David Cronenberg’s new film “Crimes Of The Future” asks its audience to go on quite a journey to the dystopian future. The film’s most quotable line, “surgery is the new sex,” only scratches the surface.
19.05.2022 - 14:13 / deadline.com
Audrey Diwan’s planned English language directing debut, the erotic tale Emmanuelle starring Lea Seydoux, has buyers buzzing as much as any Cannes Market package being shopped this week on the Croisette. But her last film Happening (which didn’t make the cut as France’s choice for Best Foreign Language Film, though many felt it would have won) might have the most lasting impact. The film is just released in the U.S. smack in the middle of revelations that the Supreme Court plans to overturn Roe V Wade.
When Audrey Diwan’s film Happening (L’événement) was passed over by France for Oscar submission in favor of Julia Ducournau’s Titane, it was no great surprise to Diwan.
“It was such a hard choice for them to make,” she said. “We both have movies that are not very easy topics regarding the Academy.”
While Titane had won the Palme d’Or at Cannes, Diwan was BAFTA-nominated and won Venice’s Golden Lion with Happening. But Diwan’s film pushed the envelope to a place the Academy has historically swerved. Happening is a graphic, red-raw observation of a young woman, Anne, played by Anamaria Vartolomei, who undergoes an illegal abortion — a subject as contentious as ever in the U.S. as changing legislation currently closes in. Poor Academy precedent loomed too, in the form of Romania’s submission of Cristian Mungiu’s 2007 film — also about abortion — Four Months, Three Weeks and Two Days, which didn’t make the shortlist.
Ultimately, perhaps ironically, neither did Titane. But France’s submission decision left Diwan unruffled, not only because of her personal supportive friendship with Ducournau, but because votes and opinions are not necessarily her creative drivers. Despite making a film that speaks to a deeply personal heart of
David Cronenberg’s new film “Crimes Of The Future” asks its audience to go on quite a journey to the dystopian future. The film’s most quotable line, “surgery is the new sex,” only scratches the surface.
The stars of Crimes Of The Future gather up for the premiere of the film at Walter Reade Theater on Thursday (June 2) in New York City.
French actress Léa Seydoux is having a big moment right now at the 2022 Cannes Film Festival. Not only is she set to star in the latest film from director David Cronenberg, “Crimes Of The Future” (read our review), but she is also the lead in Mia Hansen-Løve’s “One Fine Morning” (read our review) But there is another project she is opening up about that she almost did.
John Hopewell Chief International CorrespondentStarring Léa Seydoux, Mia Hansen-Løve’s “One Fine Morning” won this year’s Europa Cinemas Cannes Label for best European film at the 2022 Cannes Directors’ Fortnight.Announced Thursday by Europa Cinemas, ahead of the closing ceremony this evening, the prize is one of two at Directors Fortnight, and awarded by one of the sidebar’s partners given the section is non-competitive.A second partner plaudit, the SACD Prize, handed out by France’s Writers’ Guild, will be announced later today at an awards ceremony.“One Fine Morning” was always a frontrunner for a prize at Directors’ Fortnight, though never a shoo-in. The award comes just three days after Sony Pictures Classics announced it had acquired North American, Latin American and Middle East rights to the film.
Kristen Stewart starts her day with the 2022 Cannes Film Festival photo call for her film Crimes of the Future on Tuesday (May 24) in Cannes, France.
Kristen Stewart just gave us another great red carpet moment!
Outlander is one of the most talked-about TV shows around, with fans dissecting every little hint or suggestion to try to work out what will happen next.
Elsa Keslassy International CorrespondentSony Pictures Classics has nabbed “One Fine Morning,” Mia Hansen-Love’s critically acclaimed drama starring Lea Seydoux at Cannes on the heels of its world premiere at Directors’ Fortnight. Les Films du Losange, the indie film powerhouse, has now sold the film in 50 territories.The deal is for North American, Latin American and Middle East rights to the film.
review, Nicholas Barber wrote that “Corsage” stylistically resembles the dreamy Kristen Stewart film “Spencer.” “Whenever the film seems to be settling into an atmospheric but conventionally good-looking period piece, Kreutzer throws in an amusing and jarring reminder of the modern world, as if Elisabeth were breaking out of her allotted role by time-traveling, momentarily, to the present day,” Barber wrote. “Corsage” follows Elisabeth around her 40th birthday at a time when her role in the empire is slowly becoming more performative and has to fight to maintain her public image by lacing her corset ever tighter and tighter.
Cannes Film Festival on Sunday. The French actress, 36, looked stunning in a black, blue and white striped short sleeved T-shirt which she paired with the black trousers. The star added some height to her frame in a pair of towering black pointed toe heels as she attended the event in the Campari Lounge at the Palais des Festivals.
CANNES, France -- Cristian Mungiu's Cannes Film Festival entry “R.M.N.” is set in an unnamed mountainous Transylvanian village in Romania, but the conflicts of ethnocentricity, racism and nationalism that permeate the multi-ethnic town could take place almost anywhere.Of all the films competing for the top Palme d'Or prize at Cannes, none may be quite as of the moment as “R.M.N." The movie, using a Romanian microcosm, captures the us-vs-them battles that have played out across Europe and beyond, wherever immigration and national identities have collided.Mungiu, the celebrated Romanian filmmaker of the landmark 2007 abortion drama “4 Months, 3 Weeks and 2 Days," has long been accustomed to his films being written off as grim portraits of a faraway Eastern Europe. It's a caricature he rejects, especially when it comes to “R.M.N.”“Whenever journalists interpret that it’s yet again another somber painting of this country, well, it’s not about that country — or not only about that country,” Mungiu told reporters Sunday.
Elsa Keslassy International CorrespondentMia Hansen-Løve, the French writer-director whose last film “Bergman Island” competed at last year’s Cannes, is back at the festival with “One Fine Morning,” a romance drama headlined by Lea Seydoux. The movie world premiered at Directors’ Fortnight and has earned stellar reviews with Variety‘s Guy Lodge describing it as a “wistful, wandering character study” and “gently moving reflection on parenting one’s children and parents at once,” which marks Hansen-Løve’s “returns to French, and to form.” “One Fine Morning” stars Seydoux as a long-single mother who’s coping with her father’s degenerative illness while embarking on a new, uncertain romance with a charming, yet emotionally unavailable man (Melvil Poupaud).
EXCLUSIVE: NewFilmmakers Los Angeles today announced the winners of its 10th annual Best of NFMLA Awards.
Between her job as a French-English interpreter, the prospect of romantic fulfillment, and the impending deterioration of her father’s health, the woman holding together all the threads in Mia Hansen-Løve’s “One Fine Morning” navigates a wide spectrum of human emotion. In the director’s follow up to last year’s English-language meta homage “Bergman Island,” Sandra (Léa Seydoux) oscillates between desire and grief with believable fluidity.
Elsa Keslassy International CorrespondentMK2 Films is shooting “Curiosity Room,” a remake of Wim Wenders’s cult 1982 documentary “Room 666,” during the Cannes Film Festival. Produced by MK Prods.
Brent Lang Executive Editor of Film and MediaIFC Films has acquired North American rights to “R.M.N.,” the new film from acclaimed writer, director and producer Cristian Mungiu, ahead of its world premiere in Cannes this week.It’s a grand reunion for the indie studio and the director, marking their fifth distribution collaboration. IFC Films will release “R.M.N.” theatrically in 2022.
EXCLUSIVE: Eternal Sunshine Of The Spotless Mind director Michel Gondry is readying his next project, which will be on sale in the Cannes market with French seller Kinology.
Actress Lea Seydoux is heading to the Cannes Film Festival this month with both David Cronenberg’s “Crimes of The Future” and Mia Hansen-Love‘s “One Fine Morning.” The festival isn’t the only thing going on as the Cannes Market has led to the actress starring in “Emmanuelle,” a revival of the film based on French novelist Emmanuelle Arsan‘s iconic sex-positive autobiography, in an English-language reboot.
Palme d’Or winning actress Léa Seydoux will star in Happening filmmaker Audrey Diwan’s English-language directorial debut, Emmanuelle, inspired by Emmanuelle Arsan’s novel and based on a script co-developed by Diwan and Rebecca Zlotowski.