scene but also the strong ties between its main characters. In the Max show, Shawna (Aida Osman, also a writer on the series) has been chasing fame as a solo rapper, and she reunites with her friend Mia (rapper Kamillion) to form a rap duo. Together they navigate success, friendship and the lively city of Miami. Here, Bromberg and Pierre break down key needle drops in the series and how they spent months trying to clear a Drake song, as well as having to change an original song at the last minute due to clearance issues.

Sophia Scorziello editor Timbaland, Big Daddy Kane and other music industry icons came together at this year’s ASCAP Experience in Los Angeles to share advice for making headway in the music business and inspire songwriters and composers to continue channeling passion into their work. A much-anticipated session of the day was the “Celebrating 50 Years of Hip-Hop” panel with Big Daddy Kane and Easy Mo Bee, moderated by Datwon Thomas, editor of Vibe. The industry icons talked Biggie Smalls and Tupac Shakur, and reflected on the history of hip-hop and its longstanding impact on culture. Renowned producer Timbaland was the keynote speaker. The “Supa Dupa Fly” producer was interviewed by Ray Daniels, CEO of Raydar, to talk about Timbaland’s over two decades of work producing in R&B, hip-hop and pop. Throughout his career, Timbaland has produced for artists like Aaliyah, Jay-Z, Missy Elliot, Rihanna, Brandy and Ludacris.

Princess Charlene of Monaco is simply stunning during a rare, solo appearance!

The French film Le Colosse aux Pieds d’Argile and UK-Australia series Ten Pounds Poms took the top fiction prizes at the 62nd annual Monte-Carlo Television Festival, which were handed out Tuesday in Monaco. See the full winners list below.

Ben Croll “The Fragile Colossus,” “Ten Pound Poms” and “The Seed” ruled the roost at this year’s Monte-Carlo Television Festival, with the three programs collecting two prizes each at a small-screen showcase that ran June 16 – 20 in the Monaco capital. Produced by Make It Happen Studio and Shoot Again Productions in partnership with TF1 France, telefilm “The Fragile Colossus” took home Monte-Carlo’s Golden Nymph for best film and the special jury prize. The French drama follows a one-time rugby star (played by soccer player-turned-actor Eric Cantona) confronting his history as a victim of childhood sexual abuse, and is based on the life and memoires of rugbyman Sébastien Boueilh.

Thania Garcia Niall Horan has signed an exclusive, worldwide publishing agreement with Universal Music Publishing Group (UMPG). This follows the release of Horan’s third album “The Show,” which earned the former One Direction member his second UK No. 1 single as a solo artist. “It’s my absolute pleasure to sign with UMPG,” shared Horan in a statement. “I have known Mike [McCormack, UMPG UK managing director] personally for many years and I’m so happy that I get to work with a man who firstly genuinely cares about artistry and the art of writing a song, and secondly knows the world of publishing like no other. To have met the great Jody Gerson who I’ve known of throughout my career as being a badass publisher and when I felt the love from her and Mike, I wasn’t going anywhere else, to be honest.”

Stage and screen star Paxton Whitehead has died at age 85.