People in a West Lothian village want to “reclaim” land they say was gifted to them by the granddaughter of James Paraffin Young but has been earmarked for more housing.
20.10.2022 - 14:25 / deadline.com
The first fully in person Mipcom for three years is winding down as thousands of tired, fuzzy-headed but happy delegates make their way to Nice airport or jump on trains to Paris. The market was set to a backdrop of an industry in a deep state of flux, as new buyers establish themselves and more seasoned ones react and adapt. Below are just some of the key takeaways from three action-packed days on the Croisette. One thing is for sure, while making TV is not the easiest business, the 10,896 attendees RX reported to have attended were simply delighted to be back together in person (last year’s restriction-laden Mipcom was hybrid and attendance figures comparatively low) and the atmosphere was the buzziest for many years, especially when the coffee machines were locked away and the alcohol started flowing. Read on.
Before Mipcom got underway, Deadline spoke with Director Lucy Smith, who proposed that the market was going to pivot away from straight distributor-to-buyer sales and towards co-productions. Boy was she prophetic. Deadline spoke with dozens of execs who concurred with Smith that the immensely complicated and expensive nature of TV making in its current state has meant that finance needs to be sought from a variety of places, and these conversations were taking place all over the Palais. Indies were taking advantage of the new 1,000sqm Producers Hub to meet with potential distributors and investors for funding, and many were seeking multiple buyers for shows in different territories. The days where dozens of traditional distributor-to-buyer deals were struck during the three-day window are over, according to multiple sources, and the number of sales releases hitting Deadline’s inbox reflected that. Instead,
People in a West Lothian village want to “reclaim” land they say was gifted to them by the granddaughter of James Paraffin Young but has been earmarked for more housing.
Churchgoers are preparing to welcome elderly guests to a new regular event being held in Perth twice a week organised in response to the growing cost of living crisis.
Dumfriesshire schoolchildren have joined in a regional response to help the vulnerable through the cost of living crisis.
The Lord of the Rings franchise can reach the $6B-plus scale of Marveland Star Wars, according to the man who brokered the sale of the IP to Sweden’s Embracer Group, who revealed new information about the deal.
Amazon’s The Lord of the Rings: The Rings of Power season one has had a “halo effect” on the streamer’s other tentpoles such as The Boys and Wheel of Time, according to Studios boss Jennifer Salke.
Banijay CEO Marco Bassetti has criticized the global streamers’ approach to rights and data sharing, as he predicts “in five-to-10 years time IP and talent will be the most important way of creating value.”
Fremantle bosses Jennifer Mullin and Andrea Scrosati have dissected the Angelina Jolie deal that is seeing the Oscar winner produce films, TV and docs over the next three years, with Scroasti saying “it was a bit of a risk in the initial phase.”
New Fox Entertainment CEO Rob Wade has talked up the potential for TMZ to become a “huge entertainment studio,” setting out his stall at Mipcom Cannes for the first time since he replaced Charlie Collier.
BBC DG Tim Davie and Studios CEO Tom Fussell have said the BBC is now a “fully global operation,” as they shared a stage for the first time at Mipcom Cannes.
ITVX and Viaplay four-partner Litvinenko, which will see David Tennant playing the doomed Russian dissident, has sold into 80 territories ahead of its launch. AMC+ and Sundance Now have taken rights in the U.S., while Prime Video bagged Canada from distributor ITV Studios.
BBC Studios has taken full control of Killing Eve producer Sid Gentle Films.
EXCLUSIVE: Banijay UK CEO Patrick Holland is focusing on M&A and talent, and is rewarding high-performing labels with extra investment as he enters his first Mipcom Cannes in the new role.
John Boyega is one of a diminishing number of Hollywood film stars that hasn’t yet dived properly into the world of high-end TV drama. The 30-year-old actor has made several appearances on television—most notably winning plaudits for his searing portrait of a London policeman in Steve McQueen’s multi-award-winning BBC/Prime Video anthology Small Axe—but his career has largely been defined by roles in movies like Attack the Block and the third Star Wars trilogy.
EXCLUSIVE: Warner Bros. Discovery is behind a TV show telling real life stories of people overcoming severe medical conditions to show human bravery, with Netflix’s Amazing on the Inside producer Future Studios and distributor TVF International shopping Unbelievable Me at Mipcom Cannes this week.
Tim Roth-starring Australian drama Last King of the Cross has been picked up by Sky in Europe, marking the first major sale of the Paramount+ series as it heads to Mipcom Cannes.
mammoth launch of “Dahmer,” “The Watcher” adaptation drains all the potential relatability and genuine terror out of the source material. With a subtler hand, and a much shorter runtime, a film could have explored the rich themes of the dark side of upward mobility and the erosion of civility among neighbors while serving up subtle but real scares, toying with the idea that the titular letter-writer could be any smiling neighbor at the grocery store.The neighbors in Murphy’s “The Watcher” wouldn’t be even remotely recognizable in the real world, so we get none of that all-too-believable dread.
EXCLUSIVE: Studiocanal has boarded Borgen creator Adam Price’s Danish workplace comedy Orchestra and will be shopping the show at Mipcom Cannes, as TV series boss Françoise Guyonnet talks The Wicker Man and breaking down barriers between TV and film.