Michael Mann Teases ‘Heat’ Prequel: ‘I Want To Make It’

Everyone’s gone to the festivals. But here on the home front, one thing still leads to another.

EXCLUSIVE: Saudi Arabia’s Red Rea Film Foundation has announced it is investing in Johnny Depp’s Modi, Michael Mann’s Venice title Ferrari and Guy Ritchie’s World War Two spy action feature The Ministry of Ungentlemanly Warfare.

Venice Film Festival, Adam Driver and Michael Mann officially kicked off awards season with the world premiere of their racing drama “Ferrari,” which debuted in competition. The packed house at the Sala Grande Theatre showered Drive and Mann with a six-minute-standing ovation. Driver fought back tears at the tragic conclusion of the film.

Guy Lodge Film Critic Among all working U.S. filmmakers, few have built as faithful and fervent a following of critics and cinephiles as Michael Mann.

Michael Mann would seem a perfect fit for a biopic of Italian motorsports legend Enzo Ferrari, himself being a master technician and a director working at the high end of his commercial craft. The result, though, is a strangely tame beast, an introspective look at an in-between moment in its subject’s life, when his business hit the rocks, his marriage all but imploded and a series of fatal accidents kept his name in the papers for all the wrong reasons.

Owen Gleiberman Chief Film Critic In Michael Mann’s heady, intricately dark, raptly absorbing “Ferrari,” there’s a quiet scene that takes place the night before the Mille Miglia, the spectacular 1,500-kilometer motorsport endurance race. Enzo Ferrari (Adam Driver), the Italian sports-car magnate who needs to win the race (the survival of the company that bears his name depends on it), has five drivers who are scheduled to compete. In a kind of calm-before-the-storm ritual, several of them write notes to their romantic partners, telling them how much they love them, just in case they don’t survive the race.

Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style. An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.

Nick Vivarelli International Correspondent It’s no secret that it’s taken decades of twists and turns in Hollywood to get Michael Mann’s anticipated “Ferrari,” which makes its world premiere at the Venice Film Festival Aug. 31, to the big screen. But what’s less known is that the journey of this biopic about Italian sports car builder and racing pioneer Enzo Ferrari originated with Italy’s storied Cecchi Gori Group before the company went bust.

The story of an iconic car is coming to life.

Eighty years young, filmmaker Michael Mann (“Heat”) shows no signs of slowing down. Meticulous, precise, and muscular in his filmmaking, the American auteur often takes several years between films, but he’s seemingly been moving slightly faster these days.

Sophia Scorziello editor Adam Driver is nearly unrecognizable in the first trailer for Michael Mann’s upcoming biopic “Ferrari,” where he suits up to play Italian sports car entrepreneur Enzo Ferrari. Driver stars alongside Penelope Cruz as Ferrari’s wife Laura Ferrari and Shailene Woodley as his mistress Lina Lardi. “Ferrari” will premiere at Venice Film Festival this year and is looking for a U.S.

Anticipation is building for “Killers of the Flower Moon”, the latest film from acclaimed director Martin Scorsese.

EXCLUSIVE: Radical, the Mexican true-life drama starring CODA‘s Eugenio Derbez that broke out of Sundance as the 2023 Festival Favorite, has secured an interim agreement that will permit publicity efforts ahead of its October 20th nationwide release, Deadline has learned.

Killers of the Flower Moon is gearing up for its wide release!

Altering an initial platform-release plan, Apple Original Films will instead launch the Cannes Film Festival hit Killers of the Flower Moon to a wide global theatrical release October 20. Apple is partnered with Paramount Pictures on the theatrical release. This before the Martin Scorsese-directed film that stars Robert De Niro, Leonardo DiCaprio and Lily Gladstone gets an Apple TV+ berth. That timing is undetermined at the moment, but it will surely be in the heat of awards season.  

Matt Donnelly Senior Film Writer “Killers of the Flower Moon” will release in movie theaters simultaneously around the globe in late October, shrugging off a planned limited release earlier that month. Apple Studios announced Tuesday that Martin Scorsese’s opus starring Leonardo DiCaprio and Lily Gladstone will hit cineplexes October 20, with a streaming debut on Apple TV Plus to follow at an undetermined date.

EXCLUSIVE: Emmy-nominated actress Shailene Woodley has signed with CAA for representation.

Nick Vivarelli International Correspondent The 80th Venice Film Festival kicks off tomorrow with a robust roster of awards season hopefuls making their bows, such as Michael Mann’s “Ferrari,” Bradley Cooper’s “Maestro,” Sophia Coppola’s “Priscilla” and David Fincher’s “The Killer,” accompanied by a smattering of stars. As previously reported by Variety, the festival has confirmed that Adam Driver will be in Venice to promote “Ferrari” while Cailee Spaeny and Jacob Elordi, who play Priscilla and Elvis Presley in “Priscilla,” as well as Priscilla Presley herself, are also expected to be on the Lido.

While many intriguing films will vie for the Golden Lion at this year’s Venice Film Festival, Michael Mann‘s “Ferrari” may be at the top of the list. It’s Mann’s first film since 2015’s “Blackhat,” the first outright flop of Mann’s career since 1983’s “The Keep.” That’s a strange lapse for a director among today’s most esteemed American filmmakers.

Heat, saying he still wants “to make it”.Starring Al Pacino and Robert De Niro, the 1995 critically-acclaimed crime epic is written and directed by Mann. A sequel, Heat 2, was released as a novel last year, which takes place both after and before the original film.At the time Mann, expressed how he plans to turn the novel into a movie at some point. “It’s totally planned to be a movie,” the director said at the time.