Netflix is known for often canceling fan favorite television shows, and this year has been no exception.
10.10.2023 - 19:33 / variety.com
Trish Deitch Commercial theater — theater written mostly to entertain audiences, for the purpose of making money — is the enemy in Stephen Sondheim and George Furth’s 1981 musical, “Merrily We Roll Along,” now on Broadway at the Hudson Theatre. According to “Merrily,” it’s theater that doesn’t sacrifice its profundity to make it easy on audiences that has any real value at all.
But if commercial theater is the enemy, then it’s not surprising that “Merrily We Roll Along” flopped after 16 performances on Broadway in 1981: It’s not a show written to easily entertain. Centered on the friendship between gifted playwright Charley (Daniel Radcliffe), brilliant composer Franklin Shepard (Jonathan Groff) and critic Mary Flynn (Lindsay Mendez), “Merrily We Roll Along” begins at the end of their collective story — at a debauched party in 1976 celebrating the opening of Frank’s first Hollywood film.
It’s not a fun party for those with any depth; after all, if commercial theater is the enemy, then a commercial Hollywood film is a sin punishable by the end of your longest, deepest friendships. Over the course of the next two hours and 45 minutes, the musical unfolds backwards from the party, slowly revealing the events that led to the break-up of these three artists who have loved each other since college.
What makes the musical hard for first-time audiences is the fact that it’s like a jigsaw puzzle doled out one piece at a time, so you don’t see a complete picture until the last piece is placed and the show is over. It’s like looking back at your life at the moment of your death and finally seeing what it all meant: That revelation is there for a split second and then it’s gone.
Netflix is known for often canceling fan favorite television shows, and this year has been no exception.
Merrily We Roll Along. Sondheim acolytes are well versed in the show’s difficult past that dates back to the original 1981 Broadway production.Hal Prince, a longtime collaborator with Sondheim, mounted the show with a teenage cast who played the characters as both their younger and adult selves. It didn’t work.
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Daniel Radcliffe is making a film about one of his stunt doubles on Harry Potter who was paralysed following an accident on one of the film’s sets.As per Deadline, Sky and HBO Documentary Films are working on David Holmes: The Boy Who Lived which was described by Sky as “a coming-of-age story of stuntman David Holmes, a prodigious teenage gymnast from Essex, England, who is selected to play Daniel Radcliffe’s stunt double in the first Harry Potter film, when Daniel is just eleven.”Radcliffe starred as the titular character in all eight films in the world-famous series based on J.K. Rowling’s books, which concluded in 2011 while Holmes was his stunt double until an accident on the penultimate film left him paralysed.The synopsis adds: “Over the next ten years, the two form an inextricable bond, but on the penultimate film a tragic accident on set leaves David paralysed with a debilitating spinal injury, turning his world upside down.
Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat.
What’s missed everywhere is passion. In Sondheim’s other experimental musicals — “Assassins,” profiling presidential killers, and “Sunday In The Park With George,” about Georges Seurat’s famous painting — heat arrives in the most unexpected ways and places.
Naveen Kumar Chasing brunch to the brink of apocalypse is Stephen Sondheim at his most extreme, and the world premiere of “Here We Are,” which opened Off Broadway at the Shed on Sunday, is a study in overabundance. Appetite for the late composer’s final musical, written with David Ives and directed by Joe Mantello, has made it a hot ticket among those familiar enough with the moneyed types depicted onstage to potentially be the butt of the joke.
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Rebecca Rubin Film and Media Reporter “Sweeney Todd” stars Josh Groban and Annaleigh Ashford will take their final bows as the Demon Barber of Fleet Street and Mrs. Lovett in 2024. They will be exiting the show on Jan.
Broadway‘s Sweeney Todd stars Josh Groban and Annaleigh Ashford will play their final performances in the Stephen Sondheim revival on Sunday January 14, 2024, concluding their 46-week run headlining the critically lauded hit production, producers announced today.
Daniel Radcliffe was once again asked about the rumors that he could be playing Wolverine in the future.
Zack Sharf Digital News Director One year after telling fans he has no interest in playing Wolverine, Daniel Radcliffe is once again confronting rumors of a potential X-Men debut. This time, Radcliffe was asked by his “Merrily We Roll Along” musical co-stars Jonathan Groff and Lindsay Mendez during a Vogue lie detector test if it was Radclife himself who started the fan casting for the “Harry Potter” star to play Wolverine. Not true, he said.
Daniel Radcliffe has finally reacted to fan rumors that he might be the next Wolverine, noting that there is simply no truth to the theory.“No,” Radcliffe, 34, confirmed during a Vanity Fair lie detector interview with his “Merrily We Roll Along” costars Jonathan Groff and Lindsay Mendez.When asked by Mendez if he got buff for no reason, he laughed.“Yes. I got buff because I am obsessive, and I want to… You’ve seen my parents, they’re like insane fitness people,” he said.
Gordon Cox Theater Editor The 2023 edition of Variety’s annual theater breakfast was all about the Business of Broadway. But that didn’t keep things from getting spiritual, too. In a panel discussion featuring the starry cast of “Merrily We Roll Along” — held during the Business of Broadway breakfast Oct.
Merrily We Roll Along, the Sondheim revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, cemented its place among Broadway’s top earners during its opening week, grossing $1,706,962, filling all seats at the Hudson and securing the highest average ticket price with $220.88.
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Stephen Sondheim’s 1981 show, which was a 16-performance flop when it began its life, has, against all odds, only improved as the years have rolled on. It’s better and more youthfully optimistic now than it ever was before.
Troubled musicals, like troubled friendships, can often seem like defeats lying in wait, sponging up every last second of loving care, effort and good intention. So Maria Friedman’s smartly tended production of that most troubled of stage properties, the Stephen Sondheim-George Furth backwards musical Merrily We Roll Along deserves all the applause – and ticket-buying business – it’s getting at Broadway‘s Hudson Theatre.