African Screenwriters Set Genre Shows at Series Mania (EXCLUSIVE)

Elsa Keslassy International Correspondent Mediawan Rights has boarded “Kabul,” a highly anticipated thriller series produced by France’s 24 25 Films and Cinétévé. Shervin Alenabi (“Tehran”) and “Euphoria’s” Eric Dane (in a small role) have joined the international cast of the show, which already comprises Jonathan Zaccaï (“Le bureau des legendes”), Thibault Evrard (“The Night of the 12th”), Vassilis Kukalawi (“Kandahar”), Jeanne Goursaud (“Pax Massilia”), Gianmarco Saurino (“L’estate piu Calda”) and Valentina Cervi (“Medici: Masters of Florence”). The series, set against the backdrop of U.S.

Elsa Keslassy International Correspondent “Dahomey,” the Berlinale Golden Bear-winning film helmed by French-Senegalese director Mati Diop, has been sold to a raft of international territories by Les Films du Losange. Along with being acquired by Mubi in key markets, “Dahomey” has been acquired in Australia & New Zealand (Rialto), China (Hugoeast), Spain (Filmin), Portugal (Nitrato Filmes), Greece (One From the Heart), Scandinavia (NonStop Entertainement), Benelux (Cinéart), Bulgaria (Beta Films), Ex-Yugoslavia (Discovery), Hungary (Mozinet), Czech Republic (Film Europe), Romania (Voodoo), Baltic Countries (Taip Toliau), Poland (New Horizons), Ukraine (Kyivmusicfilm), Taiwan (Joint Entertainment), Indonesia (PT Falcon) and Sudu Connexion in Africa.

Series Mania was Warner Bros. Discovery’s European roll-out timeline for Max, announced Thursday at the climax of the Series Mania’s Lille Dialogues. The most keenly anticipated session was nearly Series Mania’ Forum first: a Netflix showcase hosted by a confident Larry Tanz who significantly proved the only goal streamer exec to drill down on volume commitment.

The wait for Max‘s European launch is nearly over.

French commercial broadcast giant TF1 is taking its streaming service international. CEO Rodolphe Belmer told Series Mania on Thursday that TF1+ will start rolling out in the middle of this year before a wider series of launches in 2025.

Elsa Keslassy International Correspondent Arte has boarded “Reykjavik Fusion,” the first series produced by ACT4, an Icelandic banner launched by award-winning industry veterans, including Ólafur Darri Ólafsson (“True Detective”), Hörður Rúnarsson (“Black Sands”), Jónas Margeir Ingólfsson (“The Minister”) and Birkir Blær Ingólfsson (“Thin Ice”). The high-concept show will be distributed internationally by Wild Sheep Content, led by Erik Barmack, a former Netflix head of international.

Elsa Keslassy International Correspondent French public broadcaster France Televisions has commissioned a raft of new scripted shows, including “Lucky Luke,” an adaptation of the cult graphic novel, and “Rallye 82,” a 1982-set female-led racing show. “Lucky Luke” is an adventure comedy directed by Benjamin Rocher and penned by Mathieu Leblanc and Thomas Mansuy, based on the “Lucky Luke” comicbook. The eight-part half-hour series is produced by Geraldine Gendre and Lionel Uzan at Federation Studios, and co-produced by Rémi Préchac and Julien Vallespi at Un pour tous productions, and Alban Lenoir at Homerun.

Elsa Keslassy International Correspondent Banijay Nordic’s banner Yellow Bird is set to produce “A Life’s Worth,” a drama series inspired by real events within the Bosnian conflict in the 1990s. The show is being produced by Arte France and Viaplay Content Distribution which will also handle global sales. “A Life’s Worth” is set in the fall of 1993, amid the devastating turmoil unfurling in Bosnia.

Sony Pictures Television‘s President of International Production, Wayne Garvie, has said the scripted TV landscape in the post-peak TV era is like “going back to the future” — especially with his Netflix hits The Crown and Sex Education coming to an end.

Leo Barraclough International Features Editor A panel moderated by the European Audiovisual Observatory at Series Mania Tuesday looked at four key trends in series production in Europe. Warning Signs?Gilles Fontaine, EAO’s head of department for market information, said there were warning signs of a downward trend in the number of seasons being produced, first in the U.S.

EXCLUSIVE: AGC Television is dropping a hot TV project into this week’s Series Mania market in Lille.

Ed Meza @edmezavar Variety’s Series Mania Bulletin highlights breaking news at this year’s French TV festival: Paramount+ has announced the schedule and pricing for its international ad-supported Basic subscription offering and Premium plan, both set to begin this month in selected countries. The ad-supported Basic plan will be available in April in Canada and in June in Australia, priced at $6.99 in Canadian and Australian dollars.

Elsa Keslassy International Correspondent While at Series Mania Festival, Larry Tanz, Netflix‘s VP of EMEA Content, unveiled ambitious new shows commissioned from France and the Netherlands, including an untitled thriller series starring Isabelle Adjani, and “Amsterdam Empire,” a Dutch crime series starring and executive produced by Famke Janssen. The untitled French thriller series revolves around a young mother on the run finds an unexpected opportunity to bounce back by becoming a picker in a prestigious flower farm in Provence. But the mysterious death of the family patriarch of the company casts her under the spotlight as the prime suspect.

Rafa Sales Ross Guest Contributor “Catch Me a Killer” comprises many firsts: It is a series about South Africa’s first-ever criminal profiler, the first-ever woman to occupy such a position and, now, the first-ever series entirely shot in South Africa to be in International Panorama competition at Series Mania, Europe’s biggest TV festival. Abacus Media Rights(AMR), an Amcomri Entertainment company, handles world sales. Based on the eponymous book by psychologist Micki Pistorius, “Catch Me a Killer” sees “Game of Thrones” breakout Charlotte Hope in the lead role as the psychology professor turned serial killer profiler.

Nick Vivarelli International Correspondent Indie streamer Mubi has acquired worldwide streaming rights to South African artist William Kentridge’s prestige series “Self-Portrait As a Coffee Pot” which explores how art is made in the digital age. The nine-episode series by Kentridge – who is celebrated around the world for his influential works comprising animation, installations, theater, opera and films – first previewed as a rough cut at the 2022 Toronto Film Festival.

Elsa Keslassy International Correspondent After creating a U.K. genre label with Jed Benedict, Studiocanal has forged a partnership with French production company WTFilms to focus on genre films.

Studiocanal has announced a partnership with French production and sales company WTFilms (What The Films).

Series Mania will kick off its 15th edition on March 15 in Lille, Eastern France, reconfirming it status as the biggest dedicated TV festival in Europe. It does so with a bang, with the European premiere of one of the biggest series of the year, Netflix’s “3 Body Problem,” which “cements ‘Game of Thrones’ creators as masters of adapting the unadaptable,” Variety announced. Delegate accreditation at Series Mania’s Forum, its three-day industry event running March 19-21, is on track to pass 4,000 participants, an all time record, and a huge step-up, say, from 2016, when attendance was limited to around 300 executives.

Elsa Keslassy International Correspondent Keshet Studios, the U.S. scripted arm of Keshet International, has acquired the U.S.

EXCLUSIVE: France TV Distribution will be at Series Mania next week with Enjoy!, a drama series based on Benoit Marchisio’s novel Tout Complices!.