Mo Abudu’s ‘Baby Farm’ On Netflix Africa’s Latest Slate Of Series & Movies

Netflix has revealed every single movie and TV show being added to the streaming service in April of 2024!

Isabelle Adjani and Famke Janssen are to star in thriller series for Netflix coming from France and the Netherlands.

Holly Jones Germany’s Beta Film (“Babylon Berlin”) sets its sights on the Croisette for the world premiere of Dutch Royal drama “Máxima,” selected to screen out-of-competition at Canneseries on April 9. In tow, Delfina Chaves (“The Secret of the Greco Family”), who portrays the titular character in the series that Variety recently likened to Emmy-Award-Winning Netflix Drama “The Crown.” Teased at last month’s London TV Screenings, the six-part drama series unravels the love story between then Dutch Crown Prince Willem-Alexander (Martijn Lakemeier) and his enigmatic Argentine love interest, Máxima, who goes on to become Queen, at his side.

EXCLUSIVE: Luther and Hijack star Idris Elba is set to direct singer Seal, Nollywood stars Nse Ikpe-Etim (Shanty Town), Eku Edewor (Breath Of Life) and Atlanta Bridget Johnson (Man Of God), and former Nigerian Idol contestant Constance Olatunde in short film Dust To Dreams.

Nick Vivarelli International Correspondent Indie streamer Mubi has acquired worldwide streaming rights to South African artist William Kentridge’s prestige series “Self-Portrait As a Coffee Pot” which explores how art is made in the digital age. The nine-episode series by Kentridge – who is celebrated around the world for his influential works comprising animation, installations, theater, opera and films – first previewed as a rough cut at the 2022 Toronto Film Festival.

Naman Ramachandran Four African screenwriters will pitch stories spanning genres at the 15th edition of Series Mania in Lille, France. Pitching this year are Kelly-Eve Koopman (South Africa) with urban fantasy “Facing the Mountain”; Moreetsi Gabang (Botswana) with crime drama “Outreach”; Tiah Beye (Senegal/Côte d’Ivoire) with comedy-drama “Brouteure” (“The Yahoo Girl”); and Wanjiru Kairu (Kenya) with political satire “Serikali Saidia!” The shows are under the aegis of the AuthenticA Series Lab, a training program for African episodic screenwriters from Realness Institute.

Leo Barraclough International Features Editor The 44th edition of genre film festival Fantasporto, which runs in Portugal’s second city Porto from March 1-10, has bestowed its best film award on Japanese sci-fi fantasy pic “From the End of the World,” directed by Kaz I Kiriya. The movie follows 10-year-old Hana, whose dreams transport her across various eras in Japanese history, and have the ability to save humanity. The jury’s special award went to “The Complex Forms,” Italian director Fabio D’Orta’s debut feature.

While Drive to Survive has sped to a successful six seasons on the Netflix platform and been given credit for a surge in interest in motor racing, particular in the US, the same production team has stumbled to a halt with the tennis world, and now The Times of London reports that documentary series has been cancelled after just two seasons, citing poor ratings and lack of access to the sport’s leading figures.

Christopher Vourlias The anticipated goldrush for African creators sparked by Netflix’s 2016 entry into the market hasn’t entirely come to fruition, though the influx of investment from local and global streaming platforms has nevertheless been transformative for Africa’s screen industries. Budgets, production values and outputs are rising, and breakout hits — such as Netflix’s Nigerian thriller “The Black Book” and South African teen drama “Blood & Water” — highlight the power of global streaming services to deliver African stories to audiences around the world.

Christopher Vourlias The sixth edition of the Joburg Film Festival wraps Sunday, putting a bow on a week that saw many in the host nation reflecting on South Africa’s long journey in the three decades since the end of apartheid. But among the filmmakers and executives taking part in the second JBX content market the focus was squarely on the future, as Africa’s streaming wars and an eye toward global dealmaking highlighted how the tide has begun to shift in how the world perceives the continent.

Thinus Ferreira Guest Contributor Producing successful Black female-fronted comedy in South Africa is no joke but Black female producers and writers Reabetswe Moeti-Vogt and Zoe Ramushu are determined to bring about change in front of and behind the lens. Their film “Real Estate Sisters” screened this week at the 6th Joburg Film Festival in South Africa.

Christopher Vourlias As South Africa marks three decades since its first democratic elections, a historic moment that dismantled the apartheid system and ushered in Black-majority rule, the country is at a crossroads. Inequality is rife. Crippling blackouts have pushed the economy to a tipping point.

Christopher Vourlias Viola Davis and Julius Tennon’s JuVee Productions, which recently wrapped the action-thriller “G20” for Amazon Studios and MRC Film in Cape Town, is planning to return to South Africa to film the true story of a young African refugee’s improbable journey to the U.S., the company’s head of film production and development, Melanie Clark, revealed this week at the Joburg Film Festival. Developing the film with a working title of “The Refugee,” Clark said Davis and Tennon’s production banner is “actively working on [it] with some local partners and are in the process of figuring out how to shoot it” in South Africa, adding that “we do plan to shoot that here.” The veteran production executive described the project as “the true story of a young Sierra Leonean boy who lost his mother in [the country’s civil war] and found himself alone, because no family would take him in any refugee camp.

Damien Chazelle is opening up about his career.

Naman Ramachandran Warner Bros. Discovery and Room to Read have partnered on “She Creates Change,” an animation and live-action film project to promote gender equality through the stories of young women around the world. Room to Read is a global education nonprofit aiming to creating a world free from illiteracy and gender inequality.

Babylon Berlin has landed a new U.S. home on a newly-merged streaming service created as Kino Lorber’s MHz Choice and Topic combine.

Christopher Vourlias Akin Omotoso, the filmmaker behind Disney Plus’ Giannis Antetokounmpo biopic “Rise,” has been attached to direct “The Plot to Save South Africa,” an adaptation of Justice Malala’s gripping book about a 1990s white supremacist plot that almost plunged the young democracy into civil war. “The Plot to Save South Africa” will be produced by Johannesburg-based production outfit Ochre Moving Pictures, which signed a deal with Netflix last year to adapt multiple books for the streaming service alongside Omotoso.

Jennifer Maas TV Business Writer Kino Lorber’s MHz Choice and Topic will merge into one streaming service, parent company Kino Lorber announced Thursday. The combined product will become the exclusive U.S. streaming home of hit German series “Babylon Berlin” in April.

Netflix’s Indian slate for this year includes a feature film about a group of drunk young men who crash a wedding, and a series about a plane hijacking.

John Hopewell Chief International Correspondent Underscoring the enduring popularity of crime drama, Abacus Media Rights (AMR), an Amcomri Entertainment company, has announced a slew of sales on two titles, led by Showmax Original “Catch Me a Killer,” a true crime drama with “Game of Thrones’” Charlotte Hope playing South Africa’s first and most famous serial killer profiler. Hope also headed “The Spanish Princess,” as Catherine of Aragon. AMR has moreover closed further deals on fiction drama “Scrublands,” a scripted drama about the real reasons for a country town massacre.