Mia Hansen-Love on her Lea Seydoux Starrer ‘One Fine Morning;’ Clip Unveiled (EXCLUSIVE)

Katie Holmes is exploring life and love in lockdown in her introspective new romantic drama, ET exclusively debuts the teaser trailer for the upcoming film, written and directed by Holmes, which is set to make its debut at the Tribeca Film Festival next week. The film stars Holmes as June, a food critic who accidentally double-books an AirBnB upstate for herself and her boyfriend, John (Derek Luke), in March 2020. But when John has to bail on the trip to take care of his parents, June is forced to cohabitate with the other guest, newly-single Charlie (Jim Sturgess) as the pandemic restrictions start to sink in, essentially stranding them together.

Bergman Island’s writer-director, Mia Hansen-Løve, was herself in a relationship with an older film-maker, Olivier Assayas – and the story starts to feel like a refracting prism in its overlap of characters and creator. In the hands of Hansen-Løve, it’s a delicate millefeuille, layering story upon story, character upon character, until it’s hard to peel them apart.

David Cronenberg’s new film “Crimes Of The Future” asks its audience to go on quite a journey to the dystopian future. The film’s most quotable line, “surgery is the new sex,” only scratches the surface.

The stars of Crimes Of The Future gather up for the premiere of the film at Walter Reade Theater on Thursday (June 2) in New York City.

French actress Léa Seydoux is having a big moment right now at the 2022 Cannes Film Festival. Not only is she set to star in the latest film from director David Cronenberg, “Crimes Of The Future” (read our review), but she is also the lead in Mia Hansen-Løve’s “One Fine Morning” (read our review) But there is another project she is opening up about that she almost did.

John Hopewell Chief International CorrespondentStarring Léa Seydoux,  Mia Hansen-Løve’s “One Fine Morning” won this year’s Europa Cinemas Cannes Label for best European film at the 2022 Cannes Directors’ Fortnight.Announced Thursday by Europa Cinemas, ahead of the closing ceremony this evening, the prize is one of two at Directors Fortnight, and awarded by one of the sidebar’s partners given the section is non-competitive.A second partner plaudit, the SACD Prize, handed out by France’s Writers’ Guild,  will be announced later today at an awards ceremony.“One Fine Morning” was always a frontrunner for a prize at Directors’ Fortnight, though never a shoo-in. The award comes just three days after Sony Pictures Classics announced it had acquired North American, Latin American and Middle East rights to the film.

Kristen Stewart starts her day with the 2022 Cannes Film Festival photo call for her film Crimes of the Future on Tuesday (May 24) in Cannes, France.

Kristen Stewart just gave us another great red carpet moment!

review out of the festival praised Hansen-Løve’s attention to detail in depicting the challenges of ushering a loved one through an illness of someone near the end of his life. “With ‘One Fine Morning,’ Hansen-Løve turns her attention, and ours, toward the challenges, both tiny and immense, of loving someone through a decline such as this — one that’s not a death, just yet, but rather a disabling event, an experience that is as perplexing for Georg as it is for his family and former students,” Katie Walsh wrote for TheWrap.

Elsa Keslassy International CorrespondentSony Pictures Classics has nabbed “One Fine Morning,” Mia Hansen-Love’s critically acclaimed drama starring Lea Seydoux at Cannes on the heels of its world premiere at Directors’ Fortnight. Les Films du Losange, the indie film powerhouse, has now sold the film in 50 territories.The deal is for North American, Latin American and Middle East rights to the film.

Cannes Film Festival on Sunday.  The French actress, 36, looked stunning in a black, blue and white striped short sleeved T-shirt which she paired with the black trousers.  The star added some height to her frame in a pair of towering black pointed toe heels as she attended the event in the Campari Lounge at the Palais des Festivals.

After she ascended to the Competition last year with Bergman Island, it’s bittersweet to see Mia Hansen-Løve back in the ranks of Directors’ Fortnight. On the one hand, it’s a testament to her versatility that she can switch back and forth so adeptly, but at the same time, it’s a little galling to see women’s stories apparently banished from the Official Selection when so many bromances make the cut every year. That’s not to say that One Fine Morning has anything radical to offer — the story of a single mother falling in love with her late husband’s (married) friend, it won’t win any prizes for advancing the feminist cause — but it does offer a very thoughtful character sketch, composed around what might be a career-best role for underused Bond star Léa Seydoux.

Between her job as a French-English interpreter, the prospect of romantic fulfillment, and the impending deterioration of her father’s health, the woman holding together all the threads in Mia Hansen-Løve’s “One Fine Morning” navigates a wide spectrum of human emotion. In the director’s follow up to last year’s English-language meta homage “Bergman Island,” Sandra (Léa Seydoux) oscillates between desire and grief with believable fluidity.

Throughout her career, Mia Hansen-Løve has returned to a familiar milieu — the daily lives of women, drawing out a poignant beauty and humanist sense of drama in the quotidian rhythms of mothers as they go about their work, as well as their caretaking of children, parents and their own inner worlds. There’s something fascinating, and indeed feminist, about simply watching these women, played by some of Europe’s most talented actresses (Isabelle Huppert in “Things to Come,” Vicky Krieps in “Bergman Island”), simply exist in the world, maintaining the delicate balance of day-to-day harmony despite the larger ups and downs that threaten to upend everything.In “One Fine Morning,” Hansen-Løve’s latest, the woman in question is Sandra, played by Léa Seydoux, hair cropped into a pixie cut, clad in the jeans, sweatshirt and backpack befitting a young widowed mother caring for her daughter, Linn (Camille Leban Martins), on her own in Paris.

Guy Lodge Film Critic“One Fine Morning” sounds an innocuous title for a grownup relationship drama — destined, perhaps, to be confused on streaming menus with the George Clooney-Michelle Pfeiffer romcom “One Fine Day” — and in a sense, the mellow, melancholic cinema of French writer-director Mia Hansen-Løve is its own kind of comfort viewing. But as with many facets of her filmmaking, there’s a smarter, sadder, more literary undertow to the title’s sunny simplicity.

Audrey Diwan’s planned English language directing debut, the erotic tale Emmanuelle starring Lea Seydoux, has buyers buzzing as much as any Cannes Market package being shopped this week on the Croisette. But her last film Happening (which didn’t make the cut as France’s choice for Best Foreign Language Film, though many felt it would have won) might have the most lasting impact. The film is just released in the U.S. smack in the middle of revelations that the Supreme Court plans to overturn Roe V Wade.

Jeannie Mai says she feels so happy to welcome motherhood and embrace «the gift» of getting to see her baby girl learn and grow and thrive, but notes it's been a long journey getting to this point. The  star shared how she dealt with postpartum anxiety. Mai sat down with ET's Kevin Frazier on Monday and opened up about how her worries and concerns about having a baby — which she experienced while pregnant — transformed into a feeling of gratitude and unmitigated love with her baby's arrival.«I honestly can say that the whole time I was pregnant I was nervous because I was like I almost feel like I don't deserve this beautiful privilege,» Mai recalled. «I honestly got a lot of anxiety because I thought, for somebody who said their whole life that they didn't wanna be a mom and here this gift was being given to me, I felt like, 'Don't put yourself in risky situations, like don't get on a plane or — you are the one to have this taken away from you, because you didn't appreciate it when you had the choice.'»«So now, I am beyond grateful,» she added. «Because I cannot believe, as every parent can tell you, how much a child changes your life. And I like myself better.

EXCLUSIVE: Eternal Sunshine Of The Spotless Mind director Michel Gondry is readying his next project, which will be on sale in the Cannes market with French seller Kinology.