Michael Mann On ‘Blackhat’ Flop: “The Script Wasn’t Ready To Shoot” But “The Subject May Have Been Ahead Of The Curve”

After seven years, Jeff Nichols returns this year with “The Bikeriders,” a motorcycle gang drama starring Austin Butler, Jodie Comer, Nichols regular Michael Shannon, and Tom Hardy. And critics loved Nichols’ upcoming film at its world premiere at the Telluride Film Festival last weekend.

It is very rare for a married couple to be nominated for acting Oscars in the same year, but it has happened four times – including last year!

TELLURIDE- Despite a varied resume that includes art-house Sci-Fi, a classic coming-of-age tale, and a haunting drama on racial injustice, we weren’t sure Jeff Nichols had it in him to make a movie such as “The Bikeriders.” After its world premiere at the 2023 Telluride Film Festival, we’ll likely never doubt him again. Nichols has crafted a highly entertaining period piece on a legendary biker club that is at times sexy, funny, and filled with fisticuffs.

EXCLUSIVE: Saudi Arabia’s Red Rea Film Foundation has announced it is investing in Johnny Depp’s Modi, Michael Mann’s Venice title Ferrari and Guy Ritchie’s World War Two spy action feature The Ministry of Ungentlemanly Warfare.

Guy Lodge Film Critic Among all working U.S. filmmakers, few have built as faithful and fervent a following of critics and cinephiles as Michael Mann.

Michael Mann would seem a perfect fit for a biopic of Italian motorsports legend Enzo Ferrari, himself being a master technician and a director working at the high end of his commercial craft. The result, though, is a strangely tame beast, an introspective look at an in-between moment in its subject’s life, when his business hit the rocks, his marriage all but imploded and a series of fatal accidents kept his name in the papers for all the wrong reasons.

Owen Gleiberman Chief Film Critic In Michael Mann’s heady, intricately dark, raptly absorbing “Ferrari,” there’s a quiet scene that takes place the night before the Mille Miglia, the spectacular 1,500-kilometer motorsport endurance race. Enzo Ferrari (Adam Driver), the Italian sports-car magnate who needs to win the race (the survival of the company that bears his name depends on it), has five drivers who are scheduled to compete. In a kind of calm-before-the-storm ritual, several of them write notes to their romantic partners, telling them how much they love them, just in case they don’t survive the race.

Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style. An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.

Nick Vivarelli International Correspondent It’s no secret that it’s taken decades of twists and turns in Hollywood to get Michael Mann’s anticipated “Ferrari,” which makes its world premiere at the Venice Film Festival Aug. 31, to the big screen. But what’s less known is that the journey of this biopic about Italian sports car builder and racing pioneer Enzo Ferrari originated with Italy’s storied Cecchi Gori Group before the company went bust.

The story of an iconic car is coming to life.

Nick Vivarelli International Correspondent The Venice Film Festival has only continued to garner momentum under longtime festival director Alberto Barbera, who in recent years has managed to lure significant star power — from Lady Gaga to Joaquin Phoenix to Timothée Chalamet to Harry Styles — to the Lido. So imagine the heartbreak and fear last month when — just as Barbera was about to lock in one of his strongest lineups yet — he learned that, as a result of the SAG-AFTRA strike, many movie stars wouldn’t be able to make the trek to Italy this year.

Eighty years young, filmmaker Michael Mann (“Heat”) shows no signs of slowing down. Meticulous, precise, and muscular in his filmmaking, the American auteur often takes several years between films, but he’s seemingly been moving slightly faster these days.

Sophia Scorziello editor Adam Driver is nearly unrecognizable in the first trailer for Michael Mann’s upcoming biopic “Ferrari,” where he suits up to play Italian sports car entrepreneur Enzo Ferrari. Driver stars alongside Penelope Cruz as Ferrari’s wife Laura Ferrari and Shailene Woodley as his mistress Lina Lardi. “Ferrari” will premiere at Venice Film Festival this year and is looking for a U.S.

EXCLUSIVE: Emmy-nominated actress Shailene Woodley has signed with CAA for representation.

Manchester United have been embroiled in their fair share of transfer sagas.

Author Douglas Coupland once wrote in his seminal 1991 slacker work, “Generation X: Tales for an Accelerated Culture,” that “nostalgia is a deadly weapon,” and one supposes those words can be cautionary tales about our youth, what we romanticize and what potentially holds us back from growing because we can’t move on past it. I’m not exactly sure what that has to do with the new documentary, “‘The Elephant 6 Recording Co.,” about the late ‘90s recording collective The Elephant 6, mostly comprised of lo-fi indie bands from in and around Athens, Georgie, other than to say after watching this appropriately chaotic, shaggy and baggy documentary, Coupland’s quote immediately flashed back into my memory.

Heat, saying he still wants “to make it”.Starring Al Pacino and Robert De Niro, the 1995 critically-acclaimed crime epic is written and directed by Mann. A sequel, Heat 2, was released as a novel last year, which takes place both after and before the original film.At the time Mann, expressed how he plans to turn the novel into a movie at some point. “It’s totally planned to be a movie,” the director said at the time.

Michael Mann is ready to dive back into the world of “Heat”.

Michael Mann has made a number of iconic films. “Manhunter,” “Thief,” “Ali,” and “The Last of the Mohicans” are just several of the films Mann will always be known for.

Michael Mann is running out of time. I am in the 80-year-old director’s West Los Angeles office, talking to him about his new film, “Ferrari,” and he asks me to move closer and speak up. He then fills the room with beeps and boops as he takes a minute to start his own tape recorder — I already have two running.