SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear.
03.07.2023 - 21:45 / deadline.com
We’ve had a couple of tentpole missteps here this summer, read Indiana Jones and the Dial of Destiny this weekend with $60M, The Flash and Elemental; putting the running summer box office at $1.88 billion for May 1-July 2.
That’s close to -2% off from the $1.91 billion reached over the same frame last year. All these figures come from Comscore.
While the pacing isn’t terrible, the overall industry always likes to exceed year-over-year, especially after that disastrous pandemic which forced theaters to close in 2020-through early March 2021. Summer 2020 for the May 1-July 2 period only grossed $47.3M.
Next to the pre-pandemic summer 2019 which was on Viagra and steroids led by Disney/Marvel Studios’ Avengers: Endgame (delivering $416.7M for that May 1-July 2 play period), summer 2023 is 17% behind that mid-summer which accumulated $2.27 billion.
Still, there’s a lot of hope in July with Mission: Impossible – Dead Reckoning – Part One set to open to a franchise record of $100M over 5-days, and the Barbie and Oppenheimer weekend fueling what could be a near $200M weekend over July 21-23 for all films.
Comscore Senior Media Analyst Paul Dergarabedian points out, “The fortunes of the summer can be perceived as rich or fallow depending on which week is being examined and with many weeks and numerous potential high-profile blockbusters on the way in July and August, it’s way too early to characterize the overall summer box office performance as a hit or a miss.”
Even though we’re slightly behind 2022, we could be ahead ultimately as Dergarabedian says, “August could be the unexpected savior and take the summer out with a bang instead of a whimper as happened last year.” Remember, Sony’s Bullet Train was the last huzzah
SATURDAY PM UPDATE: Facts are facts, and Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One set a 5-day opening domestic record for the franchise with $80M, we hear.
according to IMDB’s Box Office Mojo.The action spy flick, which the Post lauded as “summer’s best movie,” was released in select theaters on Monday, with a wider release on Wednesday.“Sound of Freedom,” which is in third last week, moved up to the No. 2 spot, earning close to $7.5 million.
EXCLUSIVE: Paramount/Skydance’s Mission: Impossible: Dead Reckoning – Part One is looking at $6M-$7M in previews so far, which is bound to be higher than the Thursday previews of the last Mission Impossible – Fallout back in 2018 which did $6M. This is according to sources. The figures we’re seeing now could go higher or lower.
Sony/Stage 6 Films/Blumhouse’s Insidious: The Red Door may have stolen No. 1 away from Indiana Jones and the Dial of Destinyat the weekend box office, but Angel Studios’ indie wonder Sound of Freedom won Monday with an estimated $4 million.
Can Tom Cruise save summer?
Naman Ramachandran The total U.K. and Ireland box office for June 2023 was £90.3 million ($114.8 million), 28% lower than June 2022, according to numbers released by Comscore. Year-to-date 2023 is currently running 7% behind the same period in 2022, the numbers reveal. The territory is very much weather-driven and June 2023 was the hottest June since records began, per the U.K. Met Office, meaning that potential cinema audiences spent a larger proportion of their leisure time outdoors. June’s highest-grossing film was Sony’s “Spider-Man: Across The Spider-Verse” with £26.7 million, which comfortably surpassed the lifetime total of its predecessor, “Spider-Man: Into The Spider-Verse” (£10.8 million). The animated sequel is currently the third-biggest release of the year so far.
Rebecca Rubin Film and Media Reporter “Sound of Freedom,” a religious thriller led by “The Passion of the Christ” star Jim Caviezel, is becoming an unlikely box office savior. The faith-based movie about child sex trafficking has collected an impressive $40 million after six days of release. Angel Studios opened “Sound of Freedom” last Tuesday, generating a mighty $14.2 million on Independence Day. The film picked up another $18.2 million between Friday and Sunday, enough to place third on domestic box office charts behind “Insidious: The Red Door” ($32.6 million) and “Indiana Jones and the Dial of Destiny” ($26.5 million). It’s also playing in 2,850 North American theaters — a smaller footprint than those two studio films (playing in 3,188 theaters and 4,600 theaters, respectively).
When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut.
according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.
Sony/Stage 6 Films/Blumhouse’s fifthquel Insidious: The Red Door nearly locked out Indiana Jones and the Dial of Destiny yesterday at the box office. The Patrick Wilson starring and directed PG-13 horror film scared up $5M in previews at 2,806 locations that began showtimes at 4PM. That amount of money is very close to what Indy grossed, early estimates showing around $5.2M for the day in an awful week that ended at $94.5M for the $300M-plus grossing Disney/Lucasfilm finale sequel.
Gogglebox stars Dave and Shirley were quick to put down claims Shirley looked “ill” as they enjoyed a holiday in Spain. The beloved couple, who have amassed an army of fans since joining the cast of the nation’s favourite couch potatoes, shared a selfie from sunny Salou and simply captioned the post: “Happy holidays everyone cheers #salou xxx”. In the sweet snap, the couple smile at the camera against the backdrop of a sandy beach and blue sky, as Shirley holds a glass slightly raised.
Angels Studios’ Jim Caviezel thriller, Sound of Freedom, came on strong on Tuesday givingDisney/Lucasfilm’s Indiana Jones and the Dial of Destiny a run for his money, however, until actuals are reported, it remains to be seen who won July 4th, both distributors reporting $11.5M.
Refresh for chart…On the bright side for Independence Day bomb Indiana Jones and the Dial of Destiny, its first five days at the box office of $82M aren’t as bad as Paramount/Skydance’s Terminator Genisys.
Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections.
according to IMDB’s Box Office Mojo.The film stars Harrison Ford in his fifth and final portrayal of archeologist-extraordinaire Jones. “While Ford is scrappy and lovable as ever, Indy was never a role that should have been played for 41 years,” The Post said.“Spider-Man: Across the Spider-Verse” remained in second place this week, taking home $3.435 million.
SATURDAY AM: Refresh for chart…and more analysis Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in The Flash vicinity of $55M last night and took an Alka Seltzer out of shock. Hopefully Dial of Destiny doesn’t fall apart tonight and at least stays on course for a Mission: Impossible – Fallout type opening in the $60M range over three days. That figure might be good for exhibition and popcorn sales over the five-day holiday weekend, but it stinks for a movie that has a reported cost of $250M to near $300M before P&A.
EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destinyis posting an estimated $6M-$7.5M Thursday night per sources, which is where previous older skewing action guy comps live.
Facing the worst reviews ever for an Indiana Jones movie, the Lucasfilm franchise finale, Indiana Jones and the Dial of Destiny, is hoping to gain traction with audiences and best its $60M-$65M domestic start, $140M global opening.
The Super Mario Bros. Movie” and “Guardians of the Galaxy Vol. 3” have generated massive business, the kind that would have been impressive in pre-COVID times. And movies like “Cocaine Bear,” “Scream VI” and “Evil Dead Rise” have been solid mid-budget hits, selling tickets in the spring and winter months when cinemas are hustling to keep seats filled. Overall, the domestic box office stands at $4.35 billion, a 20.7% improvement over where ticket sales clocked in at the same point in the pandemic-blighted 2022, according to Comscore. So things are getting better, and there are several promising films on the horizon such as “Mission: Impossible – Dead Reckoning Part One” and “Barbie” that could prove to be big summer hits.
Nick Vivarelli International Correspondent Egyptian comedy “Beit El Ruby,” about social media’s disruptive impact on the life of a quirky family, has scored a strong opening weekend in Saudi Arabia, ousting “The Flash,” in its second frame, from the top spot. The local farce led by Egyptian superstars Karim Abel Aziz and Kareem Mahmoud Abdel Aziz was released on June 22. It has scored roughly 73,000 admissions across Saudi Arabia, grossing more than $1.1 million in its first frame. “The Flash,” by contrast, garnered a combined total of 91,000 admissions in Saudi cinemas in its first two frames. According to the film’s co-distributor Front Row Arabia, the “Beit El Ruby” bow marks the fifth highest opening for an Arabic film in Saudi, which is the Middle East’s top theatrical movie market.